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Moments
**600 copies** In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The…
Baroo
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
Hex Vex And The Lavender Mink
Edition of 400 copies.
Hex Vex And The Lavender Mink compiles the group's musical obsessions at the turn of the century, droll Brit drone, the magnificent Arthur Doyle, extremely dangerous onstage pyrotechnics, the fabulous Raymond Scott, cheesy electro dub effects and, most of all, competitive and confusing American free improvisation. David Cross and Tim Poland with their friends Arthur Doyle, Nuuj (of Hilkka and Sheet), Neil Campbell (of Vibracathedral Ochestra), Phil Marshall (o…
Play the hits from Danny Dark
Walter & Sabrina were responsible for one of the greatest musical cycles of the last decade, a mind-boggling masterpiece ofexquisite and eccentric composition, outstanding lyrical concept and depth, and startling orchestration, whose scale can only compare with the musical and conceptual intricacy of classic masterworks such as Parks' Song Cycle, Battisti's Anima Latina, Gainsbourg's L'Homme a la Tete de Chou, Perfect Vacuum's A Guide to the Music of the 21st Century and a very few others.A proj…
Paleo Music 1987-1998
Conrad Praetzel is a California-based electronic keyboardist and percussionist who concocts impressionistic vignettes, developing his knack for mixing electronic and ethnic instruments, with haunting short tracks wherev electronic sounds and Indian and folk traditions gather together in a multicultural fusion.
The Planets
Joel Horwitz was one of those synthed-out figures in and around Oregon's iconic hippie stronghold during the 1980s. Recorded at Studio E Redlands, Ca. USA, 1978, using a large array of electronic devices, such as ML 101, Carlos Robelli String Machine, Voice, Kalimba, Drumset Percussion w/Gong, Dual Phase Shifters along with a heavy battery of phasing and time-based effects-lands somewhere between a ‘library music’-styled mood excursion and a genuinely transformative mind melter
Flames / Salisbury Plain
**750 copies - 2019 stock, reduced price** Elmer Gantry's Velvet Opera, at various times also known as Velvet Opera, was a British Rock band active in the late 1960s. The group emerged from a soul / blues band called The Five Proud Walkers, and after supporting Pink Floyd on tour, they were inspired to change their approach and become a more psychedelic outfit. Their first recording was the single Flames b/w Salisbury Plain - published in November 1967 - which was later covered on stage by Led Z…
John Renbourn
English guitarist and songwriter John Renbourn (8 August 1944 – 26 March 2015) was possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the Folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). On his 1965 self-titled album you can detect some of the influence on traditional Blues like "John Henry" and "Candy Man".
The Difference of Similarity / The Similarity of Difference (LP
**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…
Opus III
Guitarist and singer-songwriter Ryley Walker discovered the 1972 private press LP in a Chicago record store, loved what he heard, and teamed with Tompkins Square to produce the reissue. John Hulburt (1947-2012) was a member of legendary mid-60's Chicago garage rock band The Knaves, whose records were recently reissued by Sundazed. Opus III showcases his exceptional talent on the acoustic guitar, proving somewhat of an anomaly in a city not known for its solo guitar recordings during this era. W…
Passing Dream
Tompkins Square reissues two albums by Texas singer/songwriter Will Beeley - the self-released mega-rare (only 200 copies) private press LP 'Gallivantin' from 1971, and 'Passing Dream', originally released by Malaco Records in 1979.
