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Solar Plexus
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
De Revolutionibus
Tip! * 300 copies * Other Minds Records is pleased to announce de revolutionibus: sound homage to Copernicus, a new limited edition LP release from legendary text-sound poet Enzo Minarelli. Minarelli compares the revolution of sound poetry to the revolution that Copernicus brought about with his discovery of the heliocentric nature of the solar system. Just like Copernicus put the sun at the center of the solar system, sound poets centered the human voice—and thus the sensuous nature of a text—…
Images Of Goo
*300 copies limited edition* Images Of Goo is what Munich sound bricolageurs Leo Hopfinger aka LeRoy (head of Das Hobos, H, Spiritual Emojis and others) and Cico Beck aka Joasihno (active member of The Notwist, Aloa Input, Spirit Fest and others) call their first musical dialogue in album format. It is equally a dialogue with the elements of their sonic repertoire of echo variations and sonic shadows from the percussive instrument box. In their sum, a Wunderkammer of a panaudic, which can be app…
M.A.N. – B.A.N.
* Edition of 300. Double lp in a gatefold sleeve is set to be released in a limited edition of 300 copies * Asked if they would be interested to perform at the Summer Bummer Festival in 2019 with reed player Peter Brötzmann, both bass player Farida Amadou and drummer Steve Noble replied with a quick and definite ‘yes’. The plans to join forces with this iconic player existed already and the Summer Bummer Festival would be ideal to meet on stage for the first time. To show the extreme musical div…
Shadows And Reflections
Super Tip ** original copies, last ones ** 'Trumpeter Baikida Carroll was once again in the company of alto saxophonist Julius Hemphill for a January 1982 recording with pianist Anthony Davis, bassist Dave Holland, and drummer Pheeroan Ak Laff for Soul Note called Shadows & Reflections. The material here sounded like it could have been a late Blue Note recording; in fact, there were times when the horns brought back flashbacks of the Jackie McLean-Charles Tolliver front line of the '60s. And for…
Treatments
**Limited editions of 300 copies. Ultra clear vinyls in gatefold sleeve. Includes download card.** Matière mémoire éditions presents Treatments by Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto. Recorded in studio W (Brussels), Atelier Eiko, Steamroom, Completamente TAZ (Tokyo), Good Mixture (Berlin). Mixed by Jim O’Rourke at Steamroom (side A & B), Joe Talia at Good Mixture (side C), Tatsuhisa Yamamoto at Completamente TAZ (side D). Mastering & cut by Frédé…
Sternzeit
LP version. Bureau B present a reissue of Adelbert Von Deyen's debut album Sternzeit, originally released in 1978. Adelbert Von Deyen is a protagonist of the so-called Berlin School (Berliner Schule) of electronic music. On his debut album, he takes his time to develop sound structures, often drifting, floating blissfully into tonal interference. The listener also requires time and patience, but will be rewarded with a Zen-like state of contemplation. Adelbert Von Deyen's musical backstory follo…
Atmosphere
LP version. Bureau B present a reissue of Adelbert Von Deyen's third album Atmosphere, originally released in 1980. Album number three from electronic musician Adelbert Von Deyen marks the end of his ambient phase. Whilst Atmosphere largely swathes listeners in familiarly vast expanses of sound, the driving analog drums of the opening track (Von Deyen's most successful, as it turned out) signal a shift towards electro-kraut terrain. Atmosphere showcases Adelbert Von Deyen at the peak of his powe…
Nordborg
"Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen.
Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home tow…
Allez-Teia (Heldon II)
LP version. Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermi…
Agneta Nilsson (Heldon IV)
LP version. Bureau B present a reissue of Heldon's fourth album Agneta Nilsson, originally released on Urus Records in 1976. Agneta Nilsson opens with a mind-paralyzing track that proves stillness can have a pulse. "Perspective I" spends ten minutes poring through tectonic layers of heavy sound, piling everything so thick that the song becomes like quicksand for your brain. It's one of the most daunting works in the Heldon catalog, made all the more impressive by how simple it is. It's just soun…
Grosses Wasser
Recorded in 1978, Grosses Wasser was the fifth album by kosmische musik pioneers Cluster (their seventh if you include the two Eno collaborations). At this stage in the band's lifespan Cluster was a duo, manned by Hans-Joachim Roedelius and Dieter Moebius, although Tangerine Dream's Peter Baumann acts as co-producer, helping craft some of the group's most experimental material since they swapped their 'K' for a 'C' in the early seventies. Nowhere is this air of sonic exploration more apparent th…
Nachtstucke
LP version. Pressed on 180 gram vinyl. Nachtstücke owed its publication to former Tangerine Dream member Peter Baumann, who was asked by the French label Barclay/EGG to produce three albums focusing specifically on German electronic music. He was working with Hans-Joachim Roedelius at the time, who had been given a few Tietchens tracks on cassette. When Baumann heard Roedelius play them in the studio during a break in proceedings, they sparked his interest and he met up with Tietchens some time …
Litia
LP version, on 180 gram vinyl. Released in 1983, the Litia album concluded Asmus Tietchens' études phase and bid a farewell to rhythmic synths -- well, almost. All the signs of "pseudo pop" as heard on Biotop, Spät-Europa, and In die Nacht resurfaced: squeaky sounds and protracted, rattling rhythms grouped into abstract forms through their accentuated artificiality. Sporadic noisiness is as much a part of it as is a winking gesture, which should not detract from the basic sobriety of the work, h…
Der Funfte Himmel
LP version. Pressed on 180 gram vinyl. Between 1981 and 1983 Asmus Tietchens released four albums on the Sky Records label, fusing rhythmic set pieces and off-kilter sounds into gaudy escapades of saccharine artificiality. The "pseudo-pop" epithet reflected their frequently ironic air. All four records have been reissued by Bureau B in their original form. What remained may be found on this collection. Der fünfte Himmel ("The Fifth Sky") retrieves those pieces which were denied a place on the or…
Rastakraut Pasta
1st release from the duo of Dieter Moebius & Conny Plank, originally released on Sky Records in 1980. As the title suggests, this album is heavily influenced by dug & reggae & those rhythms are incorporated into the ambient space-rock one would expect from these German pioneers of Kosmische musik.
Auf Dem Schwarzen Kanal
Auf Dem Schwarzen Kanal is one of the most outstanding, most sought-after releases in Conrad Schnitzler's extensive catalog. It was the only Schnitzler record to appear on a major label and saw him flirting with the experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed to sound idiosyncratically unlike any other music around at the time. Recorded with Wolfgang Seidel at Peter Baumann's Paragon Studio in Berlin, the four tracks take…
Klopfzeichen
180 gram vinyl version. Imagine finding a message in a bottle, forty years after it was dispatched. That is what it feels like when you listen to Kluster's Klopfzeichen for the first time, mysterious, hard to decipher, a relic of a time long since passed. The handwriting is archaic, barely legible, the complex contents only falling into place when examined through the light of historical context. Klopfzeichen is an incredibly important release for the time in which it appeared (1971), an …
Congratulacion
LP version on 180 gram vinyl." Conrad Schnitzler is as unpredictable as he is true to himself. If this sounds paradoxical, he reconfirmed the assertion in 1987 with an album which posed many questions and offered few answers -- his music more extraordinary than ever. The indefatigable Schnitzler still leaves anyone listening to Congratulacion today rather baffled. Those well-acquainted with his music might search in vain for familiar landmarks. Instead, new and unexpected features can be heard, …
Gelb
LP version on 180 gram vinyl. Conrad Schnitzler's yellow album (aka Gelb), originally released in 1981 on Edition Block. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so in the '80s -- resembles a book with seven seals. Schnitzler regularly issued his music on analogue cassette or LP, often on his own as 'private releases', without any help from a label or professional distributor. The yellow album, for example, was issued on vinyl in 1981 by René Block in Ber…