We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2025 stock The classic self-titled LP from Canterbury super group Matching Mole, originally released in 1972, is now reissued on White Vinyl, with the addition of the bonus track 'Memories Membrane'! The line-up included former Soft Machine-drummer Robert Wyatt, David Sinclair of Caravan on organ and piano, Phil Miller on guitar and Bill MacCormick (formerly of Quiet Sun) on bass.
*2024 stock* "Two brothers, Roger Eno and Brian Eno, released their first collaboration in more than a few decades. Released in March of 2020,, the brothers reunited for a full-length album called Mixing Colours. (For those unaware that Brian Eno has a creative brother out there, well, he does. In 1985, Roger Eno released a brilliant set of piano treatments called Voices.) It’s easy to think that the released album wasn’t all of the music they worked on. Deutsche Grammophon's release is called L…
2025 stock Foreverandevernomore is the 22nd solo studio album from Brian Eno and the first since January 2017’s Reflection. The 10-track album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It’s a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, “Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with …
Non Standard Institute is a piano drone project by sound engineers Max Loderbauer (Sun Electric) and Tobias Freund (Pink Elln, Sieg Ûber Die Sonne), both prominent techno producers whose careers date back the mid-1980’s.
Compared to their earlier work in, “Plays Non Standards” is an exploration into a completely different direction. The music is based on the sounds of the grand piano played by Loderbauer and the subtle electronic “treatments” by Freund, with the help of vintage Roland DEP 5 and …
The second in a series of posthumous Mika Vainio releases on Säkhö, celebrating the work of a true, electronic music visionary. The tracks on Kiteet, released under Vainio’s Ø alias, were initially written for the 1997 Snow-Crash exhibition in Milan but never used. Five of the eight tracks found their way onto later albums, three have never been released anywhere. As you would expect from an artist with Vainio’s immense stature and pioneering legacy, Kiteet is a mesmerising listen, built from so…
“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…
Double CD, digipack. Superior Viaduct and new artist label, W.25TH, continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the third best album of the 2020s, anticipation and conversation around the record has been high. Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). …
'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develop into the or…
2025 stock Three rather meditative pieces from the repertoire of "Ars Acustica", but nevertheless: Fluxus! The New York-born artists whose radio plays are collected on this CD, Philip Corner, Alison Knowles, and George Brecht, have appeared together in performances, and they are also connected by their relationship to John Cage's aesthetic, by work with chance operations, and by Zen. Explaining Fluxus is like wanting to hold a river in your hand.
With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.Werdo's unique “Studio Reihe” series continues with Christian Wolff: The works by Wolff recorded on this CD by the legendary pianists David Tudor and Frederic Rzewski and their …
'The literal meaning of “amphibian” is “double life” and applies to animals living part of their lives in water and part of their lives on land. In the program note to his electroacoustic classic Music for the Double Life of Amphibians, Morton Subotnick states that “amphibian” is to be taken as a metaphor for the work’s structure and programmatic content, which follow a metamorphosis of being through the stages of amphibian to beast to angel. But it also applies to the musical material, the doub…
"What I'm interested in is a compositional process and a sounding music that are one and the same thing" (Steve Reich, 1968). Minimal music, which numbers Steve Reich among its founders and as one of its most significant representatives, existed for hardly more than ten years. The Ensemble Avantgarde presents a wonderful survey of Reich's minimal music-compositions. The conceptional concentration in the musical work on the structurally simple means of its creation is seen especially in Reich's "…
Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others. In this way, in the course of only a few years hundreds of piano pieces…
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
2025 stock Jakob Ullmann's career can be measured by the obstacles placed in his path. It was in the teeth of these obstacles that he learnt his craft: they have left their mark on his artistic stance, and the fact that he ultimately overcame them proved the rightness of his approach. For a number of reasons, Ullmann's works failed to blend into the musical landscape of the former state of East Germany. Avoiding peremptory gestures and unalterable laws, his restrained scores seemed strange and a…
2025 stock Enormous technical requirements make John Cage's "Etudes Boreales" a highly virtuosic work, which requires an extreme sensitivity of feeling for the coordination of fingers, instrument, and intellect. On this CD it is presented in versions: for piano solo and later for cello solo with piano solo. As in the sister works, "Etudes Australes" and "Freeman Etudes", Cage based the "Etudes Boreales" on a star chart. He used the chart of the northern sky that the Czech astronomer Antonín Bečv…
'Morton Feldman has proved one of the 20th century’s most influential composers. Yet he remains one of its most enigmatic, and his late works retain an aura of mystery steeped with the grandeur, anxiety and quietly changing colour he adored in abstract expressionist painting and, latterly, Anatolian rug design. Patterns in a Chromatic Field (1981) is perhaps the most rhythmically active of these famously long, static pieces, which showed his increasing preoccupation with matters of form, scale a…
Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Festival was located to a very busy street, Marco asked me for a sound installation that could work as some sort of a defensive barrier for the street noise. I suggested that my work, rather than hiding the noise, should aim to harmonize the disturbances com…
*300 copies limited edition* Roberto Musci, born in Milan in 1956, studied guitar, music and electronic instruments. From 1974 to 1985 he traveled the world studying African, Indian, Arab and Oriental music recording ethnic music “in the field,” studying and collecting ethnic musical instruments from all parts of the world. His self-produced debut album, “The Loa of Music,” is a seminal work of staggering originality and extraordinary beauty in which field recordings, musique concrète, electroni…
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…