Back in stock
Woodwork / Live at Ateliers Claus
Fred Frith is one of the most important musicians of our time. He was born in Sussex, UK and now lives in California, USA. He first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was and is also a member of groups like Massacre, Art Bears, Skeleton Crew and Cosa Brava. Over the past 40 years Frith has collaborated with outstanding musicians like John Zorn, Tom Cora, Bill Laswell, Carla Kihlstedt, Henry Kaiser, Phil Minton, Brian Eno, The Residents,…
Jazz For Hi-Fi Lovers
A smart set of fine beat-era jazz, beautifully programed and compiled for the hi-fi in your home! Includes some of the top players of the era- Zoot Sims, Paul Quinichette, Gene Roland, and others- in selections suited for a swingin’ starlit session! ”Start Here,” says it all as this both the perfect way to start this LP and the perfect way to start your jazz collection! From the distinctive style and touch of Randy Weston on the keys, to the tenor tones Paul Quinichette blows, these are the trac…
Bach To Moog
**2020 stock, discounted price** The iconic album Switched-On Bach by Wendy Carlos (originally released under the name of Walter Carlos) and Benjamin Folkman introduced the world to the Moog Synthesizer in the 1960s. It played a key role in popularizing Classical music performed on electronic synthesizers, which had until then been relegated to experimental and Pop music. Switched-On Bach was one of the first Classical albums to sell 500,000 copies. Commemorating the 50th anniversary of the Moog…
Go Go Theurgy
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
RE : EM
The brilliant Anna Zaradny's follows up her engrossing debut with this new EP featuring a sumptuous Fennesz rework of her New feat Old, following hot on the heels of Robert Piotrwicz's crushing side, Stara Szkola Ze Zlota, to remind us the ascetic, uncompromising brilliance of Polish experimental music at its best. On the front Zaradny utterly dominates the senses with a pulsating deconstruction of Stop the Chaos; originally a sub-3 minute rager, now distilled and expanded to three times the len…
Lincoln Sea
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
When Snakeboy Is Dying
**370 copies, white vinyl** Originally intended as a part of an audio book, When Snakeboy Is Dying shines of its own (dim) lights, marking the first time for Robert Piotrowicz to augment the compositional palette with instruments beyond synthesizers and computers. His decision of tackling them without external aid is not the fruit of bullheadedness, but a conscious attempt to rigorously focus on the properties of those sounds that he deemed necessary for the music’s constitutional narrative to u…
New Earth
Another energy jump from the iconic noise trio New Monuments. Featuring Borbetomagus's Don Dietrich on saxophone, violinist/vocalist C. Spencer Yeh, and Graveyards drummer Ben Hall. New Earth sounds like someone stepped on a copy of Mahavishnu Orchestra's "Birds of Fire", put it on the turntable, loved what they heard, and pressed it into a CD. Pure spontaneous music from three of the heaviest in contemporary music
Physical Structure
Le Très Jazz Club keeps on exploring Japanese jazz and the Three Blind Mice catalog with the reissue of this amazing 1976 record by drummer George Otsuka. Unavailable for more than forty years, the album is released for the first time outside of Japan. Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: Georg…
Tape Recorder Music
Originally released in 1955. One of the very earliest and most important examples of electronic tape music to be pressed on vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic 1953 Strange to Your Ears novelty record), this privately pressed 1955 10" was released on a one-off label owned by businessman Gene Bruck to document a custom-made performance at the Museum of Modern Art in New York in 1952. This facsimile edition of t…
Realejo
Black Truffle is pleased to present Realejo, the first vinyl release from Brazilian sound artist and composer Manuel Pessôa de Lima. Having composed works for diverse contexts including cinema, contemporary dance, theatre and television, Lima’s live appearances often take the form of self-reflexive lecture performances that combine electro-acoustic sound, red light, video and spoken text, moving unpredictably from the hilarious to the distressing.Realejo consists of two side-long pieces of highl…
Piano Music
Robert Palmer (1915-2010) produced more than ninety symphonic, choral, chamber, and solo works throughout his career, earning a reputation in the mid-twentieth century as one of the country's leading, most daring, and -- at the same time -- appealing modernists. Palmer's unique musical language combined a deeply emotional impulse with complex counterpoint and rhythmic structures, drawing comparisons to Hindemith, Bartók, Lou Harrison, even Brahms. Aaron Copland famously included Palmer on his 19…
Moments
In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The South Shore (X…
Agonia della civiltà
**300 copies** The great fame of Antonino Riccardo Luciani, a musician and composer from Palermo, is due above all to his work for television and to one in particular, namely the music for the Almanacco del giorno dopo (Almanac of the Coming Day), a famous program that has been broadcast on the first channel of RAI - Italian Television for over twenty years. Chanson Balladée, this is the title, is for many people an indelible memory of a television now disappeared and radically changed, for whic…
Percussioni ed effetti
**300 copies** As often happens in the case of library music albums, even in Leonardo Marletta's one and only record in his career, the titles serve above all as sound indications, as if they were listening guides. In Percussioni ed effetti (Percussion and Effects) we find a vast array of atmospheres, well explained and illustrated by titles such as Violenza (Violence), Guerriglia (Guerrilla Warfare), Allucinazioni (Hallucinations), Compulsioni (Compulsions), Battimenti (Beats), Sospensioni (Sus…
The Birthday Party
On first hearing, the piano music of Peter Garland (b. 1952) creates a feeling of dislocation, then astonishment: It is so very different from the contemporary concert music we are familiar with. The composer's intent, his emotional directness is immediate -- despite the unusual sound world and different sense of time that these pieces exhibit. The three pieces on this CD, 'The Birthday Party' (2014), 'Blessingway' (2011-12) and 'Amulet' (After Roberto Bolaño) for 4 pianos (2010), are quite diff…
Five Spontaneous Ones
Five Spontaneous Ones was recorded by Albert Cirera (tenor and soprano saxophones), Rafal Mazur (acoustic bass guitar) and Nicolas Field (drums). The three improvisers are featured stars of the avant-garde jazz scene. Albert Cirera has an organic and expressive playing technique, impressive virtuosity, wide musical knownledge and unique sound. Rafal Mazur fuses together the tendencies of contemporary academical and experimental music, basics of avant-garde jazz and the newest tendencies of exper…
The Sacred Entertainment, Réak Ceremonial Horse Trance Music (LP
Kasenian réak is a genre of performative art from the Priangan area of west Java, organized during hajatans (life-cycle celebrations) and nowadays primarily held during weddings and circumcisions. The style, known as a seni lungsuran, is part of the greater family of Javanese horse dances, originally known in their most famous forms of jathilan and kuda lumping. Javanese horse dances, which could be as old as animistic Java, may already have been practiced before the eight century, travelling th…
Una ragione per vivere e una per morire
**Limited edition of 250 copies.** Digitmovies is releasing the complete Ost by Riz Ortolani for the Spaghetti Western “A Reason to Live, A Reason to Die.” Riz Ortolani composed one of his best scores during his long career with this one, an epic symphonic score where a heroic main theme played by horns and orchestra follows the group of courageous men to their deaths. A western score, but one that's put together with a slightly different feel than usual – almost more straight dramatic at times,…
Miszellen
After more than ten years of making music with turntables, tapes and loops the swiss based musician, artist, performer and architect Christoph Hess started in 1998 the project Strotter Inst. to concentrate just on the manipulation of turntables not using any records or sounds made by someone or something else. Strotter Inst.rument's machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The aud…