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2024 stock. Valuable of 1975 reissue of Finnish Jazz. Day is Over, an album often credited to Esko Linnavalli Quintet but without any mention of performing group on the cover, was born during a series of Finnish Jazz Music Workshop events, led by Heikki Sarmanto and Esko Linnavalli, out which the New Music Orchestra UMO was born. A UMO-anticipating 14-headed workshop band gathered to rehearse at the rock club Tavastia in 1974. Out of that group emerged a quintet, who took a trip to Stockholm to …
Jimi Tenor and a group of friends visited twice at Edward Vesala’s unique home (Sound and Fury Studio) in Korkeakoski in southwest Finland. It was winter 1998. Matti Knaapi and Jimi Tenor have been designing and building instruments since the early '80s. They brought vanful of apparatus to Sound and Fury which already had a large collection of Vesala’s exotic and self built instruments. During the two rather extreme sessions 13 songs got finished. The first part was released in year 2000. Sadly …
This vinyl release is a 2x12-inch with printed sleeve and inner sleeves. Also there is a a CD insert of all the tracks. Osmo Lindeman is one of the main developers of electronic music in Finland. He was active in Europe, USA and Finland from 50s to end of 70s. In the beginning Osmo Lindeman studied and worked as a modern classical composer. During the 1960s he shifted making electronic music only at his home studio. Lindeman is a Finnish hybrid of Monty Norman, Krzysztof Penderecki and Edgar Var…
*2024 stock* Special catalogue release for the Nordic Pavillion exhibition "The North Is Protected" at the 49th Venice Biennale in 2001 including a 10" record and a 110-page photography book. Track 3 is an unknown Norwegian recording taken from a found cassette tape. Track 4 is compiled from various sources.
"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …
CD digipack ed. Sara Dale's Sensual Massage was a delightful erotic video with a mystic soundtrack by Coil. Quite unusual for the band dreamy ambient, almost spa-relaxed soft harmonies, bland tribal rhythms, chimes, and birdsong but still with dark mysterious and inimitable Coil musick's charm. However, the second part of the album explores more rhythmic structures that remind 'Gay Man's Guide...' soundtrack. Besides the OST recordings, the edition includes bonus tracks from the "Basilisk prod.…
Undoubtedly one of the most anticipated events in industrial music. For the first time on vinyl! Infinite Fog Presents the Reissue Series of the Legendary Project In Slaughter Natives Cult!
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
**2CD in a 6-panel Digipak, second pressing in white color** 150 minutes of previously unreleased material from Coil, strewn with parts that would eventually metastasise into Backwards, and ultimately Black Light District and Musick To Play In the Dark.We hardly need to stress that Swanyard is a bounty for Coil nuts out there, but equally a fascinating listen for anyone attempting to get to grips with their unfathomable catalogue - especially DJs and listeners currently digging into the underbel…
Double CD. Infinite Fog are delighted to present another piece of the intriguing Coil puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings of their intriguing mo…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…
Edition of 500. Izlamaphobia starts with an aggressive blast, "Hudood ordinance." With a rhythm track consisting of extremely tweaked and processed electronic beats and bleeps and only the gentlest of Arabic string instruments deep in the mix to relate things to a more familiar Muslimgauze sound, the song sets the general mood for the rest of Izlamaphobia. This said, Bryn Jones's specific talent was such that even without that, this would still sound like him, his trademark care and obses…
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…