Back in stock

*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam. Italo disco was first mistreat…

Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…

A Mineral Compound: Fountain Of Youth is an expansive compilation released on Light Sounds Dark, renowned for unearthing the obscure corners of experimental music. This 3LP set ventures deep into a shadowy sonic world, fusing DIY electronics, avant-noise, post-punk, ambient, industrial, and classical influences. Listeners are enveloped in nearly two hours of dense, faceless murk curated from Light Sounds Dark’s mysterious vaults—a journey through dank, musty soundscapes shaped by private-press o…

Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…

In the early 90s there were a few like minded friends making a unique style of lo-fi pop music. At the core of this non-scene were Sukpatch, Land of the Loops and The Ah Club, who all tended to play on each other's recordings. As the decade went on each of them learned how to use their instruments better, smoothing over the edges, but in typical fashion, the early home recordings had a special feeling that couldn’t be replicated with cleaner fidelity and nicer equipment. Sukpatch especially were…

Light Sounds Dark proudly presents Construction of a Planet, a visionary sonic journey that challenges the boundaries of experimental sound and ambient exploration. Conceived as a transmission from otherworldly dimensions, this release unfolds like the blueprint of an imagined cosmos—layer by layer, texture by texture. Drawing upon an eclectic range of influences, Construction of a Planet is not merely an album—it is an immersive experience. Across its evolving structures, listeners are invited …

"This is special for me. Evan Parker and Paul Rogers have given their permission for this release. I asked Evan if he would write some notes but he wants me to do it – my memory of the gig. That was 33 years ago (1992), so I don’t remember much. It was at the old Vortex on Stoke Newington Church Street; I must have been sitting with Candy on a little table in front of the low stage. A Marantz cassette recorder in front of me and a cheap mic stand with a single stereo mic in front of that. The ma…

Limited edition album by Tony Coe’s Axel featuring Tony, Gordon Beck, Phil Lee, Chris Laurence and Bryan Spring. Recorded during the Camden Jazz Festival at the Shaw Theatre in Euston, London in 1977. Featuring wonderful compositions from Tony, Phil Lee and Gordon Beck, who contributed the brilliant title track. The single CD comes in a 4-panel digisleeve, with a 20 page booklet containing notes from Dave Gelly, John Wickes, Chris Laurence and Chris Searle. In 1975, Tony Coe formed a co-operativ…

Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…

“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.

Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…

Of all the works by Jean-Claude Eloy, the 1983 "Approaching the Meditative Flame...", for 27 instrumentalists of the "Gagaku" orchestra from Japan, and two choruses of "Shômyô" Buddhist monks (a work known partially in the West by a double LP album "Harmonia Mundi") and more particularly, "Anâhata", for five traditional soloists from Japan (three instrumentalists and two monk singers), percussions, and a major electro-acoustic part (presented in different festivals in Europe) – are the two works…

Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…

Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…

Etude IV: points-lines-landscapes' (1979). This work is designed as an all-electronic piece without considering any configuration with soloist parts for later use (unlike the two following pieces featured on this CD).It was realized by Jean-Claude Eloy in 1979 on the CEMAMu's UPIC upon Iannis Xenakis's invitation to whom this work is dedicated as a friend. The UPIC (Unité Polyagogique Informatique du CEMAMu) is an electronic tool invented by Iannis Xenakis in the 1970s. It is a graphic interfac…

J.C. Eloy book (English text) around the cycle 'Songs for the other half of the sky' with the following pieces 'Butsumyoê', 'Sappho hikètis', 'Erkos', 'Galaxies', 'Gaia-songs'. Interview, documents, technicazl specification, photos. A CD with 'Butsumyoê' and 'Sappho hikètis'.'Butsumyôe' (1989). For voices, percussions and electroacoustic. With Yumi Nara and Fatima Miranda, voice and percussions. In 'Butsumyôe' ('The ceremony of Repentance') the singer Yumi Nara (soprano) occupies the function of…

