Music from Austria

CD version. This album is a tribute to the person and spirit of John Coltrane. It was produced by musicians who not only admire Coltrane but embody similar values.While it’s always a good time to honor Coltrane’s memory, this particular moment seems to carry an increased urgency of remembering his message and mission.Since some owners of this amazing record may be unfamiliar with Coltrane’s character, it’s worthwhile to briefly state a few biographical details.First, Coltrane was a compassionate…

The world knows Muriel Grossmann as a bandleader, saxophonist, and composer of highly individual and original music. Her work has become closely associated with a modern revival of spiritual jazz, reflected in albums such as Golden Rule, Universal Code, and Quiet Earth, and in performances across Europe with herlong-standing quartet. That is one side of the story. In Ibiza, where Grossmann has lived and worked for over two decades, another side of the artist reveals itself. Locals know her not o…

Villingen, 26 February 1971. Friedrich Gulda's self-portrait in the form of a course, a double LP mostly of solo piano with Klaus Weiss on drums, Fritz Pauer and a horn section including Benny Bailey and Sahib Shihab. Prelude and Fugue, Play Piano Play, a set of variations on Light My Fire, and a Goethe setting.

Acid, but tender. Tin Man coaxes emotion from the 303, letting soft-focus melody and deep, humming pulse blur techno and ambience. 'Arles' is warm, hypnotic and unmistakably his: melancholy dancefloor minimalism.

The album Works for Organ documents and brings to life Bernhard Lang’s engagement with this instrument – which dates back to his youth – in its most diverse forms. The musical roots lie in his own improvisational practice as part of a band, in his ongoing interest in microtonally composed music, and in his long-standing exploration of loops, a technique that can relate to various musical parameters. Furthermore, the exceptional skills of Lang’s performers and their artistic interests play a sign…

2012 CD-only album on Klangalerie by NDW/post-punk band founded in the early 1980's.

*2026 stock. 200 copies limited edition* As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's o…

*2026 stock* Radian creates a field of tension between extreme dynamics, freely improvised parts and meticulous construction, an inherent contrast between soft sounds and sharp edits. Radian’s recording/creative process takes a central role in shaping the pieces. It is a two-fold process of creating material through improvisation, sound experiments and processing on the one hand, and a routine of carefully selecting and editing this material on the other. It is often the case that mere snippets …

*2026 stock* Vienna has a storied history as a ground-zero for new music. Radian, who calls Vienna home, embodies the city’s spirit of innovation. Martin Brandlmayr (drums, electronics), Martin Siewert (guitar, electronics) and John Norman (bass) are stalwarts of the European contemporary music community. Radian’s angular, expansive music delights in tension and contradiction, sound and silence, improvisation and composition. The trio employ a singular and wholly unique sense of microtonality. W…

It would not be incorrect to claim that Zawinul was the first Weather Report album with regard to both its concept and sound since all protagonists are already present: Joe Zawinul, Wayne Shorter and Miroslav Vitouš. This album confirms that Zawinul was the primary creative generator of Weather Report, the connecting link between the band and Miles Davis’s keyboard-laden experiments on "In A Silent Way"; indeed, the composition in its complex orchestral form as composed by Zawinul is newly arran…

On this new NooPop Records session, Muriel Grossmann and Tõnu Naissoo ignite a live‑wired studio communion: fully improvised Tallinn meditations where spiritual jazz fervour, modal trance and molten organ grooves collide in real time.

On geschrieben in wasser., Klaus Lang pares the piano quartet down to a faintly breathing organism, letting soft, slowly shifting harmonies hover at the edge of audibility like something written on water just before it disappears.

Cage's 1963 piece for voices and percussion with solos plus three more experimental compositions from the 1960's by the other composers, performed by the San Francisco Conservatory New Music Ensemble and released on Wergo's "Große Interpreten Neuer Musik" series in 1971. Never re-issued on either LP or CD.

"Composition and its performance can have an organic relationship, a balance between written and the improvised. Muriel Grossmann’s wide compositional and performing talents are clearly reflected in four-voice pieces such as Diversity and Quintessence, suite-like compositions such as Flügel and Echo, as well as brisk, energetic works like Andrew. The quartet composed of Radomir Milojkovic on guitar, David Marroquin on upright bass, and Marko Jelaca on drums, has become a sound lab — a group wher…

Originally released in 2002 as limited edition of 450 handnumbered copies 12" on 220g vinyl.

Dissonant and dense requiem composed in 1983 and released on Amadeo's "Österreichische Musik Der Gegenwart" contemporary music series in 1985. With insert.

1948 celebrated chamber piece by Shoenberg's pupil backed with his 1965 partita for organ, released in 1983 on ORF's "Musikprotokoll" contemporary music series.

Rare 1985 album with amazing compositions respectively for voice and ensemble, computer and "plucked orchestra" spanning from 1961 to 1981 released on Amadeo's "Österreichische Musik Der Gegenwart" contemporary music series. With insert.

Hermetika IX – Vox Angeli II pushes Bernhard Lang’s obsession with loops, fracture and stylistic collision into explicitly metaphysical territory. Centring the female voice, the piece takes its texts from the Nag Hammadi scriptures, a body of early Christian and Gnostic writings in which the tension between spirit and flesh, transcendence and fall, is particularly charged. Across four sharply contrasted movements, Lang treats those texts less as doctrine than as volatile material: sensual biblic…

Two quartets composed respectively in 1910 and 1926 superbly performed by Lasalle Quartett and released in DGG's "Alban Berg Edition / Gallery Series" in 1986. With insert.