Anders Lauge Meldgaard

12 instrumenter til Henning (english: 12 instruments for Henning) is a new arrangement by Danish composer Anders Lauge Meldgaard (formerly known as Frisk Frugt) that sees Meldgaard exploring the music of Danish avant-garde artist and composer Henning Christiansen. A trio piece by Christiansen from 1975 is the source material for a bright and stimulating new work for extended chamber ensemble, with the tonal language the original blossoming outwards via Meldgaard’s own brilliantly colourful sound palette.

12 instrumenter til Henning was originally commissioned by The Museum of Contemporary Art in Roskilde (Denmark) for an exhibition on Christiansen, who has seen quite the revival with international re-releases and exhibitions within the last five years. On occasion of the exhibit, a proposal was made for Meldgaard to do a recomposition of the first two movements in Christiansen’s Trio. Om tiden der gik (eng: Trio. About the time that passed) (opus 91, 1975) written for recorder, piano and cello. The outcome serves as a fascinating unfolding of Henning Christiansen’s musical practice, but foremost it is a perfect example of the unique expression that is signature for Anders Lauge Meldgaard as an artist and composer.

Note by note, Anders Lauge Meldgaard has transformed the music of Christiansen from the original trio score into a new radiant composition. Each part is rewritten through a thoughtful system created by Meldgaard, who reflects on the proces: “I’ve imagined how Hennings piece has grown older, the instruments have grown in size, they’ve propagated and changed their pace”. The three original instruments mutate into twelve: the recorder takes the form of a whole woodwind section while the piano spreads out to cover keyboard instruments such as harpsichord, synth and organ and the cello parts play out on several string instruments. Furthermore, autonomous tempi are assigned for all the Anders Lauge Meldgaard “12 instrumenter til Henning” (LP) new voices. Each instrument operates at its very own pace, creating in total a unity of freely intertwined multilayered pulses.