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Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. This performance is from Rie Nakajima.
Rie Nakajima was born in Japan and lives and works in London. Nakajima works wi…
Live At White Cube
Live performances from Elaine Mitchener and Steve Beresford. Recorded live at White Cube on 28th and 1st March 2015. Sleeve artwork by Christian Marclay. Screen printing by Coriander Studio. Hand pressed on The Vinyl Factory Press at White Cube, Bermondsey.Christian Marclay’s exhibition at White Cube and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the Wh…
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. These two performances are from Steve Beresford and London Sinfonietta.
Side A: Conducted by Steve Beresford, performed by…
Funk Tide - Tokyo Jazz-Funk From Electric Bird 1978-87
Following the success of the 'Tokyo Glow' compilation, Wewantsounds once again teams up with Japanese Tokyo-based DJ Notoya to dig the rich Electric Bird catalogue and come with a versatile selection of sunny Jazz-Funk gems recorded between 1978 and 1987 for the label. A tasty selection featuring Yasuaki Shimizu, Toshiyuki Honda and Mikio Masuda, together with a few American musicians such as Ronnie Foster and Bobby Lyle. Most tracks make their vinyl debut outside of Japan and the album has been…
Possessed
Laurel Halo releases her score for the 2018 Metahaven film, "Possessed". Halo’s debut soundtrack provides the listener with a rich variety of sounds, from aqueous, subterranean drones, to plaintive folk pieces for violin and cello, to uncanny pseudoclassical piano mutations.
Watarase
Wewantsounds is delighted to reissue Fumio Itabashi's sought-after album "Watarase" hailed as one of the great Japanese jazz albums and featuring Itabashi on piano playing an inspired mix of standards and originals. Recorded in 1981 for Denon and released the following year, the album has since reached cult status among jazz connoisseurs, thanks to Itabashi's inventive piano playing and to its cult title track, a superb soulful and spiritual composition. Newly remastered by Nippon Columbia using…
Blue Whale
Legendary British drummer’s adventurous sophomore album is still full of surprises decades after it was made.
Thanx 4 Nothing
In celebration of The Infinite Mix, The Vinyl Factory release the soundtrack to ‘Thanx 4 Nothing’ by John Giorno. Ugo Rondinone’s immersive video installation features legendary beat poet John Giorno performing THANX 4 NOTHING. In this poem written on his 70th birthday, Giorno looks back at his life – and the people and events that shaped it – with humour and compassion. Performing in a tuxedo and bare feet on an empty stage in the Palais des Glaces theatre in Paris, as well as in a brightly-lit…
Sleep/Spiracle
The soundtrack to Pipilotti Rist‘s ‘4th Floor to Mildness‘, the mesmerising and meditative installation showing at Strange Days. Edition of 500. Pipilotti Rist’s (b.1962) mesmerising works envelop viewers in vibrantly coloured kaleidoscopic projections that fuse the natural world with the technological sublime. Referring to her art as a ‘glorification of the wonder of evolution,” Rist maintains a deep sense of curiosity that pervades her explorations of physical and psychological experiences. He…
London Conversation
London Conversation is the first album by John Martyn, released on Island Records in 1967. Largely self-penned, the album is much more folk oriented than his blues/jazz tinged later releases. Recording was completed by 9 August and the album was released when Martyn was 19 in October 1967. The album reputedly cost £158 to record. The cover photo was taken by Barry Wentzel on the roof of Island Records boss Chris Blackwell's flat in Cromwell Road, London.
Hands That Bind (Original Motion Picture Soundtrack)
The Original Motion Picture Soundtrack for Hands That Bind, by Jim O'Rourke
The Visitor
Breathing in, breathing out. Tide comes in, tide goes out. The sun rises and it also sets: beginnings and endings. These are the first impressions given by The Visitor: a build-up and break-down. One seamless, 38-minute piece of music that completely engages its listeners. An extremely thoughtful piece that even a year later, still retains all of the qualities it had upon first listen. This record made me realize the full potential music can have when someone who actually gives a damn does somet…
Huffin Rag Blues
Nurse With Wound is the main recording vehicle for British musician Steven Stapleton. Since 1978, with collaborators such as David Tibet (Current 93), John Balance (Coil), Colin Potter and Matt Waldron (Irr. App [Ext]), Nurse With Wound has released dozens of albums that draw on nearly every genre of music. The only constant is that one never knows what the next album will sound like.Stapleton and Andrew Liles form the core of the band on Huffin' Rag Blues, and the direction to which they are he…
Insignificance
2024 Repress. Insignificance, Jim O'Rourke's third solo album for Drag City, reaffirms that he is not only a fine composer, arranger, and producer, but a gifted, creative songwriter as well. As with Eureka and the Halfway to a Threeway EP, O'Rourke continues to find as many possibilities in singing and songwriting as he does experiment with pure sound. However, this time O'Rourke adds a few twists to the formula he pioneered on those two efforts.
He sings on each of Insignificance's tracks, his…
Blue
A peak album for Joni Mitchell and genuinely one of the greatest singer-singwriter albums of the '70s, of not ever, all the greater for the intimacy of the songs and beauty of her voice! Perfect isn't a word you want to throw around too often, but Joni Mitchell's Blue might be one of the rare perfect albums. They way personal storytelling soars as relatable poetry, the sparest acoustic backing feels a whole buzzing environment for her voice to soar over. It deserves every bit of praise it's gott…
Ladies of the Canyon
Ladies Of The Canyon was originally recorded between 1969 and 1970, and serves as a transition from her earlier folk inspired release to the more sophisticated albums Joni Mitchell would go on to release. Many of the songs feature lengthy instrumental passages, something would become fully realized on albums like Court And Spark. The flute and saxophone that appear on "For Free" and "Conversation" give a taste of the influence of jazz over many of Mitchell's subsequent recordings. The singer cov…
Streaming Music, Streaming Capital
In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of …
The Voice in the Headphones
The voice in the headphones says, “you’re rolling” . . .
Good Night the Pleasure Was Ours
With Good night the pleasure was ours, David Grubbs melts down and recasts three decades of playing music on tour into a book-length poem, bringing to a close the trilogy that includes Now that the audience is assembled and The Voice in the Headphones. In Good night the pleasure was ours, the world outside the tour filters in with eccentric sparseness. From teenage punk bands to ensembles without fixed membership, and from solo performance to a group augmented by digital avatars, Grubbs presents…
A Most Valuable Medium: The Remediation of Oral Performance on Early Commercial Recordings
Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences—sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this i…