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1971 composition fusing classical structure with jazz improvisation by Third Stream composer, released in 1978 by Flying Fish.

bastille musique presents its twenty-eighth release »DLW: Extended Beats« featuring world premiere recordings by Dell-Lillinger-Westergaard, Klangforum Wien, Sonar Quartett, Tamara Stefanovich (piano), Martin Adámek (clarinets) and Johannes Brecht (electronics). Together with the guests, Dell-Lillinger-Westergaard extend their beats in terms of co-composition and form as well as instrumentation. In addition to the recordings produced at the Paul-Robeson-Studio, the set also contains a 48-page bi…

* Edition of 325 copies, silkscreened sleeve w/ obi (black or kraft), postcard * Kusōzu : Nine Death Stages is the second album by the Tokyo trio Archeus, which consists of Keiko Higuchi (voice, percussion, trombone, shamisen), Shizuo Uchida (bass strings), and Tomo (hurdy gurdy, voice). It follows their debut, self-titled and self-released CD and cassette from 2021 and is further proof – if any were needed – that these musicians, who’ve known each other for some time, but only started playing t…

“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon

Legendary Japanese jazz vocalist Kimiko Kasai, one of the most innovative singers of the 1970s, joins forces with the fiery Kosuke Mine Quartet on the newly reissued Yellow Carcass in the Blue, originally released in 1971 on the esteemed Three Blind Mice (TBM) label. This rare leader album captures Kasai at her peak, blending her husky, soulful voice with avant-garde improvisation and fusion grooves, featuring standout tracks like the title song—Masabumi Kikuchi's composition elevated by Kasai's…

The Takashi Mizuhashi Quartet proudly announces the reissue of their legendary 1974 album Who Cares, a cornerstone of Japanese post-bop jazz now available in a stunning remastered vinyl edition via Three Blind Mice Records. Originally recorded on August 28, 1974, at Aoi Studio in Tokyo, this vibrant LP captures the quartet's unparalleled synergy during jazz's golden era in Japan. Led by bassist and composer Takashi Mizuhashi, the quartet features saxophonist Yoshio Otomo on alto and soprano sax,…

The legendary Isao Suzuki Trio's iconic 1976 album Black Orpheus, a cornerstone of Japanese jazz, receives a stunning 180g vinyl reissue, bringing its soulful modal and soul-jazz grooves back to life for a new generation of listeners. Originally released on Three Blind Mice (TBM-63) and recorded on February 20, 1976, at Aoi Studio in Tokyo, Black Orpheus showcases bassist and cellist Isao Suzuki leading a powerhouse trio with pianist Tsuyoshi Yamamoto on piano and electric piano, and drummer Don…

Tip! Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem. The tracks on this compilation were chosen by Peterson via an extensive review of track lists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs. The compi…

"Transition East" features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book "Make Some Space" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre. Angel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed & recorded "Transition East" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of "Make Some Space." Angel conceptualiz…

On Magic Oneohtrix Point Never, Daniel Lopatin turns his alias back on itself, building an FM‑radio hallucination that scans through pop ballads, new‑age satire and junk‑media collage. Mutant songs, warped DJ chatter and scavenged broadcast detritus form a self‑portrait of OPN’s first decade, mapped as a day spent spinning the dial of a half‑broken soft‑rock station.

On Tranquilizer, Oneohtrix Point Never (Daniel Lopatin) turns a cache of vanished 90s/early‑2000s sample CDs into a shimmering, otherworldly meditation on digital memory. Ambient‑new‑age rompler pads, anonymous whooshes and muzak fragments are re‑cut into vivid sound collages that feel more stupefying than sedative, tracing beauty inside the most ordinary sonic debris.

