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Laguna Cibernetica
In process of stocking **Edition of 100** Recorded and assembled 2015-2020 by William Selman and mastered by Stephan Mathieu. Laguna Cibernetica is a psychogeographical map of the industrial maritime city. It wanders through the streets, stumbling its way through the glass-blowing factories, the office buildings of upper management, the canal-side cafes - all with the inescapable lapping sounds of the lagoon in earshot. It captures the psychic terrain as well as the acoustic - the unease and exp…
Quaderno Rosso
In process of stocking **Edition of 100** Recorded and assembled 2015-2020 by William Selman and mastered by Stephan Mathieu. Inspired by Roland Kayn and the Gruppo d'Improvvisazione Nuova Consonanza, Quaderno Rosso investigates the dialectical relationship between cybernetics and free improvisation using an “action-reaction system of listening” (per Franco Evangelisti) to shape the entangled networks and redirect signal and information flow towards new ends.
Quaderno Rosso is a cybernetic work …
Turkish Belly
The latest entry in the ongoing series of exciting collaborations sees the Turkish free form ensemble Konstrukt live on stage with Thurston Moore.Konstrukt, the istanbul based free jazz / freeform group founded and led by Umut Cağlar and Korhan Futaci, are known for their openness to and interest in collaborations – and regularly meet up and perform with new partners that range from Joe Mcphee, William Parker, Akira Sakata, Marshall Allen, Evan Parker, Alexander Hawkins, Ken Vandermark or Otomo …
Cat Guarding Geese
Cat Guarding Geese is composed of field recordings and performances on Roosevelt Island, and a studio recording in Brooklyn, NYC. Tucker Dulin plays bells, bowl, can, cymbal, lentils, mallet, whistle and Ben Owen: paper mic, speaker boxes, op amps, cassette. Recorded by Billy Gomberg on Roosevelt Island, NY in January 2015, April 2015, March 2016 and in Brooklyn NY in February 2015. Mastered by Taku Unami
DarkSonicTales
DarkSonicTales is a project by Rolf Gisler and his eponymous album his first for Hallow Ground. Having been granted an artist residency by the label in a 300 year-old farm house in the Swiss countryside in autumn 2019, the Lucerne-based musician and sound artist explored the peculiar sonic environment of the building and its surroundings through the use of field recordings, modular synthesizers, guitar, bass, kalimbas, a singing saw as well as self-built instruments. The seven tracks, which were…
Hi-Fi Is Sweeping the Country
Populäre Mechanik is an improvisational group from Berlin playing a unique amalgam of Fluxus-inspired garage rock, free jazz, and live electronics. It was originally founded in the early 1980s by Wolfgang Seidel who had previously been the original drummer for West-Berlin leftist rock band Ton Steine Scherben and after that became a long-time collaborator of Conrad Schnitzler with whom he played in Kluster and Eruption, as well as in duo recordings. Recently, Seidel emerged as an author and has …
Nachtflug / Atem des Windes
Peter Behrendsen (b. 1943) is a Cologne-based radio producer, performer and composer of experimental music. He started concerning himself with electro-acoustic music in 1972, was a member of Josef Anton Riedl's ensemble and assistant to Klaus Schöning at the WDR radio play studio (Studio for Acoustic Art). In Cologne, he organized numerous concerts and festivals for experimental music, most notably BrückenMusik, a series of concerts in the box girder of the Deutz bridge. He regards John Cage, Al…
Beautiful Bamboo-Flute
** In process of stocking ** Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format, these days. Hozan Yamamoto was recognised as a "living national treasure" by the Japanese government in 2002. This highly sought-after album from the Japanese wood flute player is more upbeat and swinging than some of his other records. The big band he recorded this album with (Sharps & Flats) played a big part in the genesis of t…
FRKWYS Vol. 15: Serenitatem
"Visible Cloaks meet two of their influences, Yoshio Ojima & Satsuki Shibano, in a beautiful effort to expand and refine their ambient-environmental gestures with firmer architectural underpinnings, giving bitrh to the most sublime episode in RVNG Intl.’s intergenerational ‘FRKWYS’ series so far.Between them, Yoshio Ojima & Satsuki Shibano are part responsible for a lot of music that prompted Visible Cloaks to life. Yoshio Ojima is a composer of environmental and ambient music, with a bias towar…
Seastones: Set 4 and Set 5
**Black Vinyl** Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music. Reflecting the technology, science, modern art, new ecological awareness and optimism of the times and culture, Seastones embodies the history of electronic music by taking full advantage of tape music, analog synthesizers, and computer technology to create pieces that are dynamic, rich, and deep.
