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Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.
Naissoo Freeform Quintet is a vivid exploration of jazz improvisation and collective creativity, recorded by Estonian keyboardist and composer Tõnu Naissoo and a handpicked ensemble of accomplished local musicians. Captured during two highly spontaneous sessions in Tallinn in July 2024, the album foregrounds the chemistry of the quintet - with Naissoo’s Rhodes, Moog Source, and ARP Odyssey providing the core, and enhanced by the agile bass work of Mihkel Mälgand, the resonant bass clarinet of Me…
The soundtrack of “La Matriarca” is one of the finest examples of 1960s Italian musical comedy — ironic, sensual, and perfectly tailored to Catherine Spaak’s character. Trovajoli succeeds, like few others, in giving voice to the contradictions of an era through music — an Italy discovering freedom, yet with an ironic smile on its lips. Limited transparent Magenta Vinyl edition of 500.
“This is the time that we, who have benefited from the Last Poets should be able to say, ‘it’s the Last Poets. It’s them we should be honouring, because we did not honour them for so many years…” KRS One wasn’t just addressing the hip hop fraternity when he uttered those words by way of introducing the video for Invocation – a poem written thirty years ago, around the time of the Last Poets’ last significant comeback. He was speaking to everyone who’s been affected by the word, sound and power i…
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” and “Tales (8 Whisps)—the band sca…
Gábor Szabó was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. This evocative 1967 set for Impulse! features nine live tracks recorded at Boston's Jazz Workshop, capturing Szabó and his finest working group at their peak.
For his third Blue Note album Inventions & Dimensions (1963), pianist Herbie Hancock began moving away from the modernist hard bop sound that defined his first two albums Takin’ Off and My Point Of View. Inspired by explorers like Eric Dolphy and Tony Williams, Hancock went in search of greater musical freedom by composing a set of ingenious originals each with their own unique inner logic that did away with what he considered the established jazz “assumptions” of the time. Hancock also pared th…
An ancient Roman house holds a terrible secret. Dust, old books and a morbid and veiled eroticism. Before devoting his career to the so-called cinema civile (political cinema), Damiano Damiani directed his most obscure and mysterious film, a jewel of the contemporary Italian Gothic style. Based on the short novel 'Aura' by Mexican writer Carlos Fuentes, the film is enhanced by the interpretations of the very sensual Rosanna Schiaffino and a young Gian Maria Volonté during the years of his debut …
* Deluxe Edition. Released in a gatefold cover. Black Vinyl Numbered Limited Edition of 899 copies 1 page insert 2 OBI strips * Another great italian avantgarde progressive rarity from 1972! Complex and excellent album, with classic moments, jazz-rock influences in the Canterbury vein, acoustic parts, sudden rhythm changes and complex arrangements, in a few words everything we love from vintage italian prog! "Part of the charm of the Italian progressive rock is undoubtedly due to its inner prese…
Hits Are for Squares is the first greatest hits album by American rock band Sonic Youth, released on June 10, 2008, by Starbucks Entertainment. The album features 15 songs spanning Sonic Youth's career since the release of their debut studio album in 1983, Confusion Is Sex. It also includes one new song: "Slow Revolution". The band intended to create a compilation album that appealed to the casual consumer. Hits Are for Squares received acclaim from critics, who noted it as a strong introduction…
Icelandic composer Snorri Hallgrímsson releases "Longer Shadows, Softer Stones", his debut for Deutsche Grammophon. The EP will be released on 180g vinyl and contains six tracks written and produced by him. The multi-instrumentalist Hallgrímsson, who has already impressed with his skillful reinterpretations of works by Satie, Schumann and Boulanger, takes on the vocals and plays piano as well as electronic elements. He is supported by strings from the Reykjavík Orchestra under the direction of V…
Legendary producer David Axelrod’s solo album Heavy Axe is one of the finest outputs of the jazz-rock wave, which was the preeminent sound of the mid ’70s. With a little help from legendary players like Johnny “Guitar” Watson, Cannonball Adderley, and George Duke, Heavy Axe crisscrosses between lush funk sounds and full, round low end and majestic orchestral flourishes that made Axelrod’s sonic realm a goldmine for sample-hungry hip-hop beatmakers from the ’90s until today.
Portrait Of Sheila is the legendary 1962 debut album by Sheila Jordan, recognized as one of the only vocal jazz albums released by Blue Note in the 1960s. Backed by Barry Galbraith (guitar), Steve Swallow (bass), and Denzil Best (drums), Jordan’s inimitable approach includes stark, intimate renditions of standards, including a celebrated voice-bass duet on Bobby Timmons’ “Dat Dere.” The album’s new Tone Poet Series reissue, shipping in late 2025, brings her singular artistry to new audiences wit…
Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin’ Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard’s bravado style was already fully formed on Open Sesame with his brilliant tone and jaw-dropping technical prowess at the helm of sterling quintet with tenor s…
TIp! The Holy Mountain (1973) is considered Jodorowsky's definitive film; the music of the soundtrack is just as soundtrack is equally interesting, with musical styles ranging from primordial chants to sitar-based folk melodies, from full orchestral solids to more intimate symphonic arrangements, all a perfect accompaniment to the hallucinogenic climate of the film. The soundtrack features jazz musician Don Cherry.
Green Is Beautiful by Grant Green is a lively jazz-funk album recorded in 1970 at Van Gelder Studio and released on the Blue Note label. Marking a shift from his hard bop and soul jazz roots, Green embraces energetic funk grooves, supported by a stellar lineup including Blue Mitchell, Claude Bartee, Jimmy Lewis, Idris Muhammad, and organists Neal Creque and Emmanuel Riggins. The album’s five tracks, including covers of James Brown and The Beatles, showcase Green’s distinctive, melodic approach a…
2025 stock The second solo album by Frank Zappa, Hot Rats (October 1969) is one of the most influential Jazz fusion albums ever. It marked Zappa's first recording project after the dissolution of the original version of The Mothers of Invention. Multi-instrumentalist Ian Underwood is the only member of the Mothers to appear on the album and was the primary musical collaborator.
Other featured musicians include bassists Max Bennett and Shuggie Otis; drummers John Guerin, Paul Humphrey and Ron Sel…
Demon's Dance is an album by American saxophonist Jackie McLean recorded in 1967 for Blue Note, but not released until 1970. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Jack DeJohnette.
"The record retreats a bit from McLean's nearly free playing on New and Old Gospel and 'Bout Soul, instead concentrating on angular, modal avant bop with more structured chord progressions... While Demon's Dance didn't quite push McLean's soun…