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One of the most important jazz albums of the 1970s - finally on vinyl in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis - no heat, malfunctioning equipment, some musicians didn't even show up - and yet what emerged was nothing short of a masterpiece. An "almost accidental classic" that has haunted col…
Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.
Skintone Edition Vol.1 begins the remastered reissue of 14 essential Susumu Yokota albums from his Skintone label (1998–2012), released individually and in two box sets over 18 months, celebrating Yokota’s innovative legacy in ambient and electronic music.
After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise's 1959 film noir, Odds Against Tomorrow retrofits familiar folk / blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territ…
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
"People Skills could probably kill an hour or two watching you scrape the goo off your mukluks after escorting repeated tromps through the brack-befouled trench between music and non-music. You put on a show for him, he’ll put on a show for you. Everyone shows a little leg, we all go home winners. On his first new LP since the 2014 (Siltbreeze) and 2016 (Blackest Ever Black) touchstones, he blends “song-related” material with off-kilter signal garble to emit fidelity impaired pop-surrender by th…
Recorded by candlelight in a Swiss church in 2021, in single live takes. Leila Bordreuil on cello and feedback, Kali Malone on a 1995 organ and sine waves. The bells outside and the motorcycles going past are left in, because the building counts as a third player.
Reissue of this collectible avant madness LP from 1973 from one of the most influential artist in the Tropicália movement of 1960s Brazil. The joke with this album is that the album art -- which looks like an eyeball -- is actually a photo of a marble shoved up someone's anus... a little jab at the Brazilian dictatorship's office of censorship, which apparently didn't recognize a mirror when they saw one. Tom Ze's nutty side comes dancing to the fore here, with some of his more playful, delibera…
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
There are musicians who play jazz and there are musicians who expand its very definition. Yusef Lateef was the latter - a visionary who brought the oboe, the argol, the shanai, the bamboo flute and countless other instruments into the jazz vocabulary decades before "world music" became a marketing category. Golden Flower: Live in Sweden presents two never-before-released concert recordings that capture this master at the height of his powers, finally emerging from the Sveriges Radio tape vaults …
"The band showed up, four folks from three different spots on the globe -- Chicago (Vandermark, Reid); Nickelsdorf, Austria (Gustafsson); Philadelphia (Taylor). They assembled their gear and sound-checked at the studio. There was a four-way freedom at play, structures but liberties and no need for elaborate explanation. Everyone spoke the same shorthand. Cues were understood; timings were implicit and considered; space was made for chances to be taken. In creative music, you sometimes need to re…
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
*2024 stock. 150 copies limited edition* Nothing but Death is Jason Crumer + Richard Dunn
featuring:Carlos Ayala - vocals on Walking AroundJackson Abdul-Salaam - noise + source on Fickle One, Light Wraps, Walking AroundJohan Stromvall Hammarstedt - vocals on Remember, loop source on Maize
Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times.
"Perfection & Permanence": a hymn to Isis; a further exploration of the duality of the holy harlot, the black skinned Magdalen, mother and …
Tip! *100 copies limited edition* "The earliest collaboration between Rudolf Eb.er, a Swiss artist living in Japan who is also known for his activities under the name Runzelstirn & Gurgelstock, and Maso Yamazaki, known for his activities under the name Masonna & Controlled Death The earliest collaboration between Rudolf Eb.er and Maso Yamazaki was in 1995, when they released a work on the Swiss label Schimpfluch. The collaboration continued into 1996, and the 1997 Tokyo show under the name Eb.er…
**CD digipack** Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden …
The John Cage Trilogy – Inspired by Hidekazu Yoshida’s interpretations of Japanese Haiku poetry, John Cage formed a trilogy of his existing works honoring the essence of the poetry. Atlas Eclipticalis (1961), the first piece in the trilogy, represents nirvana. Variations IV (1963), the second work, represents samsara—the turmoil of everyday life. 0’00” (1962), the third piece, represents individual action. Simple Harmonic Motion Records is proud to be the first to present a realization of Cage's…
In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, “Enclosures 2011-2016”, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and com…
The history of the Blorp Esette, which chronicles the output of the Los Angeles Free Music Society and other entities in its orbit, dates back to 1977, with the release of Blorp Esette Volume One LP (soon to be reissued by Superior Viaduct) and Volume 2 2LP in 1980. Volumes 3 and 4 emerged in 1999, packaged in a boxset with the previous volumes. The Blorp Esette Gazette first appeared with Volume 1 & 2 in 2013. Intended to be an on-going series, it was paused after the passing of Transparency la…
Within the expanding territories of electroacoustic investigation and field recording archaeology, Éric La Casa and Jérôme Noetinger present Off Tracks, a profound meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces via Erstwhile Records. This collaboration between two masters of contemporary sound art unfolds as "an exploration of buildings emptied of their activities, a crossing of spaces abandoned by their occupants, a drift through the ghostly tr…