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Across an extensive suite of enchanting miniatures, Matthias Kremsreiter and Christian Schoppik present the hypnagogic vision of Taghelle Nacht. Recording under their respective Roudi Vagou and Läuten der Seele aliases, Kremsreiter and Schoppik combine their distinct but equally accomplished instrumental practices into a new collaboration that weaves swooning samples amongst instrumental passages. They lead us through 16 vignettes that revel in the cognitive dissonance and seductive magic of moo…
Master pianist, New York-based, originally from Argentina, Leo Genovese, just won a grammy as a ‘Best Improvised Jazz Solo’ - an award considered by many as ‘mainstream’. This certainly did not stop his creative path, only to encourage him towards further researching creative music. His debut album ‘The Art of Not Playing’ with fellow musicians John Lockwood on bass and drummer Nat Mugavero proves it. The trio celebrates the practice of disappearing during the process of creating. Trusting the ‘…
The final chapter of the legendary Brotherhood of Breath unfolds in this captivating live recording from the Banlieues Bleues festival in France, March 18th, 1989. This release is a historic testament to the dynamic fusion of South African jazz influences with broader jazz traditions, capturing the band at a pivotal moment. Adding palpable excitement to this installment is the presence of the iconic Archie Shepp, who delivers compelling performances on tenor saxophone throughout the concert and …
Down Another Road @ Stockholm Jazz Days '69 catches Graham Collier’s sextet in full flight, turning a cornerstone studio album into a raw, expansive live ritual where luminous themes, tough grooves and free-leaning episodes collide, sketching British jazz at the cusp of its most exploratory moment.
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
Packaged in a Digipak with a 12-panel insert. Following a trip to Mexico City, Paul Panhuysen returned to Eindhoven with 200 jumping beans - those curious larvae-inhabited seed pods sold as toys in local markets. At Het Apollohuis, he began a series of experiments that would result in this remarkable recording. Panhuysen's practice has long incorporated living creatures alongside electronic devices: "I've worked often with animals, with birds, crickets and goats. I also use sensors, timers, sole…
On Live At Sogn Student Campus 1968, Ditlef Eckhoff Quintet captures Oslo’s student underground at full boil: hard-bop heads splinter into early freebag squalls while Knut Riisnæs and Christian Reim drive the frontline with nervy, melodic fire, turning a long-lost campus tape into a vivid document of Nordic modern jazz in transition.
Six years before the release of his landmark Mother Earth's Plantasia, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. This stands as one of the first-ever all-electronic movie score…
We are pleased to announce the upcoming reissue of “Min Bul”, a milestone of Norwegian rock and jazz, included in the renowned Nurse With Wound list, from the band whose leader was a young Terje Rypdal. Recorded in the Rosenborg studio in September 1970, with Egil Eide as engineer, “Min Bul” is a highly experimental work for its time that grew out of the Samklang projects at the Henie-Onstad Art Center, where director Ole Henrik Moe encouraged adventurous composers and improvising musicians to j…
A long-lost gem of Italian library music, Condizione Umana by Rino De Filippi is a hypnotic journey through jazzy sketches, intimate atmospheres, and avant-garde experimentation. Reissued on vinyl after decades in obscurity, this visionary 1972 album invites listeners to explore deep grooves, primal percussion, and the boundless creativity of Italy’s golden age of soundtracks.
Big Tip! From trailer park punks to Pulitzer Prize winners, this is the untold story of a sleepy Navy town that became the unlikely gathering point for some of the most innovative, unclassifiable American artists of their time. The late '60s arrival of Harry Partch -- hobo composer, iconoclast and inventor of instruments such as the Harmonic Canon and Quadrangularis Reversum -- jump started a revolution that was as much social as it was musical, drawing on the occult, self-realization and radica…
Munich's legendary experimental ensemble Phren - active since 1968! First vinyl since 1989! Founded by Michael Kopfermann, the group developed a radical approach to prepared instruments and noise-tone synthesis, rejecting the limitations of tempered tuning. This LP documents the duo of Carmen Nagel-Berninger (prepared viola) and Inge Salcher (prepared flugelhorn) - recordings from 2010 and 2018 showing decades of refined practice. Gut strings, unusual tunings, extended techniques. A living tradi…
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…
180 gram reissue / Limited Edition 400 copies Includes OBI and 4 pages insert. Text in Japanese / English . Cinedelic presents Jazz in Fabbrica by Enrico Intra. Recorded in Ratti’s Factory in Guanzate (Como) on October 31, 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter betwee the most exquilisitely jazz language and contemporary music of a cultural matrix, and for this re…
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.
Experience the legendary sound of Kraftwerk in one of their most iconic live performances. Recorded on March 22, 1975, at the Satory Saal in Koeln, this concert captures the band at the height of their creative power. Featuring two tracks from the previous year's groundbreaking album Autobahn, including an epic sidelong rendition of the title track, this set is widely regarded as one of the finest live recordings in Kraftwerk’s storied career.
The performance is rounded out with the classic “Ruc…
Mark Fell inaugurates his new label - The National Centre for Mark Fell Studies - with his first solo electronic material in years; a slinky, ravishing volley of unique dance drills that have been in the works for over a decade, feeling somehow like Derek Bailey dissecting Singeli, or Autechre and Hermeto Pascoal dancing in hyperspace. There’s nothing else quite like it.
Back on the ‘floor for the first time since dealing a pair of deep house 12”s with DJ Sprinkles, sending a contemporary classi…
Am Grabe (At the Grave) is an ongoing audio ritual executed by Stefan Fricke and Alper Maral. Since 2015, they have been visiting the graves and burial grounds of composers from various eras in order to record the sounds and noises present. Each sequence is a pure field recording, serving as a memento of a bit more than 4 minutes in length. After having been compiled for a series of radio programmes, selections from Am Grabe here appear on audio media for the first time. This edition commemorate…