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Ed Askew has been in NYC for 30 years. A few years ago he moved from Washington Heights in Manhattan to Ridgewood in Queens. And starting next month, he will be in Bedford Stuyvesant in Brooklyn. During all this time, Ed developed a home recording method which is very nuanced and at the same time concise. Ed’s harpsichord, tiple, synth and a muscular use of Pro Tools all play a role. His lyrics are on a whole new level; and his voice is his own. 2020 Seven Songs is his most recent home recording…
Aspec(t) are SEC_ and Mario Gabola from Naples, Italy. SEC_ plays electronics through laptop, processed tapes, and analog synthesizer. Mario plays saxophone and feedbacks through a system of resonant drums and small speakers. Their music shares the timbrical research and the execution control typical of some radical impro music (Pateras/Baxter/Brown, John Butcher, Jim Denley, Bruce Russell,..), but meets the visceral intensity and the obscure poetic of the new aktionsm and of noise music (Rudolf…
'Things that just happen' is the 2nd full length release by the duo of Ashley Paul and Eli Keszler. A longstanding collaboration, this record incapsulates a merging of the off kilter, quiet and fragile song based work of ashley with the decisive and material based sound which can be seen in the duos live performances. The album begins with and is framed by a multi part suite of pieces based around bowed crotales and saxophone. Simple in materials, with no electronic processing, the overtone and …
Debut collaboration between these like-minded English underground titans, perfectly mixing the long-form pop eccentricities of Grumbling Fur with the free electric sound of Astral Social Club to produce four epic and memorable tracks. The music is dense and layered, with hidden hooks, haunting vocals, unidentifiable electronic shuddering, delicate ambience, etc. Challenging but completely accessible and beautiful stuff. After a brief vocal declaration of purpose, Back To the Egg rides a motorik …
this amazing collaborative lp is the coming together of two distinct creative forces in the form of ATAVIST (UK) and NADJA (Canada), and represents an abstract detraction from both of the bands previous works. The feel of the album is one of blissful escapism presented through harmonious audio manipulation, intricate melody and polarizing heaviness. This release sees Atavist / Nadja placing the listener into an dreamlike environment throughout the albums two expansive tracks by using an innovati…
Uwe Schmidt runs sly and dry commentary on modern electro-dance-pop, recalling a ruder take on his seminal Pop Artificielle project with nods to Rian Treanor, PC Music and Grimes. Full of upfront, processed vocals and precision tuned, up-to-the-moment drum programming, ‘<3’ is the sharpest thing we’ve heard in years from the artist with more monikers than we can count. Following 2013’s ‘HD’ album for Raster, he recalibrates the rhythmic mechanics from techno to a slick mix of electro, EBM and e…
The Automatics Group's dance-pop deconstruction, 'Summer Mix' is one of the uncanniest computer music releases of this decade - first issued as a limited CD edition by Entr'acte in 2011. In the time since then it’s quietly become a bit of an iconic reflection for a post-rave generation, presenting a non-trivial nostalgia trip that somehow sounds like a digitally diffused, skeletal take on Gas, Basic Channel or Ross 154. It was created by applying a mathematical process known as a discrete …
Anxiety is the full-length follow up to Autre Ne Veut's 2010 self-titled debut, which was for many the definitive post-millennial Failure Pop statement outside of time and style. Autre Ne Veut rivaled other lovelorn 'missteps' such as Marvin Gaye's Here My Dear and Big Star's Sister Lovers. If you didn't hear the connection, you weren't listening closely enough. Be that as it may, ANV brazenly decided to make it easier for people with his post-canonical return. No longer playing the role o…
"Olde English Spelling Bee is one of those labels you can implicitly trust to provide you with the most brilliantly weird music. Their latest missive is a self titled shocker from Autre Ne Veut, a moocher from the same circles as Oneohtrix Point Never and all those weirdo Brooklyn types with an uncanny line in subtly skewed pop queerness. Seriously, this is one of the strangest, most jarringly unique records of the year, and we love it. At heart it's an incredible pop album with traces of Prince…
