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Nebula - MMXX-20
Shiva Feshareki is a British-Iranian experimental composer and turntabist, noted for solo efforts, as well as her work alongside classical orchestras. Her only full-length to date, New Forms, issued by Resist back in 2019, makes her contribution to the MMXX series, Nebula, a much-needed expansion of her available works.Deploying the turntable with a stunningly skilled hand, Nebula is a work of orchestral scale made from the most minimal means. Merging a vast number of heavily manipulated sound-s…
Before It Gets Better, It Will Get Worse - MMXX-17
A deft hand with a long history within the brooding realms of ambient, electronic, and electroacoustic music, since emerging on the Swedish scene during the 1990s, Joachim Nordwall has cut a wide path, not only with a stunning body of solo work and collaborative efforts with Mika Vainio, John Duncan, Mats Gustafsson, and numerous others, but also through his highly regarded label iDEAL Recordings.Nordwall’s contribution to the MMXX series, Before It Gets Better, It Will Get Worse, is a remarkabl…
MMXX-09
Matière Mémoire presents the MMXX Series. In anticipation of the year 2020, Matière Mémoire asked 20 great artists to create an original 20 minutes piece and an artwork. Throughout this year, each quarter will see the release of 5 new vinyls, available individually or as a bundle. Each record is limited at 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each contained in a transparent sleeve printed w…
MMXX-01
Franck Vigroux is a French musician, composer, and media artist, with a considerable body of work - integrating sound, new media, and performance - that stretches across the last 20 years. Primarily known as a guitar player, his musical gestures equally extend into electronics, modular synthesis, and compositions for contemporary classical ensembles. Unquestionably an artist who refuses to be nailed down, his sprawling output - both solo and in collaboration with figures like Mika Vainio, Elliot…
Excavations 1
Repressed, in process of stocking. "The Chicago-based string genius Joshua Abrams first talked to us about the idea of this album a while back. It took a couple of years to get together, but in a way, it's cool that it's being released in 2018 -- the 50th anniversary of the recording of the first free bass solo LP, Barre Phillips' Journal Violone. Issued by Opus One in the U.S., Music Man in the UK (as Unaccompanied Barre), and Futura in France (as Basse Barre), Phillips' groundbreaking album wa…
Selected Works
**250 copies** Selected Works is a 2xLP compilation highlighting the definitive material of the cassette releases of Juma, a project led by hyper-prolific Hiroshima artist K. Yoshimatsu that existed from 1981-1982. Yoshimatsu released six cassettes with his Juma project (as well as 20+ under his own name) on the legendary cult industrial/experimental label DD. Records run by prophetic artist T. Kamada. While attending Yamaguchi University in 1978, Yoshimatsu was introduced by classmate and futur…
No Discrimination
Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket.
Tony's solo album, No Discrimination, marks an important turning point in Tony Allen's musical life. Tony had recently left Fela Kuti's band, which was clearly an emotional yet necessary change as Allen sings of love and brotherh…
Images
** Edition of 500 **Quartet Records, in collaboration with Handmade Films, is proud to present a remastered LP reissue of an early masterpiece from legendary composer John Williams (The Towering Inferno, The Cowboys, Jaws, E.T., The River) for Robert Altman’s 1972 psychological thriller-drama starring Susannah York. The film inspired one of Williams’ most fascinating and avant-garde scores. The composer based his ideas on two different musical styles: one more classical, almost childlike, the ot…
No More Good Time In The World For Me
In 1965 and 1966 Bruce Jackson visited Ramsey State Farm in Rosharon, Texas, where he recorded the remarkable epic songs of Johnnie B. Smith, a prisoner-composer doing a 45-year bid for the murder of his wife. Three of the recordings included on this two-disc set appeared onEver Since I Have Been A Man Full Grown, an LP produced by John Fahey's Takoma Records in 1965. The other 15 -- traditional work songs and J.B.'s original pieces -- are issued for the first time. Folklorist Bruce Jackson was …
The Byron Allen Trio
Originally released in 1965. The Byron Allen Trio was among the first batch of ESP-Disk' jazz LPs. Recorded on the afternoon of September 25, 1964, at Mirasound Studio in midtown Manhattan, it was Allen's debut. He had been recommended to ESP-Disk' by Ornette Coleman, and one of the tracks, "Decision for the Cole-Man," reflects this connection. Allen and his trio also play in a style somewhat similar to that of Coleman's trio of that era with bassist David Izenzon and drummer Charles Moffett, th…
