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Vogel Musik
Since performing in the late 1960s and through the early '80s as half of the German duo Anima (with Paul Fuchs), Limpe Fuchs continues to explore music-making as a part of everyday life. Her vibrant live performances are numerous and consist of solo as well as ongoing collaborative works. On Vogel Musik (or "Bird-music"), Fuchs is heard performing a series of duos with multi-instrumentalist Christoph Reiserer (saxes/clarinet) (recorded in 2002). The duo then extends to a trio with Julia Schoelze…
Floret Silva
2006 reissue. 1977 progressive avant-folk masterpiece from minimalist composer Kay Hoffman. Includes collaborative performances from Jacqueline Darby and Gaio Chiocchio, members of the legendary Italian progressive group Pierrot Lunaire.
Originally slated for release on RCA/IT (Italy) in '78, the album was
later rejected due to recording deadlines, release schedules, and
requests by RCA for other artistic/musical considerations. However, many
years later, Floret Silva did end up surfacing on…
Year of the Horse and Other Electroacoustic Works 1974-1986 (2CD
Jean Schwarz joined the Groupe de Recherches Musicales in 1969. In the same year, he also worked as an engineer and researcher at the Centre National de Recherche Scientifique in the ethnomusicology department of the Musée de l'Homme in Paris. He founded Celia Records in 1980 releasing a vast catalog of his own works as well as collaborations. Schwarz favors electronic sounds - the raw material from which he creates large architectural forms and vigorous sonic structures and takes inspiration fr…
Nephlokokkygia 1992
To be free. What does that actually mean? Not in a social or even political sense. But as a human being? As a musician? When we speak of free improvised music, freedom is the mother of all things. And that in a literal- al sense. You free yourself from yourself. As human beings, we always act with the sum of what we have collected, stored and reflected in all the years before. An improviser does not have to apply his knowledge and skills intellectually, but instinctively. So, that things do not …
Fog tapes
Following their mystical, dark and haunting self titled debut album on Utech Records (home of Aluk Todolo, Horseback, Final, Skullflower, Runhild Gammelsaeter, James Plotkin...), Ural Umbo return with their follow-up release, an even more dense, forward-thinking, nebulous post doom record. An organic and hypnotic mixture of lurking electro-acoustics, atmospheric black metal approaches, epic drones, slowly evolving melodies, doom mantras and an overall psychedelic atmosphere.
Greatest Hits
Edition of 300. A release featuring the first twelve presentations of Hit Parade, where a total of 180 performers in Seoul, Montreal, Quebec City, Dundee, Winnipeg, Porto, New York, Toronto, Rotterdam, Kitchener, Milan and Melbourne, lying face down hit the ground 1000 times with a microphone.
Kasi Naigo
.....kasi naigo is a sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other...the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question... A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence... This disc is expansive, tense, terrifying and subtle (Boss Sambosa, The Montreal Mirror).
You Can See Your Own Way Out
** Edition of 500, Clear Vinyl, Gloss Laminate Sleeve ** You Can See Your Own Way Out is the first collaborative record between Ilyas Ahmed and Jefre Cantu-Ledesma. Long-time friends and satellites orbiting the same communities and scenes, You Can See's inception was never really a question of if, but when. Combining Ahmed's explorative guitar/synth-work and Cantu-Ledesma's field recording, sound processing and electronics, the result presents as a book of short stories or vignettes highlighting…
Rimmed Records
Vinyl records physically reduced to just the outer rim, packaged in silk-screened recycled record covers. Playable at your own risk. Edition of 100.
Rompighiaccio Destiny
Edition of 80. "Rompighiaccio Destiny" is an auto generated composition resulted by the random interactions of two different tape recorders left to play and mixed without any external intervention except for some subtile variations of equalization, pitch and modulation through a delay used in effect send. "We have an increasing desire in any case to get firm ground under our feet. The floe has been a good friend to us, but it is reaching the end of its journey, and it is liable at any time now …
Sanctus
The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…
Volume Two
2000 release. The second of two CD anthologies of the Organum/David Jackman back catalog, following Volume One (ROBOT 017CD). The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Meticulously mastered for truly maximum fidelity, Volume Two includes material primarily culled from theIn Extremis and Horii sessions (12" titles originally released on…
Volume One
1998 release. The first of two CD anthologies of the Organum/David Jackman back catalog, preceding Volume Two. The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Remastered for truly maximum fidelity.Volume One includes material culled from the Tower of Silence and In Extremis 12"s (both originally released on L.A.Y.L.A.H. Antirecords in 1985).…
A Wolf Should Only Be Lone
Los Angeles guitarist Peter Kolovos’ last release was the epic 3xLP Black Colors. While not quite as immense, A Wolf Should Only Be Lone, Kolovos' first cassette release since his days with Open City, hits the beautiful red space in fits and starts. These two tracks carry his distinct style of annihilating common notions of guitar playing. Bruce Russell once likened his playing to “Derek Bailey covering The Resident’s Duck Stab,” while David Keenan has described him as having the "dexterity of B…
Open And Closed Circles
Mappa invited me to make a work for cassette release. At the time I was putting finishing touches to a work for CD that was the result of 3 years of collection, distillation, presentation and consideration. I had made a conscious decision to stop composing in favour of making work for installation and performance.
However, the idea struck me to make a ‚format-specific‘ piece. For many reasons the cassette didn’t excite me in the same way as vinyl or CD. But then I considered the compact cassette…
Interpersonal Subjectivities
The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …
The Stormy Man
A rare soundtrack session from Japanese jazz legend Hideo Shiraki; Also with pianist Takeshi Inomata and saxophonist Hidehiko "Sleepy" Matsumoto "Inomata and saxophonist Hidehiko "Sleepy" Matsumoto as well! The cover's somewhat unassuming, but the music inside is quite vivid and rich – jazz tracks used as a film score, often with a quality that's like the best jazz soundtracks coming out of French and Italian cinema at the end of the 50s – with a very different vibe than some of Shiraki's later …
Bad Girl, Yoko
A marvelous jazz session from 1966 : Sadao Watanabe (alto sax) Terumasa Hino, Masahiko Togashi (drums) Masanaga Harada (bass), Masao Yagi (piano), Hozan Yamamoto (bamboo flute). "A totally cool Japanese soundtrack from the 60s – one that's as much of a
jazz album as it is a film score! The group features saxes from Sadao
Watanabe and trumpet from Terumasa Hino – part of a lineup that would
already make the music sound great on paper, although it's even better
on record! The tracks all have…
La Cloche
A totally cool little Japanese soundtrack from the 60s – done for a film
that features a bunch of younger teens who head out the beach – and
which is scored with music that perfectly fits the mood! There's a
really great range of 60s film modes going on here – as some tunes
feature wordless vocal scatting, others feature a bit of surf guitar,
bossa melodies, or even a few more playful themes – mostly served up in
short takes, and interspersed in a way that's nicely vivid and very
groovy!…
The Beast Must Die
A tense crime soundtrack from Japan by the legendary Toshiro Mayuzumi a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music – served up in a host of shorter tracks with a really evocative feel! There's a definite jazz bent to some of the music, bu…