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The New Quartet
The New Quartet stands as a landmark in modern jazz, capturing Gary Burton at a creative peak and introducing a band of extraordinary new voices. Recorded in March 1973 at Aengus Studios and now reissued in ECM’s “Luminessence” series, this album features Burton’s radiant vibraphone alongside guitarist Mick Goodrick, bassist Abraham Laboriel (in his debut recording), and drummer Harry Blazer.
The album’s repertoire is a showcase of jazz’s evolving language, with compositions by Chick Corea, Keit…
After the Last Sky
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
Angel Song
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
Imaginary Cycle (Music For Piano, Brass Ensemble And Flute)
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Saudades
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
End To End
Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom. In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement. All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…
And I Heard a Voice
Estonian vocal ensemble Vox Clamantis and their leader Jaan-Eik Tulve have established themselves among the leading interpreters of Arvo Pärt’s music over a quarter-century of close collaboration with the composer – a relationship that builds on the almost half a century long artistic partnership between Pärt and producer Manfred Eicher. Of the ensemble’s ECM New Series recording The Deer’s Cry, the BBC Music Magazine wrote that “the level of artistry necessary to achieve the kind of living, bre…
Tabula Rasa
New vinyl reissue in facsimile gatefold edition, includes original liner notes by Wolfgang Sandner in enclosed booklet.
Tractus
Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resona…
At The Deer Head Inn
Big Tip! ** One-time pressing, strictly limited edition ** After more than three decades of whispered reverence among jazz cognoscenti, the complete story of Keith Jarrett's transformative return to his musical birthplace can finally be told. At The Deer Head Inn: The Complete Recordings, a sumptuous 4LP box set to be released in August 2025, captures every note from what may be the most emotionally resonant performance in the pianist's extraordinary catalog. On September 16, 1992, something ext…
Sonatas For Viola / Piano And Viola Alone
*2025 stock* Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy — the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey — with Compassion, another album in league with these two gifted partners. The New York Times captured the special qualities of this group, pointing to the trio’s flair for playing “with a lithe range of motion and resplendent clarity… while stoking a kind of writhing internal tension. Crucial to that balance is their ability to c…
The Sorrounding Green
Masterful trio interplay reliant on deeply honed three-way communication and a refined sense of understatement make Fred Hersch’s third recording for ECM an essential entry into the piano trio canon. Hersch tackles a handful of 20th century compositions – spanning from standards to less frequented jazz tunes – as well as three originals, with Drew Gress on bass and Joey Baron on drums – two longstanding companions of Fred’s who have played with him on and off since the late 80s and early 90s res…
The Survivors' Suite
*2024 stock* The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents. This is a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and sat…
Luminessence
Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his Keith Jarre…
80/81
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
Cathodic works 1966-1976
Before video art had a name, Aldo Tambellini was making it. Cathodic Works 1966-1976, presented here for the first time on double DVD by Von, is an essential document of one of the most underacknowledged pioneers in the history of experimental media - a body of work that predates the canonical account of video art and, in several respects, exceeds it.
Born in Syracuse, New York in 1930, raised in Lucca during the Second World War - a childhood spent in a city that was bombed, twenty-one of his n…
T H I R (1972)
A milestone. T H I R - Ten Hundred Inch Radii - is among the most historically significant works in Phill Niblock's output, and one of the genuinely undiscovered jewels of American experimental film. Completed in 1972 as the fourth and final chapter of his Environments cycle - begun in 1968 - it is presented here for the first time on DVD, with two alternate soundtracks, by the Italian imprint Von.
Niblock occupies a peculiar and underacknowledged position in the history of American Minimalism. …
The Futurist Manifesto
A colossal audivisual adaption of Marinetti’s Futurist Manifesto, by Thomas Koner, one of the uncontested master isolationists of the ethereal static sounds, a sonic symphony of the unconsciouss and a defiant decceleration critique of today society through the ultimate modern text. The Futurist Manifesto is the ultimate 4 bpm masterpiece.100 years ago, in 1909, the italian poet and artist Filippo Tommaso Marinetti published the ‘Futurist Manifesto’ which became the foundation of the futurist mov…
EyEar
A singular document. EyEar presents, for the first time, the visual dimension of Z'EV's practice - a body of work that had, until this release, remained inseparable from the live event, resistant to any fixed form.
Born Stefan Joel Weisser in Los Angeles in 1951, Z'EV stands as one of the most uncompromising figures in the history of experimental and industrial music. From his first solo percussion performances in San Francisco in the late 1970s - deploying self-constructed instruments assembled…
Vezdekhod
Somewhere in the Chukotka tundra, at the coordinates N 66°37' W 172°40', September 2006. A Vezdekhod tank - the all-terrain vehicle that remains, across much of Siberia, the only viable means of transport - moves through a landscape that resists every other form of passage. Carlos Casas is inside, recording. The noise is overwhelming: the resonance of the engine inside the cabin so intense, so physically present, that the only music capable of cutting through it, the only sound that could exist …