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Alone Together
A piano-bass duo session cut in a single day at Tokyo's Onkio Haus on 24 October 1977, during one of the bassist George Mraz's rare passages through Japan. The format leaves nowhere to hide and the two players treat that exposure as the point of the exercise: Masaru Imada's voicings opened up to admit Mraz's lines as full equal voices, the Czech-American bassist drawing on the resonant, singing tone he had developed through his work with Tommy Flanagan and Stan Getz.
The programme alternates two…
Blow Up
A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drummer George Otsuka, pianist Kunihiko Sugano, and bass…
Cool Jojo
2026 Repress. Recorded over three December days in 1979 at Epicurus Studio in Tokyo and issued the following year, Cool Jojo documents a side of Masayuki "Jojo" Takayanagi that sits at considerable remove from the noise-as-method work he was simultaneously pursuing with the New Direction Unit. The guitarist's Second Concept was his vehicle for an explicit return to the Tristano school — the lineage he had absorbed as a young player in postwar Tokyo and never fully set aside — and the programme m…
Poppy
Imada's second outing for Three Blind Mice, recorded across two January days in 1973 at Tokyo's Aoi Studio under Takeshi "Tee" Fujii's production. The record's structure follows from a negotiation between artist and producer: Masaru Imada had proposed a straight solo ballad recital; Fujii agreed to the conception but pressed him to balance the standards programme with a working-trio half devoted to his own writing. The LP that resulted is deliberately split — four solo readings on side one (Mist…
Yokohama Concert
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Feelings
Feelings marks Jake Henry’s long-awaited return as a leader, more than a decade after his debut with Sweet Talk Glitterbomb. This album is a deeply personal exploration of the intricate harmonic language and angular counterpoint Henry developed during his formative years as a guitarist. Drawing on the frenetic energy of math rock, raw intensity of metal, and chaotic textures of noise, Henry recontextualizes common song form into a bold, genre-defying soundscape.
The quartet—featuring Brian Krock…
Cinépalace
**300 copies, 2019 stock** "Dirk Serries and his wife, double bass player Martina Verhoeven, meet British tenor sax player Colin Webster, who also participated in the Dead Neanderthals’ Endless Voids, for a live improvisation, recorded at the DIY club Cinépalace in Kortrijk, Belgium in May 2015. A month earlier Serries performed with Webster in a quartet that was recorded as Live at Cafe Oto, and released on Webster’s Raw Tonk label. This recording, titled after the club name, highlights the hig…
Mama Too Tight
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …
Štiri Dela
"The CD surprised me because it could be listened to with many ears. At first I felt I could not separate it from contemporary composed music, soon after that I could still place it in the context of contemporary improvised music, and finally the fantasticness of a journey that takes the best both worlds have to offer revealed itself to me. Much of the merit can be attributed to the sensible arrangement of the four movements, which, despite being at least superficially similar procedures - mixin…
Vesper Sparrow
The work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility. The Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, incl…
Scratching Fork II
On a perfectly smooth surface of silence, three hurled stones create their patterns of waves. The lines intersect, unite, cancel out, or reinforce each other. Sometimes, they form together a harmonious pattern. At other times, they express the beauty of chaos and entropy. But they always remain in relation to each other - no movement goes unanswered. No energy escapes into nothingness. These three stones are Scratching Fork. Three musicians with different characters, histories, and registers. Ma…
A Vol D'Oiseau
"There are many illusive or ephemeral descriptions that are often part of how words seek to elucidate the listening experience. In the music we have on this recording from Florestan and the trio he has formed to venture his musical initiatives, words such as space, transparency, suspension, stasis, momentum, tension, multiplicity, flow, cohesion, dimension, release are some of the ingredients that come to mind to articulate the musical experience this recording offers. To me, Florestan’s musical…
Coincidentia Oppositorum
Is an open dialogue of polarity possible? A dialogue of human existence in the cosmos and in nature, set against the backdrop of contemporary technology? That the feeling of being torn or detached is permanently inscribed in human nature is a truism. Yet we don’t always recognize the nature of this detachment—sometimes it seems like a separation from something immense, completely different from what humanity itself is. From a certain perspective, one could say that the many myths, symbols, ritua…
Play
*250 copies limited edition* "Play" is a set of 100 cards with instructions for ensembles of any size and instrumentation. The individual instructions vary from precise (two contrasting sounds, a very long sound) to vague (something funny, thinking of something you smell), sometimes requiring a high degree of interpretation. The release combines two excellent recordings of the piece: one including the composer himself with a group of Israeli musicians, the other introducing an ensemble around th…
Mean Reds
Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
Starting Point
Tip! In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then kno…
Infinite-Sum Game
“Thollem is a modern griot who has absorbed sounds from every place he has visited.” – William Parker, from Conversations II (Rogue Art)
Time & Condition
** The first cassette edition of this album to exist in the universe, ltd to 100 copies in white **Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts…
Joy
Super rare 1970s British jazz from Joy: Chris Francis, James Dvorak, Frank Roberts, Ernest Mothle, Keith Bailey reflecting the young, multicultural, vibrant flavours of mid-70s London. Funky, hip, committed, Joy is one of the forgotten gems of London jazz. Originally released in 1976, Cadillac and Joy are delighted to offer the first CD/Digital reissue of this great album - remastered by Keith Bailey and including extra, previously unissued, material and a vinyl reissue of the original release i…
Peace Chant Vol. 8 (More Private Jazz From Germany 1974-1986)
The term “private” is used quite liberally in the promotion of rare groove compilations these days. The team at Tramp Records tends to be rather defensive when it comes to such terms. Although, and this should not be misunderstood as arrogance, label boss Tobias Kirmayer & his crew have been doing nothing else for 22 years, strictly speaking. Every compilation series from the Upper Bavarian label, be it the “Movements,” “Feeling Nice,” “Praise Poems,” or “Can You Feel It” series, specializes in …