Best sellers
A Celebration of iDeath
Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…
Anthology One 1989-91
Anthology One is culled from the first three cassette releases by Voice of Eye; Isolation, Voice of Eye and Resonant Fields / Hot Gypsy Fink Hell, all three Tapes released on thier own Cyclotron Industries Label between 1989-1991 These are the earliest recordings by Voice of Eye.
Voice of Eye can be doubtlessly described as the protagonists and godfathers of the special genre of Ambient-Ritual-Music. Their specialty is "organic sound sculpting": a form of electronic ethnic ambient music th…
Pointless
Greg Horn started out in West Lafayette, Indiana as guitarist and vocalist of Dow Jones and the Industrials, a punk and new wave band with a wiry, keyboard-inflected sound that earned them a split LP with the Gizmos in 1980 before the group dissolved in 1981. Horn relocated to Phoenix, Arizona, where he found work at the PBS station KAET and met synthesist Galen Herod. Together they formed Tone Set, the minimal synth-pop duo that released Cal's Ranch and Calibrate and earned rare praise from Mar…
Synth Pop Art
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
远在此处 = Idekint / Out Here
2025 stock “Regarding the title of the album what I found by looking further is ‘Inside Out’. To explain in a few words from Hungarian: at the base, there is ‘itt’ = ‘here’, and ‘ott’ = ‘there’. From ‘itt’ derives ‘ide’ = ‘from there to here’, from ‘ott’ follows ‘oda’ = ‘from here to there’, so there is a dynamic in ‘ide’, which there is not in ‘itt’, which is stable. ‘Kint’ is ‘outside’. ‘Idekint' therefore means, that we are outside and we invite to be outside (while ‘Odakint’ would mean that …
Ecophony Rinne
One of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.
Air Time
On Air Time, Air - Henry Threadgill, Fred Hopkins and Steve McCall - hit their 1977 stride, stretching from tightly coiled themes to wide-open improvisation, turning the sax-bass-drums trio into a restless, three-way imagination engine.
L-R-G / The Maze / S II Examples
On LRG/The Maze/S II Examples, Roscoe Mitchell frames three radically different constructions - a lucid brass-and-reeds trio, a labyrinthine percussion octet and a stark soprano solo - as parallel studies in space, timbre and compositional intelligence.
Tribal Ghost
** 2026 restock, long out of print - few copies available ** Here’s an astonishing fact: This album was recorded during John Tchicai’s first and only weeklong residency at a New York jazz club. Tchicai — co-founder of the New York Art Quartet, one of the most innovative bands of the 1960s; member of Albert Ayer's New York Eye and Ear Control; participant in John Coltrane’s Ascension, perhaps the most influential of Coltrane’s late works; practitioner of world music-jazz fusions in bands such as…
Trees without Leaves
Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …
Avantgarde (4LP Bundle)
Special discounted Bundle. Audiophile edition. Pure analogue mastering & cutting from the original master tapes. Representing three of the most essential and sought-after works within the canon of 20th Century avant-garde composition, this bundle brings together Luc Ferrari's Presque Rien No.1 / Société II, Mauricio Kagel's Acustica, and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden in a single offering. Originally issued by Deutsche Grammophon between 1970 and 1980, ou…
Dance! Skip! Hop!
Tip! *350 copies limited edition* The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her ten…
The Abstraction Years 1979-81
Adrian Smith of Luton spent three years playing in punk-inflected bands with his brother Derek (Those Nervous Surgeons, Half Nervous) before retreating alone to a bedroom and a synthesizer in 1979. What emerged was something no one in his immediate environment was making: long, atmospheric, analogue pieces built from hand-played sequences, emotionless production, and a palpable air of melancholia. His first two tapes, From the Silent Days and Absolutely Safe, were given only to friends, having n…
Sad Songs
On Sad Songs, Scott Alexander steps away from American Music Club into a one‑man synth lab, fusing Eno‑tinged ambience, noir synth‑pop and fuzzed‑out psychedelia into a solitary, homespun detour that never repeats itself.
Free Jazz and Improvisation on LP and CD, 1965-2024 (Book)
Tip! 428 pages. This is exactly what we need. Big time. Johannes Rød returns with the massively expanded edition of his essential guide - a monument of discographic research spanning six decades of creative music documentation. 381 pages plus 47 unnumbered pages of label artwork. 185 labels mapped with obsessive detail and passionate advocacy. From the explosive emergence of free jazz in the mid-1960s through ESP-Disk, BYG Actuel, and Actuel, through the European improvisers' movement documented…
Cute
Melbourne based Toy Division (Dick Sallows with help from friends Phillip McKellar (Informatics) and Martin Fripp (sound engineer)) with their fantastic electronic album "Cute” from 1983. The Lp includes a Bonus 7 inch sampler with 4 more tracks previously released on other Temporary Art Tapes between 1981 and 1983.” "Toy Division's music style ranges from ‘Nulabor’ an Aussie ‘Autoban’, to an ambient 'Autumn Trees', to post punk political commentary on 'Beurit' and 'John Wayne once told me’ whi…
Kinky Tape Collection 1981-1983
K2 is the project of Kimihide Kusafuka, born in Shizuoka, who began his musical activity in 1981 devoting himself entirely to recording noise and experimental music — before the term "noise music" as a genre had even been established. Over the following four years he released around 20 tapes on his own Kinky Tape Collection label (later renamed Kinky Musik Institute), working across several radically different noise styles simultaneously. Alongside Masami Akita (Merzbow), Hijokaidan, and Toshiji…
Recordings 1988
On Recordings 1988, YU - brothers Dwaine and David Woodliff with Gaylon - push their Austin DIY ethic to a strange, addictive peak, fusing minimal synth, post‑punk anxiety and home‑taped intimacy into songs that feel like intercepted private signals.
Congliptious
On Congliptious, Roscoe Mitchell strips the Art Ensemble idea to its bones, pairing stark solo showcases with a fierce quartet blowout that makes freedom feel both methodical and combustible.
Numbers 1&2
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.