Lassithi/Elysium
2012 repress. "The first full length release by the UK based Aeolian String Ensemble. Although originally set to be issued on the legendary United Dairies label, this material has now been remastered, includes a new piece, and is instead available in the US. The work was produced by David Kenny, a long time collaborator and engineer on many Nurse With Wound and Current 93 projects. Consisting of two evolving compositions, Lassithi (1992) and Elysium (a specially commissioned new work), this CD o…
Gowanus Sessions II
Gowanus Session II was seven years in the planning. Thollem McDonas, Nels Cline, and William Parker convened at Peter Karl Studios in Brooklyn on January 3rd, 2012 and recorded two complete albums. The first was Gowanus Session I, released by Porter Records in April of 2012. GS II was put aside to eventually complete the five-album palindromic cycle of trio albums Nels and Thollem ambitiously set out to realize. The albums in between include Radical Empathy with Michael Wimberly (Relative Pitch,…
The Forest and the Zoo
** 2021 Stock ** "In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career wa…
More
2013 reissue; originally released in 1966. More,Giuseppi Logan's second album, has two tracks from the same legendary May 1st, 1965, Town Hall concert, produced by ESP-Disk' owner Bernard Stollman, that gave us Albert Ayler's Bells. This ESP-Disk' 50th Anniversary Remaster edition of Moreincludes previously unissued music from Logan's set that reissue producer Michael D. Andersondiscovered at the end of the Albert Ayler Bellsmaster tape. The astonishing thing about this ten-minute segment of aud…
Shaped by Place
** 300 copies ** "Brilliant new album from Village of Spaces, a combo once described as, 'Dan and his raggle taggle band of hippies' by Michael Hurley, a guy who knows about such things. The Dan in question is Dan Beckman-Moon who, along with his partner Amy Moon Offermann-Sims, is the central core of this constantly evolving, psychedelically-inclined, folk juggernaut. V.O.S. has had many name variations and members in the 17 years since Dan and Amy formed this more perfect union, but all of the…
Trio
Lowell Davidson recorded this singular session on July 27th, 1965 with Gary Peacock and the ever amazing Milford Graves. Sadly, the only recording ever released by Davidson, it remains fresh and exciting 40 plus years later. On Ornette Coleman’s recommendation, ESP-Disk’ owner Bernard Stollman signed up pianist Lowell Davidson (then majoring in biochemistry at Harvard) for this album without having heard him play. Davidson came to New York and got to work with the elite rhythm section of drummer…
II
**500 copies** "Following up on their eponymous debut LP, this Western Mass quintet has released a live album that expands their musical palette, while retaining the essential magic of their sound. Bill Meyer described Weeping Bong Band's music as a collision between Popol Vuh's Florian Fricke and Hash Jar Tempo (itself a collab between Bardo Pond and Roy Montgomery), and the same mix of drifty Germanic midnights and Bay Area Ballroom sizzle is present on Weeping Bong's sophomore slab.Recorded a…
Miscellaneous Ephemera and Other Bullshit
"First off, the cover. Let's make it clear -- this was totally Daniel's idea and is based on the original art for Tony Rice's California Album (Rebel SLP-1549, 1975). Why? We cannot say exactly. The album is considered to be in Rice's all-time top five. But so what? Who amongst us can claim to have fully plumbed the depths of Bachman's mind? The guy is a genius and those types just have 'their ways.' So shut up about the cover already. This album itself was released under the title Daniel Ba…
There Is a Place
**300 copies** "A new reissue of this masterpiece by The Left Outsides, originally issued on cassette in 2015, then first put to vinyl in 2017, as the long-format follow-up to the classic The Shape of Things to Come LP. The current edition is demarcated by a glossy cover and metallic gold printing. Its music remains as timeless a gust of dark autumnal wind as any you'll ever hear. Some of the music here was written as part of the soundtrack to Gus Alavrez's 2009 noir-pastoral short, Stand and De…
Galactic Ooze (LP)
"Originally issued as a CDR on Matt's own Child of Microtones label, the stone madness of this session was so overwhelming we begged him to let us do it on vinyl. Luckily for one and all, he agreed. Recorded here and there, with a variety of different ensembles. Galactic Ooze is one of the most fully warped missives from Planet MV, and that is saying something. While there is a certain continuity between the layered threads of MV's deeply processed vocals and amazing stunned-noodle guitar figuri…