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Fresh Air
LP version. Includes CD. Faust's new album Fresh Air differs in several respects from its predecessor, Just Us (BB 182CD/LP, 2014). The recordings were made at Jean-Hervé Péron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Péron and Werner "Zappi" Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changing ensembles at changing locations in…
Ein Bündel Fäulnis In Der Grube
With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
Un Reve Sans Consequence Speciale
LP version. Bureau B present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released in 1976. Heldon's Richard Pinhas has never been shy of pinpointing his influences while, at the same time, making music that is noticeably distinct from any of his designated sources. He has, for instance, made it clear that a significant font of inspiration was Robert Fripp's guitar style and melding of rock music with cutting-edge electronics (especially in collaboration with Brian Eno). I…
And On The Seventh Day Petals Fell In Petaluma
The history of American avant-garde music is a snarled knot, twisting through the decades, spanning genre, practice, and approach. Most narratives plant its origins within the post-war period, orbiting around John Cage, Morton Feldman, and those artists springing from the movements of Fluxus and free-jazz. American creative innovation issued unquestionable influence over the later half of 20th century, but the root of its radicalism was earlier, with its origins often misplaced. Rather growing f…
Moebius + Tietchens
With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmonia, as well as solo and in numerous collaborations (Brian Eno, Mani Neumeier, Conny Plank, Mayo Thompson and many more), and Tietchens (since 1979) almost exclusively as a solo artist, beginning in the fields of electronic music and musique concrète…
Paracon - The Paragon Session Outtakes 1978-1979
"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club …
Uberfallig
180 gram LP version. Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-rele…
Index (Book)
Marclay’s compilation of hundreds of high-contrast black-and-white Xeroxes are like scribblings in a notebook, the first stages of experimentation towards more finished works, a glimpse into the artist’s creative process. This book brings together the source material that has informed Marclay’s practice over the past few years. It was designed in collaboration with Laurent Benner, a graphic designer who has worked with Marclay on various other books and record covers. Their shared sensibility in…
Antiphon Stein
Lovely sound documentation of a site-specific sound installation by cellist Michel Moser (of Polwechsel fame) in the nave and choir of Minoritenkirche in Krems/Stein that engages with the architecture and sound of this church space. The material used are hanging and lying flat objects of glass and metal that are played with sound pressure transducers. These objects thus become membranes that resonate in their entire surface and mass, exuding sound to the surrounding space.
The initial sounds fo…
Solo For Tamburium
With Solo for Tamburium, Hennix plays and manipulates recordings of her precisely tuned and continuously sustained tamburas through a keyboard interface, fusing tones into psychoacoustic textures in the style of her early modal works
Partners: A Biography of Jerry Hunt
Jerry Hunt (1943–93) was among the most eccentric figures in the world of new music. A frenetic orator, occultist and engineering consultant, his works from the 1970s through the early ’90s made use of readymade sculptures, medical technology, arcane talismans and all manner of homemade electronic implements to form confrontational recordings and enigmatic, powerful performances. Tracing Hunt’s life across his home state’s major cities to a self-built house in rural Van Zandt County, this memoir…
Blank Forms 08: Transmission from the Pleroma (Book)
Jerry Hunt (1943–1993) has been described as a shamanic figure with the look of a Central Texas meat inspector. One of the most compelling composers in the world of late twentieth-century new music, he made work that combined video synthesis, installation art, and early computers with rough-hewn sculptures, scores drawn from celestial alphabets, and homemade electronics activated by his signature wands and impassioned gestures. Hunt lived his entire life in Texas, eventually settling in a house …
Ecce Homo
Edition of 400, on black vinyl. This is pure gold for the electro-Miles Davis’s lovers. The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.
Okay Temiz's Oriental Wind Live At Montreux Jazz Festival 1982
*2023 repress* Caz Plak İstanbul proudly presents Okay Temiz's Oriental Wind - Live at Montreux Jazz Festival 1982 LP. A fantastic cocktail of Turkish Jazz which has unique rhythm sections like 9/8 , 7/8 , Anatolian Rock and Funk. Okay Temiz perfectly demonstrates the immersive layers of Turkish music. Never before released until now, a Turkish Jazz Magnum Opus is unearthed in collaboration between Istanbul-based Caz Plak and Montreux Jazz Festival. The performance by Okay Temiz's "Oriental Wind…
Album
Producer Tom Thiel has worked in the medium of electronic music since the 1980s, been active in the musical epicenter of Berlin since 1987 and with the Sun Electric duo, he was already at the forefront of live / “real time” electronica since the 1990s. Incidentally, Sun Electric are set to release an archival live set from this period on Arjunamusic later this year.
Though not everyone becomes exceptional on the basis of “veteran” status alone, Thiel’s latest work shows that he has made good on …
Christisland
Excepter's first full studio recording in 5 years! Recorded in Copenhagen during the band's one month long stay Summer 2012. Includes two postcards with pictures of churches and the Freetown Christiania in Copenhagen. 500 copies. Released in collaboration As the collapse of the myths merely created new myths, the meltdown of the music industry just sprinkled new music onto the surface of vigilantism. It is somewhere between music and myth that American Excepter reside. For years the band has be…
Music in Crisis
Mega Tip! **Double vinyl with eight electronic music pieces, three of which are now on record for the first time.** Roberta Settels was an American composer and industrial designer. She studied composition at Juliard in New York, and during the 70-ties and 80-ties, composed electronic music in Stockholm at EMS, and in Paris at IRCAM, and studied with the composeres Pierre Boulez and Iannis Xenakis. Later she created her own studio. Isolation from 1985 is her only released recording. It was relea…
Diapositive
**100 copies, clear vinyl with printed slipcase and handwritten notes + Obi with liner notes and info, also alvailable on standard black vinyl** Beside the telluric year in pop music and culture, 1977 was still ranked as the future for Italian leftfield composers. Published by roman imprint Gemelli and credited to the elusive Massimo Guantini (none else than influential jazz player and composer Sandro Brugnolini), Diapositive is a fully cinematic journey in the realm of sci-fi and cool jazz. Ful…
The Sorcerer
Gábor Szabó was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. This evocative 1967 set for Impulse! features nine live tracks recorded at Boston's Jazz Workshop, capturing Szabó and his finest working group at their peak.
Der Totenkopf
Der Totenkopf was recorded in November 2009 at the Murder House. Those two tracks are the only recordings made by Moreno Daldosso since 2001. Der Totenkopf gloomy atmospherics are inspired by marches of the Third Reich. Reverberated and cavernous sounds create the most intense and hypnotic of all Murder Corporation albums. Der Totenkopf is the perfect epitaph for Murder Corporation.