Songs for the other half of the sky. With 'Erkos' (1990-91) and 'Galaxies' (1986-1996). Performed by Junko Ueda (satsuma biwa and voice) and Jean-Claude Eloy (sound projection).  Erkos is a word from the Indo-European language and means song, praise. It is close to the Sanskrit word Arkas (hymn, chant, radiance) and to the Tokharien term Yarke (reverence, homage). The texts consist of extracts from the Devî-Upanishad and Devî-Mâhâtmya writings, in Sanskrit. In those texts, an homage is paid to t…

'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …

In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The third performance is with John Butcher.  Good Liquor Caused my Heart for to Sing sets out to expose and connect the …

First-time vinyl reissue of 12-inch/EP tracks from the '80s and '90s. Remastered from the original tapes by Kevin Metcalf and then reissued for the first time in 2009 as part of the World In Your Eyes 3CD set on Reactor. Now remastered for vinyl and re-cut to lacquers by Shawn Joseph / Optimum Mastering and issued as Twelves (similar to their 7-inch comp called Sevens. Each side of this 3LP set has one of the 12"s in full, as well as the promo only live 12-inch Prisma Uber Europa. The 12-inch co…

Tip! Years in the making split full length of brand new material of ‘harshtronics and exclamation’ from japan’s Masonna and ‘doom electronics’ by america’s Prurient. Arranged in alternating sequence with one track from each artist until burning annihilation.

40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. cover article: Captain Flapattak - French underground todayplus: Don Falcone (Spirits Burning) interview, Flasket Brinner - Scandinavian fusion legends 9, Mange Ferraille, Intermodulation (1970s avant-garde ensemble): Unlikely Connections, Choice French label classics: Atem, The Dr Space / ØSC & co. Sector, labels: Whitelabrecs, ReR Megacorp, PQR-Dis…

Audion 27 ((3/1994) 40 pages. Cover article: Ozric Tentacles - A Psychedelic History plus: UK Electronica 1993: Land Of Yrx, Richard Pinhas, Geinoh Yamashiro Gumi, Carlo La Manna, Progressive Rock Worldwide, World Music Messenger Service, Progfest '93 Citadel, Änglagård, Quill, IQ, Man live, Klaus Schulze - Silver Edition, Bacillus Records - Classic labels #5, Happy Family - A Japanese Zeuhl Monster, etc.

Audion 31 (4/1995) 40 pages. Cover article: Rock In Opposition, part 2 - the Henry Cow legacyplus: Cuneiform Records, Legend Music, Lost Vinyl, Discipline Global Mobile, Tony Conrad With Faust + AMM - QEH, London, 17/2/95, Art Gallery, Teru's Symphonia, Bi Kyo Ran: A Japanese Progressive Legend, Magical Power Mako, Jorge Reyes, plus: MIA, Grey Lady Down, Frei Zinger, reviews, etc.

Audion 33 (10/1995) 44 pages. Cover article: Agitation Free - Roots Of The Berlin Krautrock Sceneplus: Fushitsusha , Chris Cutler - The Interview, Rescued Relics: Atlas, Fifty Foot Hose, Vita Nova, etc., Nuova Consonanza, Hoelderlin, U.K. Electronica 1995, Maureen Anderson / Shapeshifter, reviews: Boud Deun, Cranioclast, Cul De Sac, Groon, Heretic, Magma, Melting Euphoria, Mimir, Saddar Bazaar, etc.

