Music from United States

On October 23, Animative, Johnson’s third album under his own name and his first for International Anthem/Nonesuch, arrives to turn up the wattage on his artistry. More than any release to date, Animative shows why musicians and a growing community o…

Rev's earliest experiments unearthed: cassette recordings, 1973-85. Skeletal drum-machine pulse, raw keyboard drones and proto-Suicide menace, the primordial ooze of minimal electronics, captured as it first formed.

The first solo record from Suicide's synth architect. Rev strips everything to skeletal drum-machine pulse and cheap-keyboard melody, at once brutal and strangely tender. A foundational document of minimal synth.

Martin Rev turns to reverie. 'Les Nymphes' drifts through delicate, looping electronic tone-poems: melodic, meditative and unadorned. The Suicide co-founder in intimate, luminous solo flight.

Rev at his most beatless and beatific. 'Clouds of Glory' floats on cheap-keyboard hymns and shimmering repetition: devotional, lo-fi and strangely sublime. The gentlest, most transporting corner of the Suicide man's solo world.

Suicide's synth architect goes solo and lyrical. 'Cheyenne' trades menace for melody: bright, looping keyboard motifs and toy-box rhythm, naïve and radiant. Minimal electronics with an unexpectedly tender heart.

Solo home electronics from Liquid Liquid's percussionist. Between 1984 and 1988 Dennis Young taped melodic, marimba-tinged synth miniatures, bright, rhythmic and disarmingly personal. A private cache of downtown-NY DIY.

On Live at the KiMo Theater Albuquerque 1979, Cecil Taylor leads a newly reconfigured Unit through a rare Western American performance of volatile grace and immense detail. Piano, alto saxophone, violin, bass, cello and multi-instrumental percussion …

Among the few truly experimental composers in our cultural history, Harry Partch’s life (1901-1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical inv…

‘Yarrow’ is a bouquet of new music by Portland, Oregon-based musician and field recordist Patricia Wolf, marking the label’s ninth release and the third of Season Two. These works are her reflections on the life cycle of plants and their dynamic ecol…

Telekinett is pleased to unveil a narrative that delves into themes of darkness and metaphysics, spotlighting John Duncan, a distinguished figure among contemporary Electroacoustic composers.

Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shroude…

Recorded by Nate Young live at The Snake Pit, Pontiac, MI July 5, 2026. SYTH (sic) 5, Tapes, Bows.

A few weeks ago I hit up this resale shop I haven't been to before. Serious junk store.. stuff piled up everywhere, I had to lay on a pile of Christmas wreaths just to dig through some of the records. Anyway... I get to the electronics room. Ironical…

Lussuria returns with Fresco, the latest full-length from the New York project of Jim Mroz, issued on LP by Hospital Productions. A quieter and more painterly record than much of what has come before it, but no less haunted. Active since 2007, Lussur…

You are red tail lights, you are small and simple, you entertained me, i want to destroy this you, i imagine you between two columns, you are small and simple, i want to destroy this you, you are a passion, i must deal with lucifer.

*75 copies limited edition* Richard Ramirez returns with The Hurting, a devastating new tape that plunges deep into the bleakest corners of harsh noise, industrial decay, and psychological unrest. Across its abrasive and suffocating soundscapes, The …

*2026 stock* Latest Terror Cell Unit tape on Phage Tapes. Comes in black clam shell case with lyrics booklet.

Twenty years on, Prurient's Pleasure Ground returns in the edition it always wanted. This is the hinge record in Dominick Fernow's catalogue, the one that opened the electronic chapter of the project: the scorched power-electronics of the early years…

On Magic Oneohtrix Point Never, Daniel Lopatin turns his alias back on itself, building an FM‑radio hallucination that scans through pop ballads, new‑age satire and junk‑media collage. Mutant songs, warped DJ chatter and scavenged broadcast detritus …