* Introduction by Ione, foreword by Laurie Anderson and illustrations by Aura Satz * What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and conscious…

First published in 1971 and long out of print, 'Sonic Meditations' is now reprinted by Pauline Oliveros Publications  & Ministry of Maåt Publications. 25 meditations for musicians of all ages and skill levels, to help them learn how to focus on, listen to, and produce sound naturally. An important work in the development of Oliveros' Deep Listening. A "must" for any music library! "One of the most seminal works in late 20th century avant-garde musical thought, Sonic Meditations not only departs …

*300 copies limited edition* During the year 2021, Charlemagne entrusted us with numerous archives recently found on audio cassettes dating from the 70s and 80s. After a long process of listening and selection, we are pleased to present the first volume of these archives to you.

*2025 stock* A landmark new recording brings together two of Frederic Rzewski’s most powerful and socially engaged works, interpreted with striking intensity by pianist Takuya Otaki. At the heart of the release is The People United Will Never Be Defeated! (1975), a monumental set of 36 variations on the Chilean resistance song “¡El pueblo unido jamás será vencido!”, composed as an ode to solidarity and resilience in times of political struggle. Widely considered one of the pinnacles of late 20th…

 "David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions. Sam Behrman and Siegfried Sassoon met in 1920, when Behrman, then a young writer working at The New York Times, was sent to interview Sassoon at the start of the English poet's postwar American lecture tour. In that tour Sassoon was billed as 'England's Soldier-Poet.' He had a reputation both as a war hero and …

Five pieces in tribute to Milarepa, the eleventh century Tibetan poet and saint. Radigue on synthesizer, Robert Ashley reading in English and Lama Kunga Rinpoche in Tibetan, the last track running sixty-two minutes.

Julien Sénélas, Jérôme Vassereau and Soia present a new version of "In C", Terry Riley's seminal work: a musical interpretation with two modular synthesizers (11 oscillators) and a graphic interpretation of the original score.

Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.

Yoshi Wada has often said that The Appointed Cloud is his favorite of his own works, and listening to this remastered edition makes clear why. Staged at the Great Hall of the New York Hall of Science in 1987, the piece was Wada's first large-scale interactive installation, featuring a custom pipe organ and homemade instruments controlled by computer through an interface and software designed by engineer David Rayna, known for his work with La Monte Young. The space itself—designed for the 1964-6…

Written and directed by Ione. Music and sound design by Pauline Oliveros. A collaborative venture among artists of all types, this 'dance-opera' is a multimedia panorama of experimental theatre and technical virtuosity that includes aerial ballet, masks, video projection, a sinister thousand-eyed monster, and a highly imaginative electronic soundscape. The one-act story, set in primeval time, retells the myth of Io from a matriarchal perspective. Io, Argivian priestess, is transformed by a terri…

Cellular Songs is the first Meredith Monk release with ECM since the extensive box-set Meredith Monk: The Recordings in 2022 and the first recording of new music since 2016's On Behalf of Nature. It is also the second part of an interdisciplinary trilogy of performance works by Meredith Monk that began with On Behalf of Nature, a meditation on the precarious state of our global ecology. Cellular Songs turns attention to the very fabric of life itself, and evokes such biological processes as laye…

A live carillon performance on the bells of St Rumbold's Cathedral in Mechelen, October 2017. Palestine started out on the carillon of St Thomas Church on Fifth Avenue as a teenager, years before the Bosendorfer, and this is him going back to it with fifty years behind him.

First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own.  After graduating from Kyoto University of Fine Arts with a degree in sculptur…

Drawn from an installation about what the brain does when it is doing nothing. Cognitive research uses an 800 hertz beep to jolt subjects awake and ask what they were thinking; Dreyblatt kept the beep, at random intervals between 57 and 63 seconds, across forty minutes of sine tones.

