Music from Germany

2018 repress. Originally released in 1972, this is the second album by legendary German ambient pioneers Dieter Moebius and Hans-Joachim Roedelius. Moebius and Roedelius essentially create ambient electronic soundscapes that ebb and flow, droning on in a suspended world of anti-gravity where machine has conquered man. Includes bonus CD of the album."This album closes Moebius & Roedelius early radical experimentations in electronic, guitar/organ works. Compositions are always made of repetitive p…

180 gram vinyl reissue of German free improvisation pianist and composer Alexander von Schlippenbach's The Living Music, originally released on his own Quasar label in 1969. Recorded by Conny Plank, it features Peter Brötzmann (tenor & baritone saxophone), Manfred Schoof (cornet, flugelhorn), Michael Pilz (bass clarinet, baritone saxophone), Paul Rutherford (trombone), Buschi Niebergall (double bass, bass trombone) and Han Bennink (drums, percussion). The Living Music remains one of the paramoun…

At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…

Aidan Baker is a musician and writer currently based in Toronto, Canada. As a solo artist, Baker explores the deconstructive sonic possibilities of the electric guitar as a primary sound source, creating music that ranges from experimental to post-rock to contemporary classical. Jakob Thiesen: Versatile electronic musician, works with found sound,
analog and digital circuitry, laptop computer software and drums
to create music for various projects in the studio and on stage.

The album title certainly does not deceive. But there is something absolutely worthy about Baker's approach to drone composition. He employs a subtle, patient counterpoint that offers an appealing spaciousness when played loud. The music is utterly enveloping, seemingly forcing the listener into a meditative state (Do not operate heavy equipment while listening, unless that heavy equipment is speakers or a spaceship). The compelling organic majesty of these 2 long tracks wafts deep oceani…

Restocked: The divine music of Popol Vuh is inextricable from the Werner Herzog films it soundtracks. This lavish set includes five seminal film scores: Heart of Glass (1976), Aguirre (1972), Nosferatu (1979), Fitzcarraldo (1982) and Cobra Verde (1987) in one lavish, beautiful box including a 98-page hardback book with rare photos and liner notes.Scoring Herzog's 'Aguirre', Popol Vuh, lead by Florian Fricke, established a longstanding relationship with the director, providing him with a mileston…

Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …

Vocalist Damo Suzuki’s departure from CAN in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing vocal duties, the band had also begun drawing on influences from disco and glam. While still remaining staunchly outside the mainstream, they undoubtedly became more accessible to a wider audience, and soon had a huge fan base in the UK. In fact, just a few months after playing the live show found on this double LP (recorded in Lyon in January …

Long Story Short, the festival organized as the 25th edition of the Unlimited Festival in Wels, Austria (November 2011) designed a festival around Peter Brotzmann's musical practice -- not a retrospective, but a representation of the contemporary musical spheres that Brötzmann and his comrades are investigating today. Eighteen performances in this box document Brötzmann's close ties to the Chicago scene, his inclination to work with Japanese artists, his cultivation of old and new friendsh…

Stripped-down' probably isn't the right term for a release like this, but Brotzmann's reeds and Uuskyla's drums are the only two constituents of this double disc set, setting themselves up for comparison with fellow free improv pillars Ken Vandermark and Paal Nilsen-Love on their Dual Pleasure recordings. These lengthy improvisations (four pieces stretch across over an hour and a half of recordings) are a feat of endurance - not only for the improvisers themselves, but for even the most i…

'Listening': Qluster distil their art to its essence. Soft analogue tones and slow, deliberate motion invite deep attention, chamber electronics of great tenderness from Roedelius and Onnen Bock.

Sven-ke Johansson : accordion, vocals. Axel Dörner : trumpet. Mats Gustafsson : saxophone. Per-ke Holmlander : tuba, trombone. Sten Sandell : piano. Matthias Bauer : double bass. Raymond Strid : percussion. Die Harke und Der Spaten [The Rake and the Spade] is a musical stage play with 8 scenes, for one singer/speaker and a musical ensemble. The tools - the rake and the spade - are presented during the performance in differente positions, serving as the starting point for the scenes, reco…

2012 release ** "Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into…

Limited Vinyl Box Set, includes 5 x 180GM vinyl LP's, 28 page 12" booklet and a 24" poster - includes 30 previously unreleased tracks* "The Lost Tapes was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore. When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau. Whils…

After RLW (Ralf Wehowsky) and PAAK (Peter Kastner) worked (together with Ine Ophof and Jan van Wissen) on the theme 'food' (see CD on Hinterzimmer Records) they both come now to the next basic theme, the religious mania. Basic material for the pieces 'pay the prayer' (RLW) and 'opium 1 - 4' (PAAK) were recordings of prayers and other christian propaganda from TV and records. The vinyl-record is limited to 154 pieces and comes with 3 inserts, one of them is a signed stamp print for enlight…

Backwards proudly presents a new Aidan Baker vinyl LP, issued in a edition of 450 copies. For this releaseAidan Baker, co-founder of Nadja and member of Arc, is aided by his brother, Richard Baker, at drums. Recorded variously in Toronto and Berlin, 'Smudging' includes six songs comprised in two long epic tracks, with guitar textures and hypnotic rhythm structures to create a beautiful and dreamy listening experience. In the wake of his most experimental and characterized by dilated atmospheres …

Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…

Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.

11th part in the ongoing re-release series of all early Tietchens albums between 1980-1991. Aus Freude Am Elend is based on the human voice as a primary sound source and was originally released in edition of 500 copies on Dom America in 1988. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. The original front and back cover. First edition of 600 copies'. 'Following my research of piano and water sounds (DS102, DS88) …

Fifth part in the ongoing re-release series of all early vinyl albums by Tietchens on CD. This one from 1983 marks the end of his Sky 'phase' and was the last to feature his very own version of 'Synthesizer Pop Music' for some time (he'd only return to this music with the release of his Hematic Sunsets albums in the late 1990's). The CD also feat. the rare 'Rattenheu' 10 only release plus one unreleased archive track and comes in a transparent jewel-case with full colour poster booklet feat. a r…