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明天废墟 = Tomorrow Ruins
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
This Is the Right Path
Tip! *350 copies limited edition* “ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused.…
Spirit Groove: Golden Sea Duo in Shenzhen
Tip!
David Murray - Saxophone Kahil El'Zabar - Percussion / Kalimba / Voice
Recorded at the 10th OCT-LOFT International Jazz Festival, B10 Live, Shenzhen October 27th, 2023
Oiro Pena
** Silk-screen printed (blue color) recycled sleeve. 200 copies ** Much-needed repress of this spiritual flute jazz artifact by the mastermind Antti Vauhkonen. Originally released as a limited edition lathe-cut 10'' in a handful of copies. Cover art silkscreened on recycled cardboard-sleeves. Artwork by Arsi Keva. Mastered by Samuli Tanner. The first person to create something one may classify as instrumental music was probably alone. The mind tingles when imagining the prehistoric moment when, …
The Great Filter
Eighth Tower Records unveils Nihil Impvlse’s The Great Filter, the third release by the industrial project on the label. A dark post-industrial exploration of humanity’s collision course with its own tools, the album reframes the titular cosmic theory as a metaphor for our self-engineered existential sieve where accelerationism’s fervent dogma and apocalyptic fatalism fuse into a nihilistic liturgy. Through seven corrosive movements, Nihil Impvlse conjures the dissonance of a species intoxicated…
Dangerous Women: Early Works 1985-2005
Laetitia Sonami's Dangerous Women: Early Works 1985-2005 traces twenty years of fearless electronic innovation. From her studies with Eliane Radigue in France to mentorship under Robert Ashley and David Behrman at Mills College, this 2CD collection captures her evolution from analog experimentation to pioneering digital performance with her legendary "lady's glove" interface.
Crone music
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
Sound Paintings
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.
Foreign Experiences
This new release from Lovely Music features Robert Ashley's famous ensemble, the "band" who interpreted his work for 20 years, from 1992 through 2012. They included Sam Ashley, Thomas Buckner, Marghreta Cordero, Tom Hamilton, Jacqueline Humbert, Joan La Barbara, and Amy X Neuburg. This recording was made at the Hebbel Theater, Berlin on May 12, 1995. The opera was also heard live at the Festival d'Avignon, the Brooklyn Academy of Music, Musica Strasbourg, and Site Santa Fe. Foreign Experiences i…
Concrete
Concrete follows from Robert Ashley's preoccupation in two previous operas with the kind of speech that has not been explored in opera -- in Dust (LCD 1006CD), the speech of the homeless; in Celestial Excursions (LCD 1007CD), the speech of people living together in a home for old people. The three operas are not a "trilogy" in any sense, but they all come from this preoccupation with or fascination with special kinds of speech and special kinds of states of mind. "The characters I'm interested i…
Dust
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Celestial Excursions
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
Now Eleanor's Idea
2007 release. Now Eleanor's Idea was made possible by grants from The Rockefeller Foundation (1984 and 1993), the National Endowment for the Arts' Opera Musical Theater Program (1985) and InterArts Program (1992). Robert Ashley's Now Eleanor's Idea is a quartet of short operas based on the notion of a sequence of events seen from four, different points of view. At the same time, each opera is an allegory, like Bunyan's Pilgrim's Progress (1678), for an individual's self-realization within the co…
Perfect Lives
*2022 repress now in digipak, with new cover art* Robert Ashley's Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980s update of the mythology of small town America. Perfect Lives is populated with myriad characters revolving around two musicians - "R", the singer of myth and legend, and his friend, Buddy, "The World's Greatest…
Music as a second language
2019 Repress. Speech melodies extracted from sources as various as language instruction recordings, hypnotists and televangelists are re-synthesized and applied to digital musical instruments, becoming eerily beautiful, "the singing of voices more ancient than language." Performed by Paul DeMarinis Hidden beneath speech's words and music's melodies I hear the singing of a voice more ancient than language. Brain's secret convulsions making muscles articulate, shaking the world with a song now lo…
Inner Journey
2025 stock 1998 release. Inner Journey contains works by William Duckworth, Thomas Buckner, Jacques Bekaert, David Wessel, and Somei Satoh - united by their themes of the quest for self-knowledge. Composed of fragments from the works of F. Scott Fitzgerald, Henry Miller, Gertrude Stein, and Thomas McGrath, William Duckworth's text reveals the multiple perspectives of an unknown couple whose post-modern love story emerges. Thomas Buckner's improvisation, "Inner Journey", is dedicated to the spiri…
An Hour For Piano
"First, the booklet notes. If you pine for Gertrude Stein speaking circles around herself, meaning what she doesn’t mean, and not meaning what she means, you’ll probably like Tom Johnson’s non-sort-of-explanation of his magnum keyboard opus, An Hour For Piano. The composer prefers that you don’t read his notes while listening to the music. In fact, don’t read them before you play the CD for the first time. Listen to the piece first. Then, if you’re feeling artsy, put on the CD again and read the…
Musica Iconologos
A surprising release from the radical Fluxus composer, Yasunao Tone
- an encoded description of the visual image in utmost detail. In the
mythical future, somebody can translate the sounds of this compact disc
back into pictures. Personnel: Yasunao Tone and Craig Kendall - image selection and processing; Craig Kendall - computer programming, digital sound creation, manipulation; John D.S. Adams - assistant producer and audio consultant.
Two Lines
1995 release. Two legendary composer/performers, David Rosenboom and Anthony Braxton, join forces on Two Lines to unite composition with improvisation, "new music" with "new jazz". Starting from David Rosenboom's notated score for Two Lines and his musical computer program, these musicians have achieved, to paraphrase Rosenboom, created a composition that is immediately heard. Duets with interactive HMSL software. Includes Rosenboom's Two Lines, plus compositions in collaboration with Braxton: L…
Four Compositions
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motivically atonal, but tend to collapse into tonal cadences just to show you they know where they are. Like Ornette Coleman, Mitchell's playing with the tension between center and periphery, but in a milder, more abstract idiom and from the other directi…