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** Limited edition of 300 copies. Includes an insert, download code and a UE sticker. ** Ōgon Batto is an exercise in patience; indeed, a model of restraint in these trying times. Although a fixture of the Belgian underground for over a decade (as part of the Hare Akedod label and band, the latter with DSR Lines’ David Edren), Bent Von Bent has released just two albums thus far. A scroll through ‘Browse’ reveals a series of miniature compositions — bite-size psychedelic treats, a sequence of im…
Deluxe limited-edition, 180-gram 2-LP set. Gatefold Cover. Transferred from the original reels at the French INA. Includes an extensive booklet with rare photos from the actual performance by Christian Rose, and an exclusive essay by longtime jazz critic/ historian and Down Beat contributor Kevin Whitehead. Transcendence Sounds - the groundbreaking new archival imprint from Elemental Music - makes its stunning debut with the complete, previously unreleased concert recording of spiritual jazz tit…
This is the first album by Takao Uematsu, who played in the George Otsuka Group. His blackness of blowing, spirit and technique, which are directly descended from Joe Henderson, set him apart from other Japanese players.
World Of Echo announces the reissue of two remastered albums by Japanese guitarist and songwriter Naoki Zushi, 1988’s Paradise, and 2005’s III. Two classics of Japanese psychedelia, both Paradise and III were originally released on Org Records, the imprint of Shinji Shibayama of acid-folk group Nagisa Ni Te, with whom Zushi has guested on second guitar for decades. Both intimate and expansive, rich with revelatory songwriting and blasted, sky-scouring guitar, these reissues return these albums t…
While still unknown to many today, Enzo Minuti (1927-2000), aka Ezy Minus, left his unique mark on the kaleidoscopic world of Italian library music. One of the most versatile, skilled and authentic figures in the Bolognese music scene of the mid- to late 20th century, Minuti was a multi-instrumentalist, composer, music producer and recording studio manager, as well as a painter, etcher and graphic artist. He devoted his life to music (especially jazz, a genre that has enjoyed a long tradition in…
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
Edition of 500. Black Truffle present the first-ever vinyl reissue of Ruedi Häusermann's Galerie Randolph, a masterpiece of solo multi-tracking originally released on CD by Unit Records in 1995. Born in 1948 and residing in the medieval Swiss town of Lenzburg, and virtually unknown outside of the German-speaking world, Häusermann is a multi-instrumentalist and enormously prolific composer who works primarily in the medium of absurdist music-theater. A virtuoso wind player and free improviser who…
Gil J. Wolman's revolutionary Mégapneumes reveals the radical origins of sound poetry. This essential collection documents the Lettrist pioneer's organic infra-language from 1960s recordings, including material found on his tape recorder after death - anticipating Chopin and Gysin by a decade
2025 Stock. Published on the occasion of the exhibition at Mudima Foundation (once Multhipla) this book is the very first extensive retrospective overview of Gianni Sassi’s work, design career and role that he played in the development of alternative cultural action and promotion in Italy. Gianni Sassi truly was a larger-than-life figure whose contributions were wildly varied. In the Sixties, inspired by the artist Marcel Duchamp, Sassi participated in the loose interdisciplinary network of Flu…
After his work with Miki Curtis & Samurai and just after joining the British rock band Free, Tetsu Yamauchi recorded his first solo album during a brief return to Japan in 1972. This remarkable record is packed with standout tracks: the razor-sharp guitar riffs of “Wiki Wiki,” the groovy funk-rock vibes of “First Time,” “How To Cook,” and “Orange Dog,” and the sultry, melancholic vocals of Eleanor on “Alexander Stone,” “Why,” and “Baby Blue.” Now beautifully reissued and remastered by Makoto Kub…
Black Truffle present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s and is perhaps best known for his 1970 piece I Am Sitting In a Room (LCD 1013CD). He has written a remarkable catalog of instrumental works that focus on phenomena produced by the interference between closely tuned pitches, often using pure electronic tones produced by os…
"The history and culture of improvised music have been shaped by manifold concepts of freedom, but one in particular explains Amado’s aesthetic. It is his reference to Sam Rivers’ declaration: “Freedom does not mean unconditional renunciation of melody and rhythm, but the freedom to choose what I want to play.” It was this freedom to that led Rivers to punctuate his epic trio sets with grooves and essays on perennials like “Wheatleigh Hall.” Rivers also eschewed the labeling of his music as impr…
The six compositions on Soundwalk Collective’s new album, It’s All Breaking Apart, are based on field recordings from Berlin clubs, particularly Berghain, blended with additional sounds processed through modular synthesizers, ambient noise, fragments of conversations, and new vocal performances, both sung and spoken. The album features collaborations with Anika, Gudrun Gut, Elvin Brandhi, and Nina Kraviz. The opening track, The Crowd, is a collaboration between Soundwalk Collective and legendary…
** Edition of 150 copies** With hard-to-define instruments, Varkenshond creates ritual and tribal madness in the vein of early Silvester Afang and Zero Kama. Varkenshond was founded in 2006 in Antwerp, Belgium while the to-be members were studying Maggergergorian spiritual philosophy with Wim Vanaeghe, Thomas "Gergeti" Kreuzfeld, and Koera Mönggüm Sorgan. They released a CD in 2007, the result of a series of therapeutic music sessions led by G. Karkaronga, and a cassette in 2013, a selection…
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after 'Ceux du Dehors', due to a change in line-up and a new repertoire, although the EP 'Crawling Wind' had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in 'Célesta (…
Twenty years after its original release, Ben Frost's "Steel Wound" returns as a testament to isolation transformed into transcendence. Born from solitude at a derelict cabin on Australia's windswept coast, this masterpiece of textural guitar manipulation still sounds like a transmission from another world—one where beauty emerges from the marriage of abandonment and obsession.
Years later, revisiting this performance through the album still leaves me gasping in awe—she reads minds, she hypnotises, a celestial sprite blessed by the heavens. Her solid grounding in classical and folk music, extraordinary technique and control, boundless stage presence, and our own beautiful yet bittersweet memories all converge to create this timeless recording.
Time rewinds to a May evening in 2014, as the inaugural Tomorrow Music Festival unfolded. Czech musician Iva Bittová stood alon…
** Original copies of this rarity. Factory sealed. Few copies available ** “Like A Girl, I Want You To Keep Coming” (this was a feminist-approved project/title just in case anyone will be scandalized) came at the tail end of label’s existence and is more music-focused. It features some big names in the tracklist including New Order (doing Velvet Underground cover), Debbie Harry, omnipresent David Byrne, Live Skull, Henry Rollins and William Burroughs + Karen Finley on the literary side of thing…
** Original copies of this rarity. Factory sealed. Few copies available ** A legendary compilation with contributions from no less legendary figures/bands like William S. Burroughs, Sonic Youth, Diamanda Galas, Michael Gira, Coil and many others. "Each year, Giorno and his friend William S. Burroughs put out a compilation featuring themselves and the musicians most admired among the New York loft set. This year he and Burroughs are joined by Coil’s tromping and pulsing instrumental “Neither His …
Forgetting is Violent, Patrick Shiroishi’s latest solo LP, is his most immediate release yet, expanding the scope not just of his music but of his extramusical considerations. Where his past releases on American Dreams reckoned with racism against Japanese Americans or presented Shiroishi’s saxophone as heard in a parking garage, Forgetting is Violent considers racism as a whole, historical and ongoing, with the urgency it deserves. Here, for the first time, we hear Shiroishi joined by a support…