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Transport rushes through all sorts of unholy rituals and improvised excesses – from Tanz um den Melkeimer to the Ekelzentrum and on to the Traumbaum. A Space Odyssey without rules or certainties, apart from the filthy power of an uproar of etheric synthesizer washes and motoric drum pulses. On their Milchreise, they boldly stimulate cosmic regions of your brain that no band has stimulated before (probably apart from Amon Düül, Ash Ra Tempel and Boredoms). Milchreise is their thundering, …
2012 reissue, long out of print. Krishnanda is an album in the truest sense of the word – a spiritual, experimental psychedelic Brazilian masterpiece from start to finish – Produced by the artist himself in the CBS studio with arrangements Joppa Lins (codenamed Pacheco Lins ) and the endorsement of Hélcio Milito (then in the position of Production Director of the label), Krishnanda is a pearl of MPB and features poetic lyrics mystical perspective under a different linguistic structure.The sound…
* 2021 stock * Nobody who attended the first performance of Sexo Puro is ever likely to forget it. On that October afternoon, the conciliatory power of this work, which Maria de Alvear sees as a “meditation on inner goodness”, came into sharp collision with the irreconcilable powers that sometimes gather at contemporary-music festivals.
It was probably not even the theme of sexuality that so profoundly disturbed a part of the audience at the 1998 Donaueschingen Festival, even though it is seldom…
* 2021 stock * The structures of Chris Newman's music are apparently simple, like his music pictures: large, thick dots of notes, but a lot of space in between: "The raw and the cooked" (Roland Barthes). He himself likes to cook well and with pleasure. Just his lamb chops, for example. He only puts them in a hot pan with oil; there is also chard, just pulled out of the water, but also more complicated things: coq au vin or bœuf bourguignon.His music has a strong physical structure, is quasi carn…
* 2020 stock * Dedicatorias is a series of 60 sound works each lasting 1 minute which were largely accomplished between 2013 and 2015. The list of dedications is neither exhaustive nor can it be. It is subjective art which comprises very different techniques, influences and materials: sound remnants, illuminated in their confrontation, metamorphosis and combination which bring up to date and question the bearer and media. Radio is the paramount reference.
In these miniatures, there is a place fo…
*2021 stock* What is one to make of Maria de Alvear’s two long solos for piano, De puro amor (‘Of pure love’) and En amor duro (‘In hard love’), both composed in 1991. The scores themselves, if one decides to start from here, are completely perplexing. Pages and pages are marked with hastily scratched notes, sometimes repeating themselves dozens of times. Little priority seems to have been given to rhythm, dynamics or articulation; even less to the notational conventions such as barlines, spacin…
*2021 stock* Angelus novus is the third opera by Madrid composer Jorge Fernández Guerra. This time, he draws on a selection of texts by Walter Benjamin, which he uses to create a dialogue of sorts between a male character and a female character, who could be an alter ego or perhaps an angel.
The dialogue appears to transpire during the final moments of the character’s life, which may be reminiscent of Benjamin’s final moments at the Spanish border as he fled the Nazis.
Angelus novus premiered a…
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
**2021 stock** Flores, like any other work of Maria de Alvear, deals with the ideal of inner freedom. This is not a mere claim, it is manifested in the shape of the piece itself. Written in the author's typical mixture of composition and notated improvisation, the text leaves a certain scope to the seven instrumentalists as to the elaboration of the rhythm and at times also the intonation. The score has almost no directives for the parts of the two singers: what and how the singing is performed …
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
Patty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk's Bernard Stollman. The rest is history.Recorded with pianist Burton Greene, Waters' haunting 1966 debut Sings juxtaposes a side of hushed self-com…
Br'laaB is the moniker for the studio works of Brecht Ameel (Razen), consisting on the one hand of themes from Ameel's songbook for the Acid Boogie Quartet, on the other hand of tape collage pieces based on recordings of found audio, ultra-fi sampling, degraded vhs, skipping cd's and sandpaper vinyls. Combining influences that range from Slint to Raymond Dijkstra and from Tape to Peer Raben, the pieces here were assembled and recorded after hours while working on commissions for contemporary da…
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music.
Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…
Wave Piano Scenery Player consists of several artifacts brought into a single structure: large black oil paintings on paper sheets dividing an automatic grand piano in two parts (sounding body, keyboard); tree pieces of music hamonically linking the 88 keys of the piano by combining them with mirotonally tuned sinewaves; a subwoofer/loudspeaker reproducing the elctronic tones; a pianist and a computer, both acting as performers.
The time-based form is deivides into threee parts, in which Sabat c…
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
"Leukert brings back intuition into the computer-mechanical techniques of contemporary classical music. His compositions derive from the hearing experience - he has become a David Lynch for the ‘cinema pour l’oreille’, who is operating with the ironically associative scepticism of Godard. A blessing that Maria De Alvear’s small label ‘World Edition’ now produced eight of Leukert’s audio pieces on CD; among them the enchanting trilogy Wildwechsel" . - Alban Nikolai Herbst
That’s the name of the game... Marco Blaauw plays on a quartertone double bell trumpet, a shell, brought from Madagascar,a slide trumpet, piccolo trumpet, quartertone flugel horneven megaphone and flexible tube. Gijsbrecht Royé plays on a self-made bass-zither. To play on the four groups of bass grandpiano strings, he uses different kinds of sticks; two bows (normally used for double bass), metal strings, nails, brushes, knives, rat-tailed files and metal scouring pads.
* 2021 Stock * Metamusic. A suitable term for all these works, if by this we understand that musical aspects are somehow transcended, transgressed.
Sitting between chairs. A transgression which leads, through interactions of materials and intentions, controlled use of randomness or indeterminacy, conceptual game of measurement or definition, to the contemplation of music itself as yet another fragment of the whole, because the sound objects may have a dramatic or musical nature.
How could this w…
* 2021 Stock * A sprawling, wandering hourlong geological survey of the composer’s ambitious spiritual world. Her music does not develop; it accumulates. - Bernard Holland, New York Times
The only single, continuous orchestral movement I know of to surpass the finale of Mahler’s Eighth Symphony in duration. - Kyle Gann, Village Voice
Hildegard Kleeb - pianoJoseph Kubera - pianoThe Orchestra of the S.E.M. Ensemble Petr Kotik - conductor
* 2021 Stock * "There are pieces which must be done. The work Libertad is one of them. Inspired by the lyrics of Tsolagiu M.A. RuizRazo, it is one of those compositions that gave me enormous pleasure while working and that accompanied me with a wave of very great power [...] Perhaps this work [...] is one of those that carry the most power. There is an enormous mysterious protective circle around it. It is one of the works that has given me the most riddles, that contains knowledge that I can on…