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The tuba player and composer Robin Hayward has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve', and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, initially as a visualisation of the harmonic space implicit within the microtonal tuba. Collaborations include such musicians as Roberto Fabbriciani and Charles Curtis, along with composers such as Christian Wo…
Originally released as a 3 CDr set on Inyrdisk to commemorate 30 years of If, Bwana, and now available on manufactured CDs, this triple disc gracefully spans 3 and 1/4 hours of riveting musique concrète and refined experimentation from Al Margolis. These recent recordings come to you re-mastered and repackaged from the self-released tapes sold in a nearly invisible edition during a brief tour, sub-titled within Thirty as Blue Two, Green Three and Yellow Four. Thirty captures If, Bwana championi…
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…
Third volume, the last in the initial set, centered around pierre henry's score to jean painleve's amazing documentary on the cephalopod, "love-life of the octopus". Also included is wlodzimierz kotonski's score to jan lenica's seminal short film "labyrinthe".
Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, sometimes surprising …
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
Painting Petals On Planet Ghost is the project formed in 2004 by the brothers Maurizio and Roberto Opalio, better known as My Cat Is An Alien, along with Ramona Ponzini, after years of synergistic interaction. The idea behind the project is to combine the most lyrical and melodic MCIAA sounds with the peculiar research carried on by Ramona and focused on the use of ancient Japanese poetry as a privileged source of texts to be set to music. PPOPG is therefore a project that reflects an escape to …
*300 copies limited edition. In process of stocking* "These two pieces were recorded in Paris in December of 2017 at the request of Banned Productions who then released them as a cassette. However, only very few copies of the tape were made and distributed, which is the reason for this new edition, mastered for the occasion by Paul Lavigne at Kontrast Mastering. The cover drawing was copied by hand from the original cover art and screen-printed by Charlotte at ZYX Éditions (Bretoncelles, Basse …
*200 copies limited edition* Great compilation from French label Fern Recordings. Featuring: Vincent Jehanno, Alice Kemp, BRB>VOICECOIL, Leif Elggren, Jeph Jerman, Yeast Culture, Aliénor Golvet, Anne Gillis.
**20 copies only** A Take on "Piece for Guitars" is an extension of the installation called Pieces for Instruments, which features three filmed sound performances entitled Piece for Drums, Piece for Microphones and Piece for Guitars. In each performance, a musical instrument is dragged through a different natural site. This approach aims to use the ground as an actual "musical score", in order to question how landscape shapes culture and, more specifically, sonic and musical imaginaries. Piece f…
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
2015 repress. Remastered CD edition of Tazartès' Transports, autodidact and outsider composer Ghédalia Tazartès' 1980 second LP. This album probably represents the most original example of the artist's poetical and personal approach to sound organization. The tracks for Tazartès' Transports, recorded in 1977 at Tazartès' own studio in Paris, are blends of stream-of-consciousness rippling electro rhythms, outer-national singing styles, collaged field recordings, tape loops, and chants. The …
Published for the opening of Ben Patterson's first large retrospective exhibition at the Contemporary Art Museum in Houston, this double CD anthology includes both historical recordings taken from the Early Works, from 370 Flies CDs as well as the first digital version of the no longer available LP titled A Fluxus Elegy and a previously-unpublished track. The first CD starts with the first-ever recording of "Ants" (1960), one of Ben Patterson's first graphic scores, pre-dating the Fluxus group. …
*2022 stock* Lounge at Cinevox: Beat, Vol. 1 plucks a series of lounge-influenced instrumentals from the vaults of Cinevox Records, an Italian record company that has specialized in soundtracks for many decades. Lounge fanatics will be happy to know that much of the material on this disc is either previously unreleased or making its first appearance on compact disc. Much of the material presented here has a jazzy swing to it: "Bakenda Beat" layers freewheeling sax and piano solos over the throb …
*2022 stock* "After testing the waters with the solid but unexceptional Lounge at Cinevox: Beat, Vol. 1, Cinevox upped the ante with this more interesting second volume. Lounge at Cinevox: Beat, Vol. 2 has the edge on its predecessor because it boasts a more adventurous set of selections. This combination of factors is apparent from the first cut, a wild slab of psychedelic funk entitled "4 Mosche Di Velluto Grigio (Titoli)": After leaping out the speakers with a jazzy drum intro, this cut then …