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LP version. 180 gram vinyl, gatefold sleeve. The debut album from the original Amon Düül commune collective, released in 1969, stands as one of the most radical and uncompromising documents of the entire German underground scene. This is not Amon Düül II - this is the larger, more chaotic collective that spawned the more structured offshoot, and Psychedelic Underground captures their approach in all its raw, untamed glory.
Recorded in a single marathon session, the album is less about tradition…
LP version on 180 gram vinyl. After Curiosum (BB 038CD/LP, 1981), the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster (BB 171CD/LP, 1990) and One Hour (BB 172CD/LP, 1994). The duo also took to the road for live shows in Germany and Europe, followed by tours across the USA and Japan. Some of these concerts were recorded in digital quality a…
The third album from Wallenstein, originally released in 1973, stands as the band's definitive statement and one of the peak achievements of the entire Kosmische Musik movement. Led by keyboardist Jürgen Dollase and guitarist Bill Barone, the group had evolved from their earlier heavy progressive sound into something far more expansive and cosmic in scope.
Cosmic Century is exactly what its title promises - a journey through infinite space rendered in swirling synthesizers, celestial guitar work…
Super Tip! LP version. Re-release of the second album by Annexus Quam, originally released in 1972. Transferred from the original master tapes and carefully remastered by HaGü Schmitz and Dieter Wegner. The timing was right: Five years earlier would have been too early, five years later would have been too late. But Annexus Quam from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment. The seven-piece band formed in 1967 as Ambition Of Music; they were what was then…
LP version. Reissue of the 1970 krautrock classic. The timing was right: Five years earlier would have been too early, five years later would have been too late. But Annexus Quam from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment. The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group." In 1970, working with a local trombone choir led to a dramatic change of direction. Trombone, clarinet, saxophone, scat-like voc…
LP version. The second album from Berlin-based electronic group Mythos, originally released in 1975, represents a crucial bridge between the cosmic folk of their debut and the full-blown Berlin school sound that would dominate the second half of the decade. Mastermind Stephan Kaske guided the band into deeper electronic territories here, crafting sound cascades and sequencer patterns that align them with the visionary work of Tangerine Dream and Ash Ra Tempel on the same Ohr label.
Dreamlab unfo…
Mythos was formed in 1969 on the initiative of Stephan Kaske (flute, keyboards, vocals, guitar), who found two comrades-in-arms in Harald Weisse (bass) and Thomas Hildebrand (drums). Various performances impressed label boss and talent scout Rolf-Ulrich Kaiser so much that the band was able to release their debut album on the Ohr label in 1972. This album was also re-recorded and remastered from the original analog tapes. Best sound!
The second album from Birth Control, originally released in 1971, captures the band at a crucial turning point - moving from their blues-rock foundations into far more adventurous progressive and experimental territory. Led by vocalist Bernd Noske, with Bruno Frenzel on guitars and keyboards, Reinhold Sobotta on drums, and Bernd Koschmidder on bass, the group delivered one of the most powerful statements in early German rock.
Operation showcases Birth Control's remarkable ability to blend heavy,…
One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international gr…
On Oscillations, Sol Sol stretch their free‑jazz vocabulary into something almost cosmic: ten pieces where Elin Forkelid’s four saxes, David Stackenäs’ guitar and the Agnas brothers’ rhythm team move from feather‑light drift to razor‑edged intensity with effortless precision.
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
* 180g, double LP on Black Vinyl. Includes all assets of the original boxset: with cards of the participating artists, explanatory text and the tarot cards, which are treated musically in the album* Remastered by Dierks/Flüchter. Walter Wegmüller (1937 - 2020) was a Swiss-Jenish artist who grew up in difficult circumstances in Bern. After training in Basel, Bern, Paris and London, he began his artistic career. In addition to painting and sculptural works, Walter Wegmüller occupied himself with t…
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
* Limited LP edition * Sonoris is pleased to announce the release both on vinyl and cd, with a new mastering by Giuseppe Ielasi, of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage’s Cartridge Music amplified objects, Steve Roden extracts a fine and delicate music through …
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995 by eRikm. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies.
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
Rlw (aka Ralf Wehowsky ) whose work deals in the transformation of prerecorded sound material, the permutation of the senses and the metamorphosis of the sensitive, has been a proponent of long distance collaborations for decades, long before lockdown made this manner of working popular. This goes way back to his beginnings with Permutative Distortion or P16.D4 and the Selektion label. He is a strict and disciplined composer, a formal organizer of discernible objects.Tunnel presents five pieces …
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…