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*In process of stocking* Debut album from this London based group whose contemporary take on a guitar-driven post-punk sound equally inspired by early '90s grunge is energised by ferocious melodies and an impulsive charge rarely found right now. With two brothers, Aaron and Hayden Brown, serving as both the main songwriters and lead vocalists, Blue Statue focus on existential malaise, mental health issues and other such concerns in a setting that's accessible and angry yet augmented by an openne…
* Edition of 250 *"These two sides were recorded at home in Stockholm in April last year, and are part of a series of recordings that I was making around that time that I called dream sequences for a number of reasons, but partly because they mixed attempts at unconscious playing of music with intentional recordings of external sounds e.g. drilling through walls, street noise, that were affecting my consciousness at the time of recording. Also I like dreams but not so much talking about them." -…
Cut in 1969, this self-titled album feels like the first fully immersive psychedelic rock statement from its own scene. At a time when local airwaves were ruled by polite pop and lightweight fare, Churchills arrived riding waves of fuzz and twisting studio gear to its limits. The lineup itself tells the story. Frontman Stan Solomon brought a raw, soulful presence; guitarist Robb Huxley carried deep experience of the classic rock songbook, its riff language and studio tricks. Alongside them, guit…
Born in Tbilisi, Georgia, Nargilә Mehtiyeva aka Aşıq Nargilә has been playing saz (long-necked lute) and singing since the age of 15. Fluent in Azerbaijani, Georgian, and Russian, Nargilә represents the cosmopolitan heritage of old Tbilisi, a city once known as a meeting point for multilingual aşıq bards who would travel through the region serving as conduits for news, ideas, music, and culture. Nargilә is currently the only female aşıq living and performing in the ethnic Azeri region of Georgia…
Musician, writer and filmmaker, Sunik Kim follows up ‘The Bent Bow Must Wait to Be Released’ (Takuroku 2021) with their second LP - a deadly serious dismantling of the limits of contemporary computer music, delivered with playful dexterity and a touch of slapstick humour, a la Henry Cow. Enlisting General MIDI to create frenetic, vital patterns of dis-organisation made up of gleeful synthetic trumpets, wry orchestral sweeps and brutal key clusters, Sunik Kim explodes a kind of simplistic sound i…
Tip! “Two Duos” is pressed from cellist Okkyung Lee’s most recent OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on Ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it’s magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities. On the A side Noetinger’s opening tape hiss establishes a current; an electrical partner …
Tip! First vinyl re-issue of Evan Parker’s duo with George Lewis. Transferred from the original masters, we discovered that the original Incus LP was cut at the wrong speed - and so, we present the first vinyl issue of the correct masters, or ‘mastas’ as Adam Skeaping, legendary engineer who is also responsible for Six of One and Compatibles, fondly calls them.
Skeaping, always working with the latest in recording technology for the time, has a knack for gaining access to remarkable spaces. Goo…
Reissue Evan Parker's first solo LP Saxophone Solos. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicians' Co-operative, Parker's densely woven and often cyclical style has yet to form; instead throaty murmurs appear under rough-hewn whistles and calls -- the wildly energetic beginnings of an extraordinary career. Reissued with liner notes from Seymour Wright in an edition of 500. "The four pieces across the two sides of Sa…
CD version. Japanese bluesman Kan Mikami is nothing less than an unalloyed force of nature; a skin-shredding blast of frozen wind from the poor, rural north of Japan that he calls home. In the late 1960s, like thousands of other Japanese young people Mikami made his way to Tokyo in search of a life different from that of his parents. Since then he has forcefully carved out a space for himself in the culture as a modernist poet, a raging folk singer, an author, an actor, an engaging TV personalit…
Huge tip! It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and …
Double CD documenting the magic meeting of one of the all-time great rhythm sections in jazz: percussionist Hamid Drake and bassist William Parker, with London’s brilliant Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Across two sets the quintet are infectiously energetic and inspired, striding from synchronised heavy groove to star bright solos, whilst incorporating dub effects, guimbri and sumptuous blues piano playing.
Formed by Orphy Robinson and Pat Thomas but always real…
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
In the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inv…
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
The German band Schatterau returns to Hands in the Dark with their latest release, Übers Jahr ('Throughout the Year'), which follows their acclaimed debut album from 2024. This sophomore effort, as its title implies, delves into the cyclical nature of time and the duality of the transient and the eternal unfolding of events. The album comprises 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as w…
In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reducti…
Since their formation in 1977 Mark Perry’s group Alternative TV have moved far away from their more direct punk rock beginnings into all manner of other areas of music that have sometimes themselves drawn from improvisation, free jazz, industrial and electronic music. On 'Direct Action', Alternative TV’s first studio album since 'Opposing Forces' in 2015, we are presented with six instrumental tracks which steadily rip apart all expectations as they shed all allusions to rock music in favour of …
Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his mo…
* Edition of 300 numbered copies * The Sam Rivers Archive Series looks to be a beautiful physical manifestation of the love and respect that NoBusiness Record's Danas Mikailionis has for NYC loft era free jazz (we're working with PDFs and digital files but I, for one, have my copy on pre-order!). Over the years, NoBusiness has been dedicated to unearthing and releasing long-unheard music from a number of musicians (like Peter Kuhn, Billy Bang, Jameel Moondoc, among others) and quite notably, in …