Recorded in San Antonio, 'Gallivantin' shows Beeley's heartfelt, folky side - a wistful set of original tunes, plus a cover of Bob Dylan's "You Ain't Goin' Nowhere" and a spaced-out, 10 minute+ Eastern-influenced psych take on Buffy Sainte-Marie's "Little Wheel…
Poema da Gota Serena
An exhilarating blend of free jazz, the roots rhythms of northeastern Brazil, electronics and Asian percussion, from 1982. Zé Eduardo Nazário is a virtuoso drummer. In the late '60s he was a regular at the famous Totem night club in São Paulo, performing alongside the likes of Tenório Jr. With Guilherme Franco, he formed the Grupo Experimental de Percussão. Besides recordings with Hermeto Pascoal and Egberto Gismonti, he is most celebrated for his six years tenure with the pioneering Grupo Um. E…
This Song Was Borne
Allan Fraser & Daisy DeBolt met in the summer of 1969. They had both been working individually on the coffeehouse circuit in their native Canada; over the next five years, as the duo of Fraser & DeBolt, they created a sublime body of work that still sounds remarkably fresh decades later. They recorded two albums for Columbia which garnered rave reviews at the time, but saw little commercial success. Both have since become cult classics in psychedelic folk circles; the first, With Ian Guenther, b…
Completed Rotations of the....
When one thinks of the musical centers of New Zealand, the city of Tauranga doesn’t have as celebrated a history as Dunedin, Auckland or Christchurch. Which is apt, in a way, as the artist known to us only as Rotate The Completor makes music that sounds unconnected to any scene in NZ or elsewhere. A chance encounter with an enthusiastic passerby while busking on the streets led to the receipt of a home-recorded cassette, which caught the ears of the outsider music community, although any attem…
Salt Ashes, Goat Skin
** shipping within a few days** In an everlasting process that continuously repositions and reevaluates infinity as a consciously unachievable but ultimately rewarding goal since the early '90s, David Maranha's music has been riding that arc with ferocity and aplomb. A unique vision that has been translating the eternal in a sprawling language through countless performances, approaches and records like Marches of the New World and the Roaratorio released classic Antarctica. Always the unse…
Gedanken Splitter
Paul Metzger continues to pile up the plaudits from critics and peers alike for his virtuosic string-slinging, gaining notice through his CD on Chairkickers and his split LP with Ben Chasny and Chris Corsano on Roaratorio. Metzger’s modified banjo is tricked out with additional sympathetic raga strings, although the compositions on Gedanken Splitter are informed by much more than Eastern drone music alone. Recorded in the same period as 2007’s Deliverance on Locust Music, this is a more jagged …
Black Phoenix Blues
Black Phoenix Blues is the third Roaratorio collection of the best of Rodd Keith’s vast output. Dating from 1966 to 1974, the sixteen previously unreissued songs showcase the scope of his work: the should’ve-been-a-hit “You And I”; the elegant exotica of “I Love Lovely Chinese Gal”; the history lesson of “The Explosion Of Holden 22 Mine”; the harrowing psychokiller musings of the title track; “I’m Proud To Be A Hippie From Mississippi,” the stoner’s answer to Merle Haggard’s “Okie From Mu…
II
Melbourne’s Exhaustion have been producing some of the coolest records on the Australian scene for the last few years. I mean, there’s no lack of great OZ noise these days, but Exhaustion have managed to create a sort of post-scum/prog hybrid that hearkens back to those long gone bands — like the early (Mick Turner era) Moodists –who emerged from the Vegemite-stinking ashes of the Little Band scene. They generate a certain kind of noise, yeah, but it doesn’t feel like anything anyone else is do…
The Cave
We were first made aware of this Brooklyn band by Gary Panter. When we asked Gary about some specific projectors for light shows, he said we'd be best off conferring with his colleague, Curtis Godino. And oh yeah, Curtis also helmed a dastardly psychedelic music unit called Worthless. Checking out some of Worthless's previous recordings for Beyond Is Beyond, Stupid Head, and Greenway, we were struck by the weirdness and seamlessness of their psych stretching; if ever there was music made for lig…
Ship to Shore
2018 repress. Stunning debut album from 1976 by legendary/cult UK folk musician Nigel Mazlyn Jones. Originally issued as a private pressing, Ship to Shore
combines 6 and 12-string acoustic guitars with electric textures,
effects and unusual soundscapes, culminating in the haunting
progressive-folk 11-minute title-track. A folk-rock/acid-folk
masterpiece highly recommended to anyone into John Martyn, Nick Drake, Michael Chapman, Bob Theil, or Pink Floyd. Mastertape sound, including an insert …