Audion 80 (12/2024) 44 pages. Cover article: Dr Space - a chat with the pilot of the Øresund Space CollectiveCornelius Cardew Treatise (event), Mirthrandir - article & interview, Pekka Pohjola - Scandinavian fusion legends 7, Choice British label classics: Virgin part 2 (plus Caroline, and a round-up of other releases), Modulight & others - live at The Church of Sound (event), Alain Basso, labels: Bam Balam, Fou Records, Seelie Court Digital, reviews: Flasket Brinner, Lightwave, Moonseeds, Nurse…

*300 copies limited edition* Aicher is the work of longtime label veteran Liam Andrews (My Disco, Eros), with additional production from his My Disco spar Rohan Rebeiro – an experimental percussionist and erstwhile collaborator of Roland S. Howard and HTRK. Together, they make resoundingly coarse, bullish industrial musick, distilling fascinations with tone and space through eight gristly and darkly sublime cuts, sharpened by production from Boris Wilsdorf of Einstürzende Neubauten and Swans fam…

“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…

2025 repress The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitone…

*2025 repress* Jorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films. BA Jazz was originally released in 1961 on Vik Records as the debut album from Lopez Ruiz featuring a mix of covers and original material. Alongside Ruiz Lopez are Roberto Fernandez on trumpet, Ruben Lopez Furst on piano, Pichi Mazzei on drums an…

"Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Bo…

The group's debut album, recorded in May 1963, was to prove a great incentive to many other Chliean jazz acts, not least the Chilean Jazz Messengers and the Village Trio. However, the album proved more that just a motivator and inspiration to others, it stands by itself as a solid, tight jazz album. Recored for the independent label Ediciones LR Ortiz and engineered by Rafael Hidalgo, it was a genuine milestone by being the first full jazz album recorded in Chile by a professional Chilean group.…

Tip! By the 1960s, the popularity of big bands had waned considerably. The heyday of the 30s and 40s big bands had been superseded in the 1950s by smaller modern and traditional jazz units, skif e and, ultimately, rock and roll, and the prominence they once enjoyed were a fading memory. Although there were still several very ne big bands playing and recording during this time, the economics of the big band in the age of the pop group always put it at a disadvantage. There was, of course, the lea…

On the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with w…

Limited edition first pressing comes in a gatefold sleeve and includes a 32 page scrapbook & bonus 7" single. 180 gram high quality pressing. 1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio m…

The 9th issue of Lasse Marhaug's fanzine Personal Best. 100 pages, full colour offset-printed with glued spine.  Nearly three years on from the last issue, Marhaug conducts in-depth interviews with: Christian Blandhoel, Martìn Escalante, Russell Haswell, Campbell Kneale, Tine Surel Lange, Greg Pope, Joe Potts (and Los Angeles Free Music Society), Mariam Rezaei and Edward Sol.

Bomb! A book collecting interviews, artwork and texts of New Zealand underground sound artists from fanzines in the years 1991-1999.  Collected by Noel Meek. Texts by Noel Meek, Bruce Russell, Seymour Glass (Bananafish) and Nick Cain (Opprobrium). Cover illustration by Stefan Neville (Pumice).308 pages, format: 18 x 24 cmInterviews with: Alastair Galbraith, A Handful Of Dust, Omit, Bruce Russell, Gate, Surface Of The Earth, Sandoz Lab Technicians, The Dead C, Witcyst , Roy Montgomery, Dadamah De…

How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…

A suite of five pieces for acoustic instruments and electronics by Argentine-born composer Santiago Diez Fischer, who lives and teaches in France and whose work occupies a unique space between new music, experimental rock, and free improvisation. All five pieces were written specifically for Gyre Ensemble - Alejandro Oliván López (baritone saxophone), Stefanie Mirwald-Keiser (accordion), and Christian Streit Smith (percussion) - a trio whose particular combination of timbres and approaches has c…

** 2021 Stock ** Centifuga Records presents Melt, the first LP from Nicolai Kaas Claesson's Melt Quartet. 70's Free Jazz style, inspired by Ahmad Jahmal, Keith Jarrett, Sun Ra etc. Nicolai Kaas Claesson‘s quartet generates some serious intensity with the most casual delivery.  It’s free jazz that’s laid back and cool, and yet hits like a right cross thrown by a pro.  It’s got an old-school feel that brings out the nostalgia for the avant-garde 70s, when that particular phase of jazz’s evolution …