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The title of guitarist Barry Cleveland’s 1986 album - Stones of Precious Water - conjures images of incandescent gems, harvested from hallowed streams and held aloft to glimmer and catch the light in their many facets. And perhaps this is the truest analogue for the music contained therein. Recorded between 1981 and 1983, in mostly improvised recording sessions, the disparate nature of Stones’ creation is alluded to only by the breadth and variety of sounds it encompasses. Stones of Precious Wat…
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
This CD by Alessandro Perini combines electronic sound manipulation with the creation of electromechanical and electroacoustic instruments and a reflection on sound environment, tending toward the exploration of unusual compositional solution. In short, it is experimental music and as such, it deserves to be listened to and commented upon. A few words about the composer. Alessandro Perini is a young musician: he studied composition (with Luca Francesconi and Ivan Fedele among others), electroni…
"In the works of Martón Illés from the early 2000s, physically perceptible energy, gestural force, and visual conceptions of the sonic are already present. After 2010 the composer drew further implications from these for his work: since then, his musical thinking has no longer been based on fixed pitches, but rather on sounds – either as acoustic manifestations of imagined lines or as gestures modeled on the physical. The way he actually implements this by means of instruments is impressively de…
With their 2018–2019 Isang Yun Recording Project, ItalianCellist Luigi Piovano and Pianist Aldo Orvieto pay homageto the late Korean composer and the tragic course of his life. “The events that marked Isang Yun’s life emblematically show the miserable short-sightedness of the human being, unable to act authentically and with love towards others, in striving for a common good and reach a common spiritual elevation. When confronted with the exceptional musical depth and the dramatic power of Isang…
Wojciech Błażejczyk’s music feeds on scientific theories, internet streams and civilization waves or scrap. It sometimes looks like a nerd’s diary. Full of different colors and fonts, notes, charts, exclamations and underlined words. This diary is the composer’s reaction to what surrounds him every day. Global news often appear together with local events, fake facts – with perceptual illusions, war strategy – with a pacifist message. All of that put in a new music idiom spiced up with a pinch of…
The music of Austrian composer Bernhard Lang (b. 1957) is one of in-betweens. Stylistically, Lang’s oeuvre occupies the space between a multitude of genres, ranging from contem porary composition and free improvisation to the wider realms of hip hop and DJ-culture. By virtue of Lang’s radical openness to creative conversation and collaboration, and to ideas and influences from other areas of artistic and scientific exploration, his oeuvre finds connections to the worlds of film, dance, theatre, …
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
** Und du… was composed in 1963, commissioned by the Austrian Broadcasting Co. It was supposed to be played “radiophonically,” i.e. on tape and with loudspeakers only, to reach and involve a group of listeners corresponding to the medium’s effective radius. My own involvement with the nuclear situation – the dangerousness of which against the background of Hiroshima was clear, but not nearly to the extent it is today among the broad public – prompted me to take the equally fundamental anxiety I …
Tip! ** 2021 stock ** Vidna Obmana (née Dirk Serries) recorded Revealed By Composed Nature in 1989 and 1990. It was his first vinyl album, intended as a sequel to his cassette releases. However, the pressing was of such poor quality that much of the emotional intent was lost. Serries digitally remastered the album and presents it here on CD. He also restored the original depth of emotions. Through a unique process, Serries creates synchronized loops through the internal sequences of the instrume…
Tip! ** 2021 stock ** Vidna Obmana (whose real name is Dirk Serries) evokes the sunless wet gloom of his native Belgium in this CD which, as its name says, is music composed by Obmana as background sound for an aquarium installation. It has seven sections of his atmospheric (or rather, aquatic) ambience, dating from '92 and '93. Obmana stays with his familiar repertoire of long, floating electronic drone tones over percussion and sound effects. When he uses tonality, he favors somber open eleven…
This album is dedicated to death. i don’t mean death the spectre that installs horror and fear in many (in the western world), nor death the enemy of the (western) for-profit medical system, but death as part of a cycle, like birth. death the only certainty in life. Dying, like living, as something that can be done well - or not. Death also something that can be a release, a relief, a liberation, the end of suffering, a freedom. this album is inspired by my father's illness, deterioration and de…
Concived as a selection of jams of free form and linear electonic ideas, Electronic Execution pretends to dissolve (to execute) the prosaic world of images in invisible and ancestral soundscapes.RM is the last incarnation of Riccardo Mazza, important underground personality from regional scene of Veneto where our curator Nico Vascellari was born and raised. Mazza has been member of projects such as A Flower Kollapsed, Lago Morto, Orfanado e Lettera 22. His debut under his new moniker RM, Curren…
**200 copies** Composed and performed by João Pais Filipe. Recorded and mixed by José Arantes. Mastered by Chris Hardman. Design by Proto Thanks to: Burnt Friedman, Carolina Bagulho, Diogo Rapazote, Joaquim Durães, José Arantes, Maria Mendes, Renato Cruz Santos, Nelson Gomes, André Santos and Flur team. This record is dedicated to my Grandmother Maria de Lurdes Gomes
«Tolerance can be used to describe how things fit together. Another term is allowance. Situations do not always run smoothly alongside others. People are not always able to accept new situations presented to them. With this work, I have stated “Many borders crossed, communities welcomed by, moments shared, ideas exchanged. Everyone on the planet should have this basic human right.” I truly believe this and have grown in every way through my own experiences, here combined in a way to reflect both…
*2022 stock* Futura Marge presents Wha's Nine by Trio 3 (Oliver Lake alto saxophone, Reggie Workman doublebass & Andrew Cyrille drums).
Recorded in Paris on October 28th 2007, live at the Sunset.
*2022 stock* Futura Marge presents Shape by Alexandra Grimal (tenor & soprano saxophones ), Antonin Rayon (Hammond & Clavinet) & Emmanuel Scarpa (drums) .
Recorded on June 30th 2008 at the Sunset, Paris. Digipak.
*2022 stock* Futura Marge presents Existences by Trio Passeurs (Véronique Magdelenat alto and soprano sax, Bernard Santacruz doublebass & Christian Rollet drums).
Recorded live 15th november 2008 at l'AJMI - La Manutention in Avignon (France)