Music from Germany

Kallabris is the project of Michael Anacker. Active since 1986, its work has been described as ‘electro-acoustic chamber music’ — a description which should be taken literally. Anacker’s main interest is a reflection on the electro-mechanical conditions of sound recording presented in everyday recording devices such as cheap home computers, dictaphones and answering machines. Thus, he is not interested in the limits of musical styles but in the limitations of sound (re)production. “Songs. The fi…

Special Friends Edition - limited to 99 copies Orange box with clear vinyls. Each gatefold sleeve includes a large format b/w photo. Heavyweight 8LP boxset with four gatefold/ double album jackets including liner notes by Conrad Schnitzler, plus official, individually numbered certificate of ownership, housed in a huge heavyweight canvas box and limited to 500 copies... "The Ensemble Kluster was found by Conrad Schnitzler in 1969. It can be considered as one of the most radical and influencial g…

Thus far the creel pones have all been academically-inclined in some way. by contrast, here’s a repro of a very bizarre one-off private-press lp “released” in 1981 by one-time tangerine dream / Kluster associate Conrad Schnitzler and given only to friends and family ...The b-side is pretty odd, even for schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings ; but the real prize is the a-side featuring his teenage son gregor on electric bass and completely fried vocals (in en…

‘Die nacht der seele’ is the twelfth album by Popol Vuh, originally released in 1979 by Florian Fricke and friends–Daniel Fichelscher on guitar, Djong Yun and Renate Knaup on vocals, plus guests Alois Gromer on sitar and Susan Goetting on oboe. Popol Vuh had moved again one step farther, ellaborating a complex world music opus based mainly on acoustic instruments plus Fichelscher's electric guitar and the use of multitracked vocals to reproduce the sounds of Tibetan monk chants.‘Florian was and …

Trost present Schraubenlieder, unreleased songs by Sven-Ake Johansson and Alexander von Schlippenbach from 1988, recorded by Radio DRS Bern. Personnel: Sven-Ake Johansson - vocals; Alexander von Schlippenbach - piano.

**Special limited edition with screen-printed clear jacket, insert and clear vinyl** A superb collection of rare early tracks from electronic pioneers Tangerine Dream! Features 2 tracks from the ’60s psych-rock band that preceded Tangerine Dream, The Ones, plus rare tracks from the early ’70s era of the band when they were at their most adventurous, composing epic pieces that clocked in at over 10 minutes each such as “”Asteroid Agenda”" and “”Overture. Amazing floating space cosmic psychedelia

“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…

180g vinyl + picture disc. Second studio album by the infuential music band Tangerine Dream, Alpha Centauri' is the milestone of the psychedelic era. Originally recorded in 1970 at Stommeln's sound-lab Studio Dierks and released via the Ralf-Ulrich Kaiser's Ohr imprint, this album is an extraordinary trip into a dark sonic universe, where the overall quality has little in common with the luminescence recalled by its title. Organ acoustics and fute lean on mesmerising textures, created by e…

If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, 1975's 'Landed' is notable for marking the return to Can's debut line-up (barring Malcolm Mooney of course), following the love-sick Damo Suzuki's departure. Their 7th full-length release, 'Landed' also saw the band getting their mitts on a 16 track …

** 2025 repress. Comes in embossed sleeve with printed inner sleeve, pressed on heavyweight vinyl. Includes code for free mp3 download of this album** An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invas…

The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…

1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…

All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebezeit has a greatly reduced role, leaving most of the rhythm duties to percussionist-come-lately Reebop Kwaku Baah. As on the group's proper swan song, 1977's Saw Delight, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is…

Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department. It would be Can’s last album …

'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…

Having originally surfaced in 1994, Can's Anthology still serves as a pretty comprehensive, wide-ranging sampler of the band's key works, and the material's never sounded better - benefiting from a beautiful remastering treatment. Spanning Can's work from 1969's Monster Movie right up to 1991's soundtrack for the Wim Wenders film Until The End Of The World this two-disc compilation takes in a variety of line-ups, with the first disc drawing from the band's work up until 1974, with particular emp…

Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department.

This unique document is the first time Can's singles have been presented together and shows the breadth of their influential career, from well loved tracks like Halleluwah, Vitamin C and I Want More to more obscure singles such as Silent Night and Turtles Have Short Legs. "Turtles Have Short Legs," was the band's third single released in 1971 and never appeared on a studio album. This was recorded around the time of the Tago Mago sessions with the line up of Holger Czukay, Michael Karoli, J…

Originally released on Klaus Schulze's Innovative Communication label in 1981, 'Sei still, wisse Ich Bin' is Popol Vuh's 13th LP. Fricke and Fichelscher worked under the production of Klaus Schulze himself and were helped for the occasion by Chris Karrer on soprano sax, Renate Knaup on vocals and the Chorensemble der Bayerischen Staatsoper. Two of its songs, Laß los and ...als lebtendie Engel auf Erden where used on the soundtrack of Werner Herzog's film Fitzcarraldo, from 1982. There is also a …

with CD. The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster played three gigs in the city in 1971/1972, including the one partially included on 1972's Cluster II (LR 335LP). Cluster shows routinely lasted six hours or more, luring bot…