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** CD housed in a die-cut customised debossed outer case (14.5x14.5cm) with rounded obi, 32pp booklet with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. ** Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū III” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest rel…
*300 copies limited edition* Shit and Shine is back with a brand new, all killer no filler electronic LP, consecrating Craig Clouse’s signature pataphysical, unapologetically free approach to musical composition. Masters Of All This Hell combines surreal collages with an idiosyncratic sense of beat making, perfecting $&$’s signature blend into downright sonic thrills.
Akio Niitsu's first album, "I/O(i・o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. Akio Niitsu's first analog re-release has been decided.
As a guitar multi-recording album, the idea was realized six years earlier than the album "E2-E4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", bu…
1999 release ** "Maurizio Pustianaz is the mentor of Gerstein a one-man sound project that from the mid-80s to the end of the 90s, was creating authentic underground electronic gems. Already in the new century, Pustianaz opted for the most bland and commercial electro, something that he has been doing until now, a real shame. This is his most experimental stage, where he took risks with dense atmospheres, dark electronic sounds, tape treatment, etc... Re-issue of his first cassette released by t…
Bomb! Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in Au…
"Whether it's by improvisation in the African-American jazz tradition, or by a village kobza player standing on top of a damn hill - he feels connected to the stars."
The explorer Walter Maioli makes his most amazing adventure, the journey to the center of the Earth. Retracing the exploits of the Platonic demiurge, he identifies in the cave the deepest meaning of myth. Primordial sounds, not shadows, are at the center of this magical path straddling geology and Paleolithic polyphony. The recordings between 1985 and 2002 capture the sonic imperceptibility of the great subterranean womb, investigate the secret dialogue between the trickling of pond waters and t…
Both pieces are intended to aid the listener in times of spiritual change, but are just fine for 'everyday' use as well. Highly recommended." Charles S. Russell, Ear Magazine The two works on this cd - Tara's Room and The Beauty of Sorrow were composed and performed by Pauline Oliveros and recorded in May 1987. Previously only available as a cassette and long out of print." (Deep Listening) "The beauty of sorrow" was played by the composer on a small accordion tuned in just intonation and using …
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971 and released in January 1972. Perhaps the least characteristic album of their output, it features no synthesizers, the instrumentation being largely electric guitar, bass guitar, flute and violin. On the second side, the more rock-oriented origins of the group still cling on, mostly without any percussion whatsoeve…
Hopeton Brown, better known as Scientist, has been a pioneering figure in the world of dub for 40 years. His early love of electronics proved fruitful when (still a teenager) he was hired at King Tubby's studio in Kingston. Brown quickly ascended the ranks and became heir to Tubby's throne, producing imaginative and technically impressive mixes that solidified his forward-looking nickname. Originally released in 1981, In The Kingdom Of Dub remains one of the best early LPs in Scientist's long ca…
Viive debut album ‘Sen Jälkeen Kun’! The debut album, “Sen jälkeen kun”, explores themes of growth and the intrinsic need for connection. It ultimately took shape as a soundtrack to a movie that doesn’t exist (yet).
The album was recorded at Mutka studios, the duo’s own creative space in a mid-century wooden house located in Jyväskylä, Finland. The piano and drums were set up facing each other, fostering a deeper connection between the players. The naturally imperfect and lively acoustics of the…
The second chapter of the project, "Break," marks the first encounter with Yosuke Yamashita & Hiroshi Yamazaki in 60 years since their first encounter at Ginpari. Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV shows to commercials, without being confined to the framework of free jazz. The live performance recorded on December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in Otomo's career,…
The opening of the pair of simultaneous releases, "Introduction," is a new wave of free jazz born from an intergenerational improvisation session with Takashi Sugawa (b) and Shun Ishiwaka (ds). Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV to commercials, without being confined to the framework of free jazz. The live recording of December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in O…
"Brand New For China!" by Cactus Truck is a fiercely intense debut, blending free jazz with punk energy and noise. The Amsterdam-based trio delivers raw, high-velocity improvisations across tracks that range from explosive outbursts to muscular, dynamic interplay, marking the album as a standout in avant-garde jazz.
A previously unreleased reading emerges from Max Finstein (1924-1982), one of the original Beat writers who successfully bridged the gap between the Beat Generation and the counterculture revolution of the 1960s by co-founding the legendary New Buffalo commune in New Mexico.
Max Finstein stands as a crucial figure in American experimental poetry, part of the influential "Yugen Crowd" - that legendary affiliation of Beat, Black Mountain, and New York School poets who gathered for readings and dis…