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Rauhan ja Nautinnon Puutarhassa
Tip! * 140g vinyl, cover art silkscreened on recycled cardboard. Edition of 300 * Rauhan ja nautinnon puutarhassa (In the garden of peace and pleasure) is a meditative sound piece created by Pasi Salmi and Simo Laihonen, which paints a serene sonic space where the listener can rest and wonder. In terms of style, the album floats somewhere between impressionism, avant-garde jazz and ambient music, without falling into any of these categories in particular. Simo Laihonen (b.1982) is a percussioni…
The Annual 2023 (Book)
Softcover, 196 pages, 21x21 cm Korm Plastics founder Frans de Waard teamed up with designer Alfred Boland for this, their latest publication, The Annual. For a long time both had wanted to publish a magazine, which eventually became what they hope will be a regular yearbook with ‘everything you never knew you were interested in’. They invited their authors (present and future) to contribute an article, which led to a wildly diverse selection. From the history of turntablism, a 1985 interview wit…
Turiya Sings
CD version. “Divine music is a curative virtue; it is a gift from God that brings healing and comfort to the soul. This music can uplift one’s spirit up to a higher dimension of being that is filled with peace and joy. Divine music is the sound of true life, wisdom, and bliss. This music transcends geographical boundaries, language barriers, age factors; and whether educated or uneducated, it reaches deep into the heart and soul, sacred and holy, like an Infinite sound of glory entering the Lord…
Eel
"From eel to eel," Oskar thinks, standing by the coffin, "for eel thou art, to eel returnest." --The Tin Drum, Günter Grass Eel is the second set of sound works from Berlin based Korean American composer, Hyunhye Seo. Known widely for her contributions to the now legendary unit Xiu Xiu, Seo's solo pre-occupations dwell in an altogether more timbral and gestural domain. Each of the two pieces that compromise Eel are visceral deep dives into a turbulence of sound flows. Uniting her interests in ec…
Oceans Of Milk And Treacle
From Mike Cooper ‘This is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personne…
Mokuy
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. Daniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘rak…
Guitar Studies I-III
Swiss artist Zimoun is known for creating effortlessly deep and fluid sound works and sculptures. On Guitar Studies I-III he limits his acoustic focus to just one instrument, arguably the most iconic of the modern age. In doing so, he begins a vertical study of the guitar, seeking deeper and deeper into its tonal and timbral qualities, pushing to reveal the dynamic possibilities of the instrument. Using a wide variety of techniques and settings, he unlocks an entirely personal and profound readi…
IV
"This might sound a little antithetical, but I am interested in making noise music that is free from unnecessary noise. I do realise how this sounds, but it is absolutely at the core of my new recording. I want to create maximum impact and dynamics in the music through using only the essential elements and materials. I am a huge fan of noise music, and in many cases I enjoy the excessive nature of that music. For my own work though I am interested in reducing this, boiling it down, to the very c…
Nessun Legame con la Polvere
"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound. It is now clear that life, the matter we are made of, and the objects we use every day cannot be considered…
Lava
"Lava is an ode to the connections between sound, emotion and human experience, exploring the interplay of sonic duality. The overlapping duos within the trio framework brought forth uncharted possibilities, allowing each of us to weave our individuality into the improvisations." - Maria, Bonnie and Helen
Outside Supercolor
"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him. Then there were the basic questions: "What does it do if you connect a video output to a sound input?"; "What does a sound output do to a video input?" Then the tinkering that goes with it, like opening a Scart socket and plugging directly into it. And to finish, we discovered that as always, everything has already been …
Nya Sverige - Nothing But The Truth
Nya Sverige - Nothing But The Truth is a recording made in the United States whilst CM von Hausswolff and Erik Pauser were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience ha…
Audiodrome
Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making. Von Hausswolff and Pause…
The Shell That Speaks The Sea
"I first met David Toop some 20 years ago. I think we were in touch shortly before that, but our first meeting took place when I invited him to Australia to perform and to speak as part of REV, a festival held at Brisbane Powerhouse. It was a memorable meeting, I vividly remember his solo performance and the edition A Picturesque View, Ignored, documents an improvised meeting during that time. Over the years, David and I have shared an interest in both the material and immaterial implications of…
Agitas Al Sol
Rafael Anton Irisarri’s works from Room40 have always dwelled in a place of pressure. His low fre-quency excursions have charted out a unique voyage into a territory in which texture and density are equally matched to create a visceral, but ultimately comforting zone of entanglement. At the same time as completing his Solastalgia edition, Irisarri recorded Agitas Al Sol. Like its sibling work, this album is an enveloping sonic drift that traces across the unsteady topographies of the anthro-poce…
Shadow Phase
Black vinyl edition. Most of this record was created in the shadow of Covid and deep in the maw of Melbourne’s 2020 long winter lockdown. It is a meditation on the nature of connection. Restricted to a 5km zone, one of the only people I saw outside my family during this time was my old friend and teacher, Ania Walwicz. We met in the overlap between our zones on the waterfront near Docklands to walk and talk on bright, cool winter afternoons. Those conversations became large in my thoughts when A…
Vakning
Tip! "Nothing is fixed, nothing is permanent, nothing holds for anyone, any time or anything.
As stable as we might choose to think it is, this planet is anything but that. A paper thin crust, the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil cloaking a dynamic seismic turbulence that is as powerful as it is unknowable.
There are moments though where ruptures occur. The pressure from within carves its way to, and through, the surface of the planet si…
Singles
Finland’s Sasu Ripatti aka Vladislav Delay has been responsible for some of the most radically positioned rhythmic electronic music of the past few decades. His willingness to abandon mea-sured and progression senses of repetition in favour of multi-layered unfolding pulses has become a touchstone for a new sensing of time. In a similar way, Norwegian guitarist Eivind Aarset has reappraised the harmonic and timbral ca-pacities of his chosen instrument, the guitar, and unlocked new perspectives o…
Of Which One Knows
Of Which One Knows is a collection of works by Natalie Beridze that sit outside the easy categorisation of ‘al-bum’. They are of course, an album, but they are more than that, in that they represent a kind of multiplicity in sound, an accumulation of experience, of emotion, of life, transposed into sound. It is only together that the stories that sit between them might start to be assembled. Spanning a decade and a half, these works chart a trajectory of investigation and curiosity that charts t…
Circle Drum Music
"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation. A couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny…