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Estructura Propuesta Sonido: Piezas para instalaciones y composiciones con notas al azar (1972-2017)
*300 copies limited edition* This album compiles a series of sound pieces produced by the Peruvian artist Teresa Burga (Iquitos, 1933 – Lima, 2021) during the 1970s. It includes works created by the artist that were part of various artistic projects, mainly sound installations, as well as pieces commissioned to musicians and inspired by her work. This album thus embodies an approach to a sound universe that has accompanied Burga's very personal work, which has transcended the limits of the artis…
Sounds Of The Sea
Joanna Brouk’s most ambitious recording, Sounds of the Sea is a concept album full of mystery and eroticism. An immersive world populated by pulses, swells, drones and voices, Sounds of The Sea taking us on Hindustani-tinged journey with shimmering lines executed on synths, threaded by Joanna’s vocal drones, while Celestial Lake weaves imagistic expanses from slowly evolving melodies, culminating as immersive and meditative world of its own. A conch shell bookends this journey into the deep, go…
In The Land Of Grey And Pink
*2025 repress* The third album by Canterbury's own Caravan, originally released in 1971, reissued with two full sides of bonus outtakes taken from the album's original recording sessions at A.I.R. and Decca studios in London in 1970-71. This was the last album to feature the original Caravan line-up, before David Sinclair left to form Matching Mole with Robert Wyatt (Soft Machine) later that year.
"In the Land of Grey and Pink is considered by many to be a pinnacle release from Caravan. The albu…
Perceptual Geography
* In process of stocking * Shelter Press is happy to announce the release of Perceptual Geography, Thomas Ankersmit’s latest record. The music was created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by - and dedicated to - the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serg…
Azure
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
Onimikìg
Timothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence River…
Brace for Impact
First pressing of 500 units. Hampus Lindwall unveils Brace for Impact, a groundbreaking album that positions the pipe organ as the ultimate instrument for our hyperconnected era. This isn't your grandmother's church music – it's a visceral forty-five minute journey that transforms one of humanity's oldest instruments into a vehicle for exploring contemporary anxieties, digital culture, and the collision between ancient tradition and algorithmic thinking. The Swedish composer and organist, who ha…
Banshee / Basse Brevis
Limited split LP, black vinyl in poly-lined inner sleeve. Co-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to cr…
Ni Envers ni Endroit que Cette Roche Brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion
Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that ev…
Space As An Instrument
** Gatefold sleeve, Obi ** One of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one's internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space As An Instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment.…
E (LP)
Introducing her highly anticipated new LP, "E," Australia-born, Seattle-bred, and New York-based, pianist/singer Eliana Glass invites listeners into a world shaped by her childhood memories and musical evolution, inspired by Annette Peacock, Carla Bley, Jeann Lee and Emahoy Tsegué-Maryam Guèbrou
Shadows Lifted from Invisible Hands
Tip! Shadows Lifted from Invisible Hands is an autobiographical record, comprised of four songs that James Hoff refers to as ambient media. Each track is composed from sources drawn from his own involuntary aural landscape, specifically musical earworms and tinnitus frequencies. Neither sound nor a daydream, the earworm (or stuck song) emblematizes music as a commercial form—immediate, ubiquitous, and persistent. Likewise, tinnitus is inaudible and unscrupulous, manifesting across a spectrum of …
The Concert
When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion duringthe 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’perception of time. She invited Berlin-based drummer and composer Alexandre Babel to comeup with a response to her silent exhibition, held inside a striking multi-room building designedby Bruno Giacometti and originally intended for the display of classical art. Babel assembled fieldrecordings captured at the Pavili…
Aunes
Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…
Image Langage
*In process of stocking* 'Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when…
Deathstar
Since 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt …
Trances
Trances, Jules Reidy’s follow-up to the celebrated Music by Jules ReidyMixed by James GinzburgMastered by Stephan MathieuArtwork by Florian & Michael QuistrebertPhotograph by Camille BlakeDesign and art direction by Bartolomé Sanson (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its explora…
Trilogie 1979-1988
Erick Moncollin, Mastermind behind ADN’ Ckrystall and famous for his great and extremely rare Synth/Minimal-Wave-Records on Lp and 7“ has finally digged into his archive and provided VOD with the long awaited for collection of the 10 year A-D-N-Trilogie. All tracks are from 1979-1988 -- including the mythicals sessions of the "Museum-ep", the "Rock Noire" mini-album, as well as tracks from "ADN'La Catastrophe" and others rarities. Members will recieve a 4 Track 7“ Bonus that includes the hits D…
Drive-Five vol. 1 en 2.
Edition of 40 copies. Counter Culture Chronicles is proud to announce the release of a previously unreleased recording featuring Beat Generation poet Jack Micheline performing a complete reading in Erie, Pennsylvania, 1983. This intimate documentation captures the raw energy and spontaneous spirit that defined Micheline's legendary performances. Recorded during the height of Micheline's creative period, this rare tape presents the poet in his element—delivering his trademark blend of street-wise…
The Abstraction Years 1979-81
During 1979 and 1981 and after running punk-orientated Bands with his Brother Derek for 3 years (Those Nervous Surgeaons, Nervous Surgeons & Half Nervous), Adrian recorded about 6 tapes with almost 6 hours of wonderful atmospheric and powerful minimal/synth-music that no listener can escape from without experiencing wonderful feelings and emotions. His first two tapes from 1979 (From the Silent Days and Absolutely Safe) were only given to friends (for lack of contacts and a still to be es…