Music from United States

*2024 stock* Recorded in Kirtipur, Nepal, March 2005. Originally released on LP limited to 300 copies. Tape manipulations, feedback, crude field recordings, & Nepali dirt. "Side 'Beggar Master' is like a video game of a brick wall chasing a 300 pound wobble legged mosquito. High feedback intercepted by sliding horizontal pile of bricks. Beating thud heart with some open holes in the side corresponding to sludge lake bug liberation. Pumping muscle disorders team up with mud and dirt bubble bath t…

Much has happened to Tomeka Reid, who was already one of jazz's definitive figures in the 21st century, in the 4½ years since her last album by this all-star quintet. Most notably, she was awarded a MacArthur Fellowship in 2022, one of the most prestigious awards in the creative arts field in the USA. The same year, she also won the DownBeat Critics Poll for miscellaneous instrument (despite many deserving talents emerging on the instrument, the jazz polls don't have cello as a category for reco…

Abul Mogard and Rafael Anton Irisarri’s partnership unfolded serendipitously at the sold-out opening of the SoundSet Series at Madrid's Condeduque cultural center in 2023 - a program that featured performances by legends such as Autechre and younger artists like Caterina Barbieri and KMRU. The duo's encore that evening, recorded for Spain's Radio 3, resonated deeply with the audience, igniting a creative spark that propelled them to work remotely in their respective studios. At the heart of thei…

*350 copies limited edition.* 2024 stock.Nick Parkin and Z’ev were introduced to each other by Charles Powne of Soleilmoon Recordings at a social get together in London in 2005. The following year they ran into each other again at the ICA’s Sonic Arts Festival, and after a series of meetings and conversations realised they had a number of common sonic and philosophical threads, and decided to try recording together. The two musicians shared an interest in site-specific recordings and the atmosph…

2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…

*165 (hand-numbered) copies limited edition* "Registro de Piedra plays with the idea of place memory. I have heard a few stories of people spending the night in or near ancient ruins and witnessing strange sights and sounds. What some might call ghosts. Modern science has no way of explaining these apparitions, casting doubt on the authenticity of the experience. Other researchers have propounded the idea that these places may hold memories of past occurrences, and that under certain circumstanc…

Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his  Keith Jarre…

Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.

** 2024 Stock ** This collection of musical works is as visually and poetically striking as any of the Great Bears, with the individual pieces flowing together in a sprawling collage. Philip Corner’s Popular Entertainments incorporate pop music as a raw material and a motor, an ever- changing sound source with an aura of heightened energy: pulsating rhythms, dancing, and the frenzy of teenage fans. The spectacular, molten immediacy of the work—which prioritizes intense experiences of listening v…

** 2024 Stock ** The third in John Cage’s series of “Diary” essays (the other parts were published in different contexts), defined broadly as “collections of thoughts that develop out of working and being alive.” The text is formally and discursively roving: its margins, typeface, and color undergo continuous alteration by chance methods as Cage contemplates computers, Erik Satie; life on the road with Merce Cunningham; death; encounters with Mies van der Rohe, Duchamp, and Marshall McLuhan; boo…

The complete music for cello and piano by Morton Feldman, played by cellist Stephen Marotto and pianist Marilyn Nonken, including unpublished pieces, a first recording of the 1946 Sonatina and the 89-minute Patterns in a Chromatic Field (1981).

"The world is already fallen and the temples are all new again."

Two of the most legendary industrial noise artists break down and grind into dust with mortar and pestle each other's sounds, thoughts, and silence into a textural collapse that could very well be the discovery of new kinds of static, new kinds of fuzz and new kinds of words that might never be spoken but fall into the ravine of spears. Presented in grim recycled board with spot gloss jacket and inner print on clear vinyl.

*300 copies limited edition* "There is one world, no rules, no fixed ideals - not even chaos exists. Sometimes the awareness of the ridiculously short existence overcomes you, framed in sick trivialities. And yet there is hope in the midst of the absurd and this publication tells of it. No teaching! No warning! No example! Just a report." - Hospital LP in quality die cut foil stamped jacket with inner sleeve. Black vinyl edition.

Hospital Productions is proud to announce ‘Trick’ on 2xLP format. “Trick’ is deeply important to the Hospital history as it was the first time working with the icon Richard Ramirez in 1999. 5 tracks spread across each disc ‘Only If You Want To Fuck’ and ‘Voyage Of Tempted Flesh’. ‘Trick’ shows Ramirez at his most focused, linear, and darkest noise that only he can do. Listeners will be torn between minimalist brittle static and eerie envelope-filter delayed electronics creating a chasm of gravel…

Supreme dark ambient, ritual musique, cold soundscapes return. First time on vinyl of what some may say is the hallmark of the recent Lussuria era this 2xLP includes the bonus tape from the special edition ‘migrate exquisite corpse’. Presented in decadent gatefold on orange/purple merge vinyl. For your autumnal listening pleasure and pain. Supreme dark ambient, ritual musique, cold soundscapes return.

Tip! *2024 stock* Recorded at Arsenic - Centre d’art scénique contemporain in Lausanne, Switzerland, October 2016 by Ivan Verda. This record contains a single long and intense track, with a subtle and noisy character, a deep introspection into the feedback and layers of elusive electronics. A contemplative and intense journey. Recorded a few years ago at Arsenic - Center for Contemporary Scenic Art in Lausanne, Switzerland and reworked several times in recent years by the artists.

*250 copies limited edition* For the first time on vinyl, the Prurient long form cassette ‘expunged from the record’ final shrine before the closing of the now highly controversial and inimitable brick and mortar basement recordings. Remastered for vinyl for ultra caustic stimulating misery going back to a time in new york that could only be described as ‘unsub’.

The Gerogerigegege is a project I've dreamed of working with since hearing Hotel Ultra early on in my path of discovering all that noise has to offer. Here they offer up a noisy guitar and drum recording from 1985 Black Leather Jesus was also a project I dreamed of working with back then as well, and we kinda know what happened there. This is a more modern recording, of course. Harsh feedback, heavy crunch, and filthy, pervy fucking samples. I love how this one turned out.

*2024 Stock*  In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.