Originally released by the Grateful Dea…
Ghost Story
Quartet Records, Universal Pictures, Universal Music Group and Geffen Records present the long-requested expanded release of the masterful score by Philippe Sarde (The Tenant, Tess, Quest For Fire, Les Choses De La Vie) for Ghost Story, directed by John Irvin in 1981. Based on the 1979 novel by Peter Straub, the film stars Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman, Craig Wasson and Alice Krige. It follows a group of elderly businessmen in New England who gather to recoun…
Lavorazioni Carni Rosse
White dawn, the beginning of the world. From thick leaves and warmth, from dark soil nourishing on ripeness, from hidden sounds of animals, from light and from dark, from long gone languages, dark callings, from hills of insects, from a snare, from a deep breath, atmosphere arises, enigmatic conductor of those who will listen to the stuff of dreams. A wild, visionary record.Lavorazioni Carni Rosse is a state of being rather than a way of playing. Subjected, like all of us, to subliminal and coer…
Archi
Issued for an art event recently presented at the Galleria Milano in the first week of April 2012, the recordings on this LP edition represent a very specific and intimate moment in the creative sound production of Davide Mosconi with NADMA associates Inez Klok and Gustavo Bonora.For Davide Mosconi and for all the artists and musicians involved in the groups he founded (the legendary NADMA, Organic Archestra, Il Quartetto, Alea), improvising sessions were a daily practice that founded their very…
Numinal Entry
** Edition of 300 ** This is the second release from the Halatern, Etc. label, run by Keith Connolly (of NNCK/No Neck Blues Band fame). Tom Carter requires no introduction (those who are curious are encouraged to visit the historically rich wholly-other.com). Of late, his Kazuyuki K. Null meets Franco Falsini excursionary instrumentalism has taken on an increased luminosity, due in no small part to some unexpected time spent at a certain house on the borderland. In his own words: "Information-in…
Programmed
** Edition of 200 copies in full-colour sleeve ** Matt Middleton (Crude, The Aesthetics, Dirtlove): "The Futurians are a band that have soul. Their music, a pulsating, minimalist, primitivist, machinistic monster of a thing is at once fiction and fantasy, at once politics and hyper-reality. Theirs is an approach synthesizing elements of no-wave, new-wave, synth-rock, drone rock, doom rock, kraut-rock, Dunedin dirge, robot rock, riot grrllism, and calculator punk." Brad Rose: "Clayton Noone and h…
Untitled
** Extremely limited 3x8” lathe records box, made in a run of just 90 copies, including previously unpublished recordings with individual sleeves in silk-screened box. ** Psychedelic scrapings from NNCK (No Neck Blues Band) members Pat Murano (Decimus) and Jason Meagher (Coach Fingers) in a beautiful art edition. Three 8"s, six sides of ostensibly distant, alien transmission somewhere between Zoviet France making a noisy cup of tea with The New Blockaders and Ekoplekz playing morse code melodies…
The Sun Of The Night
Tokio Hasegawa was an original member of Taj-Mahal Travelers. After the band, he has organized Mithila Museum, a small museum for Indian vernacular art, in forest area in Niigata pref. since 1982. His action of introduction of the art is well-known and respected by India nowadays, however, he is still a musician.
This CD was released as realization of his cosmological thinking and sound. All instruments are played and mixed by himself (except voice and rhythm, by his daughter).
Freaky People
Al Doum and the Faryds continue their journey toward a New Direction. Now, they live in a futuristic Garden of Delights, inhabited by strange bright bubbles, golden wheels, water secrets and mysterious plants. From their home of Love & Nature, they set out to travel the Universe to forge a new Being together. Their typical blend of Spiritual-Jazz, Psychedelia and Afro-Latin Rock remains on the same wave, accentuating the collective rite of liberation and expansion of the spirit. There's certainl…
Staggered Stasis
2004 release ** "Over the last two decades, Ellen Fullman has been perfecting her Long String Instrument. This unique instrument of her own design is some 80 feet in length and played by literally walking through it. The resulting sounds are beautiful gliding tones with a rich harmonic content. The CD presents two works from her time in Austin, Texas in the late 1980's which beautifully display a sound you can get inside of. These long tracks envelope you in their cascading overtones. Even thoug…
Icons
Composer and percussionist Eli Keszler has very likely been a vital force behind some of the 21st century’s most forward-facing music. Among his CV highlights are collaborations with the likes of Oneohtrix Point Never, Laurel Halo, Kevin Beasley and Rashad Becker, as well as a hand in crafting the nightmarishly psychedelic score for Uncut Gems. Now, Keszler returns with a solo album of beguiling fourth world jazz.
Icons begins with an ambient synth swell, where the only hint of rhythm comes in t…