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Pull Ninja
**300 copies** Pull Ninja, the second album of the chameleon quintet Punk Kong is relesed by Mr. Nakayasi / El Negocito Records. Edgy guitar, powerful drums and three hyper dynamic saxophones, a special instrumentation that creates a unique sound. Pull Ninja continues the story telling of Lonely Cedar - Punk Kong's first album released back in 2016 - with songs that blend Jazz, Psychedelic rock, African Blues and improvised music into a remarkable amalgam. Viktor Perdieus: tenor & baritone saxGr…
Litia
Fifth part in the ongoing re-release series of all early vinyl albums by Tietchens on CD. This one from 1983 marks the end of his Sky 'phase' and was the last to feature his very own version of 'Synthesizer Pop Music' for some time (he'd only return to this music with the release of his Hematic Sunsets albums in the late 1990's). The CD also feat. the rare 'Rattenheu' 10 only release plus one unreleased archive track and comes in a transparent jewel-case with full colour poster booklet feat. a r…
Yedi Kule / Reference To Soropis
**2019 stock** Act-Up Trio play free music based on improvisation. Their live performances are therefore an opportunity to enter their research laboratory, where - more than just improvising - they build instant compositions, giving birth to soundscapes and enabling the atmosphere to pass through a whole range of emotions. Giotis Damianidis: guitarPetros Damianidis: double bassChristos Yermenoglou: drumsRecorded live at the Royal Alzheimer Hall, 22 January 2013
Generators
As "Sleep" begins there is a suggestion made, a hypnotic motion meant only to seduce the mind into the belief that Darren Tate and Colin Potter are intent on relaxing muscle and slowing brain activity to a crawl. The hum of electronics blows easily until random sounds—coughing, restlessness, twisting and turning—bolt through the still waters of the track. Slowly developing melodic themes, almost too distant to piece together, stretch from their slumber and begin a slow crawl through the lamp-lit…
Fruhruin
Asmus Tietchens and Thomas Köner exercise a collective marketing genius with their decision to end a fruitful collaborative series in brute, anticlimactic style, issuing this limited, (naturally) expensive box meant to house the duo's previous four discs. Such closure is especially disappointing as it arrives just behind last year's n, Kontakt der Jünglinge's most dense and engrossing work to date, a haunting deepspace symphony of icy gleam and relentless sprawl, one of my late-year favorites. F…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
Da sich die Machtgier
Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to the catalogue of both artists "Asmus Tietchens proposed that he and I work together years ago — many years ago. For a variety of reasons it didn't happen , and at this point I don't remember any of them. Finally we agreed to start: I asked him to send…
Willoughby's Lament
"In the end Willoughby’s Lament is distinguished by sharper execution, both instrumentally and vocally, of more assured songs with greater overall heft the result; the growth is quickly discernible in the expertly rendered dynamic shifts of opener If I’d Live Alone and the chamber classical-inclined resonances of Interlude.Fleeting moments on The Wall I Built Myself could underscore Bob Brown as ambitiously striving to stand apart from an army of sensitive strummers with back pocket notebooks fu…
Queen of the Flat Top Guitar
LP version. "Impossibly rare recordings by the legendary finger-picker. Notes by John Renbourn. A musical 'amateur' that best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist, and guitar picker who retained the largely extinct …
Am I Really Here All Alone?
Phil Lewin's homespun debut is a loner folk masterpiece; accidentally psychedelic, lit by heartbreak and timeless in its sadness and hope. 1975 Private-press LP (only 300 signed and numbered copies pressed at the time) now remastered from the original tapes. In his own words, today: in 1967 I began my life in the student union of a university. In other words, I was in school. But, classes definitely took a back seat to people-watching and attempts at relationships. I would not say that I was par…
Vanity Records - Vinyl-On-Demand bundle
This bundle includes the latest Vinyl-On-Demand box-sets dedicated to Vanity Records.The Vanity Records Tape Box (6LP Box)Similar to the compilation Musik, Vanity also released a limited edition, 6-cassette tape box set entitled Limited Edition Vanity Records Box Set in 1981. It compiled the music of six artists whose works were rigorously selected from many demo tapes that were sent to Vanity from all across Japan. Each album was also released separately but now Limited Edition Vanity Records B…
Vang Circular
Vang Circular is the first outing from Timo van Luijk (La Scie Dorée / Af Ursin, Elodie) and Mark Harwood (Penultimate Press / Astor). Employing vibes, mellotron, natural reader, an iron ant, synth, metal pipes, slide guitar and a double bass these audacious souls conjure a wonky musical vision that gently peels away the familiar The results are a surprising synthesis of two individual and somewhat oppositional aesthetics. From the farthest reaches of the galaxy to the highest celestial p…
Zebulon
Peter Evans on trumpet and compositions, John Hébert on bass and Kassa Overall on drums. Recorded live at the Zebulon Cafe in March of 2012. Debut album by this rare trumpet - bass- drums trio. A review from Gapplegate Music Review: "Peter Evans was and is a trumpet player who never ceases to surprise me. When I first heard the solo album he did for Evan Parker a number of years ago I thought, "huh?" And it's been that way ever since, whether it's with MOPDTK, with others or on his own. He is a …
Destination : Void
The long awaited second release from the Peter Evans Quintet. Four new compositions commissioned by the Jerome Foundation's Emerging Artist Grant and recorded at the Experimental Media and Performing Arts Center in Troy, New York. The album is named after a novel by Frank Herbert concerning a mission into space to create an artificial consciousness, a mission designed to use planned failure as a springboard to new levels of creativity. Destination: Void is an epic, cinematic synthesis of eccentr…
Rocket Science
The eponymous debut recording from the quartet Rocket Science, recorded live at the Vortex in London. Rocket Science brings together four virtuosic instrumentalists: Evan Parker (tenor and soprano saxophones), Craig Taborn (piano), Sam Pluta (live electronics) and Peter Evans (trumpet and piccolo trumpet).
Together they perform an hour of highly detailed, dynamic and surprisingly beautiful improvised electro-acoustic chamber music. Each member of the group is widely recognized as having pushed t…
Live at White Cube
In 2015 White Cube presented a major solo exhibition by Christian Marclay, including a range of new work and a lively programme of performances. Continuing Marclay’s long-standing interest in the relationship between image and sound, the exhibition was comprised of featured The Vinyl Factory Press, a unique hydraulic vinyl pressing machine created by The Vinyl Factory, and screen printing equipment operated by the London printmakers Coriander Studio. Audiences were able to witness on site the un…
Sonabular
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
Patterns In A Chromatic Field
Performed by: Charles Curtis (cellos), Aleck Karis (piano); recorded 2003. The definitive recording of one of Morton Feldman's most important and challenging pieces, played at the composer's marked tempos, and taking all the notated repeats. Fitting neatly onto one CD, this is Feldman at his most extreme. A dramatic display of virtuosity performed with passion and precision by two of the leading exponents of new music in the world. Out of Feldman's enormous oeuvre, Patterns in a Chromatic Field …
Autodreamographical
Despite being midway through his seventies, minimalist icon Terry Riley shows no signs of slowing down or satisfying his searching experimental appetite. On Autodreamographical Tales Riley embarks upon a musical dream diary, a project initiated in 1996. The resultant pieces play out chiefly as spoken-word passages given musical accompaniment, with Riley scoring his own strange REM meanderings via an array of MIDI instruments and piano pieces. At various points during the course of the album you …
Star Trap
Stunning archival live recordings from Arnold Dreyblatt & The Orchestra Of Excited Strings which have remained unreleased until now.