Tip! In the depths of Geneva’s Fonderie Kugler red-lit-boudoir, stand four grand pianos surrounded by divinities. The two elder Erard brothers are tuned down a quarter tone lower than their neighbours, a twin pair of gleaming and valiant Yamaha’s. Charlemagne and Seppe both sit facing each other, managing the 428Hz tuning from the tip of their left hand, while the right hand controls the conventional 440Hz machine. This four-piano fantasy was born a few years ago, when these two gentlemen met ar…

Two long pieces commissioned by the players themselves: DreGliss, written in 2015 for Erik Drescher's glissando flute, and Nataliawork, from 2005, for Natalia Pschenitschnikova's bass flute and voice

"Singing in Unison" is the final in a series of recordings from acclaimed sound artist, composer and performer Yoshi Wada. Recorded live over two nights, March 14 and 15, in 1978, at New York City's legendary performance space The Kitchen, "Singing in Unison" is a dramatic yet meditative work: modal improvisations for three male voices, singing, with great gravitas, in purposeful unison. These previously unreleased recordings, featuring vocalists Richard Hayman (aka R.I.P Hayman), Imani Smith an…

Phill Niblock’s riveting and rare work for Joseph Celli sees necessary and long-awaited reissue on the amazing Superior Viaduct, who continue to carefully and studiously unfold the history of avant-garde and experimental music before your ears.

The long-awaited and reissue of Wada's 1985 LP "Off The Wall", recorded in Berlin and originally released on the esteemed FMP label. A minimalist yet majestic monsterpiece ("massive", as Tom Johnson declares in his perceptive liner notes), "Off The Wall" features Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ, and percussionist Andreas Schmidt-Neri. The original album consisted of two side-long pieces recorded on successive days by Jost Geber, who captured the power and dynam…

** 2024 Repress ** Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called "Big Four" of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich's influence can …

"What strikes me again, even now, is that rock from the late '60s through the early '70s remains the most compelling — whether Western or Japanese. In the mid-1960s, British groups like The Beatles and The Rolling Stones swept across the globe, while in the United States Bob Dylan famously swapped his folk guitar for an electric one, igniting the folk-rock movement. From the surge of new energy among young people in Britain and America — entwined with hippie culture, drugs, and the radical momen…

Hidefumi Toki's 1975 album Toki offers a deeply personal journey into the realms of jazz, showcasing his expressive prowess on alto and soprano saxophones. Backed by a stellar quartet including Kazumi Watanabe on guitar, Nobuyoshi Ino on bass, and Steve Jackson on drums, Toki creates a stunning sonic landscape filled with gentle, raspy tones. The album's ambiance is laidback and mellow, yet infused with a profound sense of spiritual depth reminiscent of Coltrane's work. Original compositions lik…

A memorable first album by the very accomplished yet restrained artist, Naosuke Miyamoto. Thrilling straight-ahead jazz with Takashi Furuya and other Kansai-based members!

Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. Mind-blowing reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. This is the terrifying debut album from saxophonist Kosuke Mine, with a sense of tension that seems to burst throughout, and is a monumental work that marked the historic beginning of the prestigious three blind mice label Completely original reproduction specification (reproduced as f…

Wewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. Otoko Onna Kokoro No Aika is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition …

Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resona…

**Edition of 500. Gatefold Edition. Includes booklet with photos and texts in Portuguese and English ** Walter Smetak was a Swiss cellist, composer, inventor of musical instruments, sculptor and writer who developed his career in Salvador, Brazil, and became an emblematic figure of the Bahian avant-garde and a key part of the cultural climate that made the rise of tropicália possible. Since 1969, he has carried out various workshops of experimental music at University of Bahia. His music was mat…

** Edition of 500. Includes booklet with photos and texts in Portugues and Spanish ** The second album by the legendary Swiss artist and composer, based in Brazil, Walter Smetak, opened a new field of exploration within his own musical horizon. With the publication of “Smetak” (1974), a musical universe had been defined where Afro-Brazilian ritual traditions, studies of microtonality and open processes of collective improvisation converged, always under the influence of theosophy, which allowed …

Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1985 album, "Now Wait For Last Year." This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after. The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, mini…