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Sonabular
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
Take All the Ships...
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
Samoa Highway
**Edition of 500** RV Paintings were born in California. Humboldt County, to be exact. It is nearly impossible to imagine their origins being elsewhere since the brothers Brian and Jon Pyle, who currently pilot RV Paintings, constantly mine the metaphysical properties of their homeland through a heavy-lidded psychedelia. The redwood trees that majestically rise from the rugged terrain may have been one of the endemic objects that inspired RV Paintings to “jam nature”; but Humboldt County’s other…
La lontananza nostalgica utopica futura
2000 release - Nostalgic, utopian, future distance\", the title of this piece investigates the possibilities of violin playing, the intimate, physical quality of the sound and the historical dimensions inherent to this instrument.
The case Against
Big master of tape manipulation, Howard Stelzer builds a few pieces around a feeling of sound deterioration and some falling aprt landscapes.
Howard Stelzer (b. 1974, New York) is a composer of electro-acoustic music. Beginning in 1991 while still a high school student in Boca Raton, Florida, Stelzer has always based his music around cassette tapes. Almost all of his sounds are generated by, processed by, recorded onto and played back out of cassettes and consumer-grade tape players. He ran the…
Signs - Shapes
First CD collaboration of these two artists. ‘Shapes’ refers perhaps to the sculptural aspect of their work, to its connections to the visual arts, or to the immediate, tactile processing of the records. But it also refers to the ‘outlines’, the idioms of the music from which they quote. ‘Signs’ refers to a process in which physical notes, produced live, enter into a dialogue with pre-produced notes; it also refers to the signals of musical interaction that the players give each other, and to ‘s…
Die Hennen Zähne
**Edition of 600** A four track mini CD combining the never released two 10 inch's Maus (DS57) and Die Hennen Zähne (DS66). Die Hennen Zähne opens with Die Kralle actually a David Jackman track from his archive recorded in the early 1980's. Next is the title track Die Hennen Zähne, a joyful noise not unlike some of the TNB/Organum material incl. the sound of broken glass and tibetan horns, best to be experienced loud. Maus is the centre piece of this mini album and typical old school Organum. Th…
Here and Elsewhere
Leaving the rigid beats behind this time, Richard H. Kirk introduces a new alias through a new (for him) label. The first Orchestra Terrestrial release comes from Die Stadt and is packaged exquisitely with a fold-out CD case and six prints of digital artwork representing six of the eight songs here (three by Naked Art, three by Designers Republic). While Kirk has has contrasted his usual style by creating an atmospheric soundbath with lengthy delays heavily absent of drum machines and thumping b…
In Opposition To Our Acceleration
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
Verhalte Dich ruhig
Those readers familiar with the world of experimental music will know the name David Jackman, primarily from his work under the name Organum. As Organum, Jackman has created some of the finest, most haunting drone recordings of the last decade. This CD is a reissue of a 1996 cassette-only release that appeared in an edition of only 61 copies. Perhaps slightly similar to the sampling work of John Wall, here Jackman has taken found recordings of orchestras, and overlaid them to create two eerie co…
Zeitkratzer + Keiji Haino
One of the most prolific artists of the Japanese experimental noise scene, Keiji Haino teams up for his 2nd album with the critically acclaimed ensemble Zeitkratzer. Frenetic musical material, wild and beautiful. On his second release with Zeitkratzer, the enigmatic icon of the Japanese noise experimental scene Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one ('Electronic…
The Wind In High Places
The Wind in High Places is an elegant, haunting collection album containing three of John Luther Adams’s serenely powerful recent string works: (1) The Wind in High Places (2011), a three-movement string quartet commissioned to celebrate the 50th anniversary of Theodore Front Musical Literature, performed by JACK Quartet; (2) Canticles of the Sky, a four-movement piece for four cello choirs, performed by the 48-member Northwestern University Cello Ensemble, directed and conducted by Hans Jørgen …
Canons - 2nd Hoisting
Four extended compositions from the Tubass Quintet led by Szilard Mezei (performing on double bass instead of his usual viola) performing with a heavy group of 4 double bassists and tuba. An unusual configuration playing unusually named tracks (HEP 15, HEP 16, HEP 17 B, HEP 58/2), but clearly playing a unique rendering of jazz, swinging music from the lower end of the spectrum, with an open and accessible nature.
Rebento
For avant modern jazz piano trio music at its free best, you can't go wrong with RED Trio. And their LP on No Business (NBLP 67) is as good a place as any to start. They give us three supercharged cuts. Hernani Faustino's double bass cavorts, rumbles and brings in a storm from the lower depths throughout. I love his pizzicato and his arco equally and he sets up the churning excitement the band generates. Gabriel Ferrandini has the drum dynamics covered--senses the sound colors and thrust needed …
Live At Marie-Antoinette
The Play Loud! (live) music series is based on three precepts: Alan Lomax's work as an archivist and chronicler, John Peel's BBC radio sessions, and the work of Direct Cinema pioneers, such as the Maysles Brothers, Leacock, Wildenhahn and Pennebaker. Filming live shows means not doing things TV-style, but in a very personal, intuitive and adventurous manner - nothing is staged for the shoot. Play Loud!'s intention is it to create an extensive archive of interesting popular music and culture …
Church Waves
**200 copies** Waves is an ongoing research project by Dutch artists Petra Dubach and Mario van Horrik that involves so-called shakers, a kind of loudspeakers that reproduce sound frequencies as vibrations, attached to long strings. Started in 2010, the project has so far produced a number of installations and concerts, some recordings have been published previously on Edition Telemark as a double 12" in 2016 (cat. no. 628.01).For a few weeks in 2016 and 2017, Dubach and van Horrik had the chanc…
Intuitive Mathematics
“Intuitive Mathematics” is illustrative improvisation registered with the use of percussion instruments amplified by piezoelectric sensors and an instrument I constructed myself called the Soundboard. I mounted metal springs, screws and tongues onto a pine board. Highly enhanced piezo amplification brings all sounds closer to the audience’s ears and allows them to hear rich harmonies of the percussion set as well as “non-musical” elements such as friction, shrieking or vibrations that occur insi…
Pedestal’s Complement
Pedestal's Complement is a recording of a concert from the Ambient Festival in Gorlice, which took place in July 2019. "All our performances are pure improvisation from scratch. I use the piano and the guitar, on which I play the e-bow bow. A lot of the sounds come from inside the piano, which is prepared. Jurek supports the Eurorack and Buchla modular system" - Andrzej Karałow.
Mineral
The Red Trio: Rodrigo Pinheiro (piano), Hernani Faustino (bass) and Gabriel Ferrandini (percussion), plus two guests; Gerard Lebik (tenor saxophone), and Piotr b (trumpet). Sweeping from turbulent to intimate with with a fluid sort of dialogue that could only come from players well versed in the art of improvisation.
Happiness Proof
Haco and many guests (including Otomo Yoshihide, Peter Hollinger, Uchihashi Kasuhisa, Pierre Bastien and Ichiraku Yoshimitsu with a new collection of songs, in inimitable Haco style. Nothing to explain.