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Masterful trio interplay reliant on deeply honed three-way communication and a refined sense of understatement make Fred Hersch’s third recording for ECM an essential entry into the piano trio canon. Hersch tackles a handful of 20th century compositions – spanning from standards to less frequented jazz tunes – as well as three originals, with Drew Gress on bass and Joey Baron on drums – two longstanding companions of Fred’s who have played with him on and off since the late 80s and early 90s res…
Tip! Edition of 250. It is absolutely appropriate the second volume of Wednesday Knudsen’s Soft Focus suite appears as spring finally begins to take hold. Like the brilliant first section of this work (the whole of which was initially released on CD), the music here is a celebration of shimmering sunlight and the awakening of nature’s tonal brilliance. But where the first LP focused on more bite-sized pieces of work, this one envisions and documents instrumental horizons that are ever expanding.…
A Monastic Trio is the first solo album by Alice Coltrane. Recorded in 1968, she intended it to be a tribute to her husband, John Coltrane, who had died the year before. It originally featured the message: "This music is dedicated to the mystic, Ohnedaruth, known as John Coltrane during the period from September 23, 1926 to July 17, 1967Alice Coltrane - harp, pianoPharoah Sanders - flute, bass clarinet, tenor saxophoneJimmy Garrison - bassRashied Ali - drumsBen Riley – drumsWhile John's spirit c…
Who was Antoine Dougbé? Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs he released in the late 1970s and early ’80s. Yet all the musicians who happened to cross paths with him remember him with a mixture of admiration and fear; for Antoine Dougbé was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodún initiate whose close connection to the spirit world allowed h…
The compositional minimalism of Jewels of Thought is a major thread through Sanders albums of this period, setting up a sparse canvas for colorful tenor saxophone meditations. In one instance Sanders' playing may be soft, beckoning and glad, while elsewhere his saxophone becomes a crazed, outraged beast unleashing its fury on the world. Regardless of which way these compositions lead, listeners are made to feel more like sonic travelers than mere consumers.
Pastoral moods, pastel modes, daydream verve, colors in complement, slightly dissonant, outdoor airs, shadow underleaf, gravity's touch, falling rain, solemn distances, memento mori, the wandering mind...Soft Focus is two volumes of a musical experiment that intended to go one way and went another. A project that sought song form became a process that discovered tonal movements through unexpected environments and atmospheres. I hope you enjoy! -Wednesday
Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his Keith Jarre…
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch down.
2026 stock A famous Pink Floyd bootleg is back in circulation as a limited-edition collector's item of just 350 copies, all hand-numbered, containing three 180-gram colored LPs, a 20-page booklet, a poster, and a reproduction of the concert ticket. The tracklist draws from the shows on March 6 and 7, 1972, in Tokyo, the first dates of a Japanese tour during which Roger Waters, David Gilmour, Richard Wright, and Nick Mason performed a live, not-yet-final version of “The Dark Side of the Moon” (wi…
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
“Joe Fujinoki centered the compositions of his latest album Glass Torso around the idea of the fragility of the human body. Fujinoki described the narrative thread of the album as that of “holding the shape of a human body as if it might shatter like glass”. The precariousness of the body, the essence of the body as defined by Fujinoki as the torso, and the object relations between the boundaries of dialectical exercises pack themselves into his creative process. Fujinoki recorded Glass Torso ex…
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
On Klotski, Lao Dan Quartet throws tenor, bamboo flute and suona into a Chicago crucible, where Mabel Kwan, Joshua Abrams and Michael Zerang keep reshaping time and texture until free jazz feels like a sliding puzzle in permanent motion.
On their self‑titled debut, Moving Gelatine Plates fuse Canterbury whimsy with French jazz‑rock bite: knotty horn lines, fuzz bass and nimble drumming tumbling through tunes that are as playful as they are technically fearless.
A record made for the ones we lost. Oli Heffernan returns with his fourth album for Riot Season - an expansive double LP that carries with it a deep personal history and years of unfinished business.
The earliest sessions date back to 2018 at the IDI in Middlesbrough, engineered by longtime collaborator Nigel Crooks over the course of three weekends. Then life happened. The material was shelved, left to gather dust for reasons that accumulated and compounded. When Crooks passed away in 2023, com…
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
* Limited edition of 750 individually numbered copies on gold vinyl. Includes insert * In the history of Western art music, few compositions have achieved the paradoxical feat of radical simplicity coupled with profound transformative power. Terry Riley's In C, composed in 1964, stands as the most deceptively modest yet revolutionary work of the twentieth century, a single page of musical notation that fundamentally altered the trajectory of American composition and established the foundation of…
2023 repress, edition of 500 copies, gatefold sleeve. Essential re-press of Caterina Barbieri's debut double LP. Patterns Of Consciousness is the powerful second full-length from analog synth composer Caterina Barbieri. Gorgeous high resolution analog textures and algorithmic melodies unfold under Barbieri's careful control, exploring the basic nature of sound and consciousness. These pieces are minimal in arrangement but maximal in presence asserting Barbieri as a unique voice in contemporary e…
*2023 repress* Born Again In The Voltage is an astonishing collection of electro-acoustic pieces for Buchla 200 system, cello, and voice composed and produced by Caterina Barbieri at Elektronmusikstudion (SE) between 2014 and 2015. Cello by Antonello Manzo. Images by Giovanni Brunetto; Photography by Angelo Jaroszuk Bogasz; Layout by Important Records. Mastering by Giuseppe Ielasi. Edition of 500.
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"One of electronic music's most interesting new voices." FactMagazine
2025 Repress. In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals. Taking Drugs features the legendary Northampton demos, which secured the band's firs…