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*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
Mamoru Fujieda is a Japanese post-minimalist composer, and Edition Omega Point releases some of his work from the early '80s. Both "Radiated Falling" (1980) and "The Art Of Fugue" (1981) are tape compositions in which sound materials of a prepared piano are electronically-processed and modulated in various ways. "Radiated Falling" is based on "Falling Scale No. 2" for piano (1975). The series of works entitled "Falling Scale" are composed almost entirely of descending scales as their stru…
This is volume 7 of Omega Point's Obscure Tape Music of Japan series. Many avant-garde composers made soundtracks for experimental film-maker Toshio Matsumoto. This CD consists of Joji Yuasa's three musique concrète works for his 1960s and 1970s short films. The first track features a heavily broken and meaningless narrator for the short film Andy Warhol: Re-Reproduction (1974); "Document Of The Long White Line" is an obscure, early electronic sound collage with chamber orchestra, and "Auto…
Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …
This is volume 4 of Omega Point's newly-reissued Obscure Tape Music of Japan series, featuring two early works of music concrète composed for theatrical drama by legendary Japanese composer Joji Yuasa. The sounds on this recording, especially of "Oen" is so experimental and strange, but this music was not for avant-garde theater. "Mittsu No Sekai" contains elements of a mechanical beat (suggestive of a machine civilization) that could be the precursor to industrial music. Composed for the …
Volume one of Omega Point's Obscure Tape Music of Japan series, featuring Joji Yuasa's "Aoi-no-Ue" (1961) and "My Blue Sky" (1975). Joji Yuasa (b. 1929) is one of most important composers in Japan after World War II. "Aoi-no-Ue" was composed for experimental theater at Sogetsu Art Center. The sound of this work is made from the chants of Japanese traditional "Noh" theater. "The text is recomposed by me keeping the original words. And it was sung in the style of Noh-chant by three brothers ... Th…
Kaja Draksler states that “as a person who speaks and understands different languages, I have an impression that my identity is multifaceted, I have to lose something in myself in order to let the “spirit” of a new language inside me. So in this way I am constantly becoming in otherness myself.” In building this album pianist and composer Kaja Draksler worked on developing specific musical languages for each piece. She attempted to restrict herself to maintaining each language although as she po…
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
* Glass-mastered CD housed in a die-cut customised debossed outer case (14.5 x 14.5cm) with rounded obi, 16pp inserts with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. * Meitei’s 2020 album Kofū was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s Kwaidan and 2019’s Komachi. All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being w…
Following the release of his album trilogy (Kwaidan, Komachi and Kofū), Meitei has established himself as a defining voice in contemporary Japanese music. By sharing intricate sonic stories and impressions of his nation's rich culture, he has built an aural world around his notion of the ‘lost Japanese mood’. His latest project, under the new moniker Tenka, aims to work without the boundaries of theme, storytelling or audience expectations. Spending many hours in the mountain forests that he li…
Mind-stretching analog synth wizardry from the legendary Matsuo Ohno, sound designer for Astro Boy and many other Japanese films and TV programs. His first non-soundtrack release, from 1978, is a massive, undulating galaxy re-released here on CD with a bonus mini-CD reissue of a rare 1970 flexi-disc Play On Animals, rated as one of 2011's top releases by Byron Coley of The Wire. This reissue of his stellar 1978 LP I Saw The Outer Limits presents him at the peak of his powers, combining his maste…
Biggest Tip! "Muziekkamer is a minimalwave project by Martin Keuning and Cees van de Oever, based in Leiden, the Netherlands, in the 1980s. The first album, 'I' (aka Kamermuziek), is a self-healing calm unified by hushed-toned electric guitars and faint synths, while the second album is a more experimental and pop minimalist/electronic sound, similar to Kubus Kassettes' work. The guitar harmonics are hazy. The long, dreamy parts, with a vague layers of guitar harmonics, is one of the best ambien…
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
*In process of stocking.* The second album for the DiN imprint by British Electronic Musician Scanner sees Rimbaud utilising a different toolset from his first album, An Ascent (DiN63), released in July 2020. Here he focuses in on several Elektron instruments such as the Analog Four, Analog Rhythm and Digitakt. Whilst his debut album was forged live in his studio during the start of the global pandemic here Rimbaud was after a lighter, more optimistic tone. Rather prophetically Rimbaud states th…
DiN label boss Ian Boddy follows up his 2020 studio release “Axiom” (DiN64) with another vinyl album length slice of vintage electronic music synth heritage. Whilst there are many focusing in on the world of possibilities of modular synths to the detriment of form and composition Boddy uses his 40 plus years of experience to create six succinct slices of analogue warmth and emotion. The title track which opens procedures is a case in point. Boddy crams into its seven minutes more drama than many…
*Includes 20 page booklet.* Each with five decades of musical knowledge and experience in free improvisation under their belts, the trio of saxophonist John Tchicai (also heard, for the first time on record, on vocals), bassist Reggie Workman and drummer Andrew Cyrille got together in New York in September 2004 to record Witch's Scream. Although they are all veterans of improvised music going back to the vital free jazz scene of New York City in the early 1960s and have often played together in …
A Love Sonnet For Billie Holiday brings Wadada Leo Smith, Jack DeJohnette and Vijay Iyer together for the first time in this meeting of creative giants. Smith first met and played with DeJohnette in the late 1960s and the two have collaborated with increasing frequency since DeJohnette participated in the first recording of Smith´s Golden Quartet more than two decades ago. Smith´s and Iyer´s first collaboration also goes back almost two decades. This recording marks the first time these three un…
Despite the fact that they've shared several stages over the past 40 years, Ancestors marks the first occasion that trumpeter Wadada Leo Smith and drummer Louis Moholo-Moholo have ever recorded together. Smith, one of the true progenitors of creative improvised music, has made numerous duo recordings with drummers, among them Ed Blackwell, Jack DeJohnette, and percussionist Adam Rudolph. Moholo-Moholo, a founding member of South Africa's Blue Notes, has also made duo recordings, usually with pia…
Acclaimed trumpeter, multi-instrumentalist, composer, and educator Wadada Leo Smith has released an oratorio of seven songs inspired by the iconic civil rights leader Rosa Parks. In his own words, Rosa Parks: Pure Love. An Oratorio of Seven Songs is "concerned with ideas of freedom, liberty and justice, a meditation centered around the civil rights movement." Looking at Smith's more than 50 years of creative and artistic vision, this release is yet another inspired organic musical direction that…
With Celestial Weather, Wadada Leo Smith and John Lindberg employ a spare, conversational approach. Smith whispers on the mute and issues plaintive cries with the open horn. Lindberg bows and goes pizzicato. Smith searches for and finds very un-trumpet-like sounds-squawks and squeaks and whistles. Unlike Smith's large scale offerings, that often feature massive cacophonies, space is a major facet of the sound. It is music that is reflective and serene. The disc's centerpiece, the five part "Cele…