Big or profound sensations from small gestures which are carefully arranged. Using a mixture of sacred and profane, or classical and prosaic sound sources, knitted into intricate, fleet-footed compositions that virtually spring into the ear. Profondo Rosa is composer Ailin Grad’s first vinyl album following years embedded and loved in the Argentinian experimental music scene, with past treats on labels Krut, Sun Ark, Orange Milk Records and her own label Abyss, devoted to ‘connecting Latin Juke …
On his new EP ‘Music from Organ’, producer and live musician Giulio Aldinucci offers up four tracks of layered and meticulously-crafted ambience. In his own words: “The EP explores the interaction between the pipe organ and the sound environment, in terms of architectural space and soundscape. Every single sound of this work is created from pipe organ recordings using different techniques related to sound reflection, from granular processing to filters that “carve” the sound emulating the phonem…
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…
Berlin based composer-performers Liz Allbee and Burkhard Beins team up for some electro-acoustic explorations, utilising synths and field recordings, trumpet and percussion. Informed by their musical backgrounds ranging from industrial / noise via musique concrete to free improv, the two players create interactive fields of an imaginarchic nature. Many lesser oddball talents make the proud boast that they will invite you into their strange mental world and amaze you thereby. Allbee not only make…
* Edition of 300. In process of stocking * Pekka Airaksinen (1945–2019) was a pioneering composer of electronic and experimental music. Despite his undisputed position as one of the most significant factors in Finnish experimental music, he rarely performed live since the early days of Finnish underground in the 60’s and 70’s. He composed and developed his unique, gentle and enthusiastic approach to music at his private meditation center, far from the pulse and demands of life in the city. Lucki…
Closer To Stranger is the new solo album by Pakistani-born dream-folk musician Ilyas Ahmed. Drawing on a wide range of influences, his songs incorporate classic singer-songwriter gestures alongside more experimental leanings. Recorded to tape in the studio by Justin Higgins in the fall of 2016 and finished in the spring of 2017, Ahmed's instrumental palette includes: acoustic and electric six- and 12-string guitars, Fender Rhodes, multiple keyboards, tanpura, and percussion. Closer To Stra…
Ilyas Ahmed's songs exist in a sublime moment of suspended animation, calmly dwelling in between modes of music making both timeless and contemporary – deeply imbued with stillness and peace. On I Am All Your Own, his first album in three years, Ahmed employs strategies gleaned from experimental and ambient musicians, such as Lawrence English and Fripp & Eno, and applies them to song-based guitar music. Building slowly and purposefully, each individual track adds to the album's overall, scrupulo…
The three-sided LP “The Shirley Jangle” is a unique collaboration by some extraordinary talents, working under the moniker of The Afternoon Saints, better known individually as Lee Ranaldo, Christian Marclay, Günter Müller and David Watson. “The Shirley Jangle” is an intimate and subtle meeting place of noise, sound art, and experimental improvisation. Three sides of bubbling audio biosphere and a fourth-side etching by Lee Ranaldo, made specifically for the project. The Afternoon Saints have …
Keeping their winning streak going, Not Not Fun hit us with the lo-lite brilliance of Afterhours, an act that emerged from influential LA radio show 'Field Recordings of the Afterhours'. Citing Mo Wax and Anime as influences you can see how Not Not Fun were wowed by Afterhours' sultry electronics - this is music as indebted to Vangelis and Jean Michelle Jarre as it is 80s pop, industrial and Blech-era Warp bleeps. While title track 'Sleepwalker' is firmly in Blade Runner territory, the hi…
Eclectic selection running from midnight jazz moods to swinging house and dusted downbeats. As much as Los Angeles gleams in the global mind as a gateway to dream fulfillment and televised wealth / fame amalgams, it’s equally a desert of disappointments. Hence the dead-end yoga cults, under-the-bridge tar dealers, valley burnouts, Inland Empire night-stalkers and seas of destitute Eastside lowlifes. This vibe is central to Afterhours’s languid, nocturnal musical vision, which has evolved from sl…