"Resavoir - the collaborative project led by Chicago producer/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date. Imagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, in…
Late Music and Disciples are pleased to present the first and second volumes in an archival series of selected electronic and acoustic works by Sarah Davachi, all previously unreleased in the vinyl format. Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings.
Red Vinyl, edition of 500. The archetypal Martin Rev sound – a perennial influence on generations of musicians – is most prominently in evidence in the works of Suicide, the duo he played in across the decades with with Alan Vega. However, the radical and distinctive nature of his music can be traced further back in time, originating in the base energy of rock’n’roll which the teenage Rev experienced as the ubiquitous soundtrack to his home city of New York.
Psychicemotus was released in 1965 and features Yusef Lateef on various flutes and tenor saxophone, Georges Arvanitas on piano, bassist Reggie Workman, and drummer James Black. And while the Coltrane era of modal and free jazz was in full swing, Lateef always followed his own muse, and continued looking forward while looking back to ancient musics. His use of bamboo and Chinese wood flutes on the title track and "Bamboo Flute Blues" added not only dimension and texture, but rhythmic invention to…
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,
the beginning and end points of the most lasting and creative portion of his remarkable, though
sadly brief, career." – Brian Olewnick
*2023 stock* "In 1978, thanks to Eugene Chadbourne, Davey Williams and John Zorn I was able to organize a memorable US tour. On this CD you’ll find the original New York recording session with a sextet of great musicians. The tape has been released in the past on Ictus LP in a reduced version and on CD in an unfortunate cut full of wrong edit. Now you can finally enjoy the music as it was conceived and performed. Environment for sextet LP was made possible by a generous loan from the unforgettab…
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock. 200 copies limited edition* LP reissue of The Free Design's Sing For Very Important People, originally released in 1970. The Free Design make childhood a bit more psychedelic with this 1970’s children’s album, featuring many of the group’s classic favorites, plus a number of new cuts! Excerpt from CD Liner Notes (by The Free Design’s Bruce Dedrick):
Back in 1969, we were all big fans of PPM and when Mary Travers became a mother, they released the Peter, Paul and Mommy album. I thi…
McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist’s fifth recording for Blue Note Records. After leaving John Coltrane’s band Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967. In the following years Tyner steadily expanded his musical scope: writing for a 9-piece ensemble on Tender Moments, exploring the textures of a piano-vibes led quartet…
*2023 stock* "Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Curran and in duo, trio and sextet with Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination.
Evan had left jazz to accomplish his own instrumental language, aiming at total improvisation. The idea of…
*2023 stock* "Sometime an old box of tapes, overlooked for decades, could reserve nice surprises. This album is a collection of those surprises. In the years of my collaboration with Steve Lacy, we did a lot of recording and we selected what was the best for the short length of the vinyl LPs. So some tracks were edited leaving part of the improvisations out or discarded for a similarity with something already included in the albums. Thanks to the digital editing, I had the chance to reorganize t…
*2023 stock* "On September 23, 2010, the day following Andrea's Kennedy Center appearance, two of my colleagues in the Twenty-first Century Chamber Ensemble, Janel Leppin (cello) and Mike Sebastian (reeds), came over to my home to jam. It was the anniversary of Coltrane's birth -- thus, "impressions" in this work's title to honor the master's legacy. I set up my recording rig to capture what I could. It was, in Andrea's words, "battlefield conditions": his expansive percussion rig in the living …
*2023 stock* "When I had asked Steve Lacy how he should intervene with the percussion behind Lacy’s thematic statements and subsequent improvisations; the enigmatic Lacy replied: “Play what you feel.” Since then, this has been the guiding principle behind each work of art and everyday action of my artistic life. Here you can hear what Steve Lacy did mean saying that. This CD is dedicated to his memory. Even if we spent just short periods together I always kept a great memory of him in my heart: …
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Saxophonist Ornette Coleman was more than just a major force in the free jazz movement. In fact, the term was coined by the album of the same name released by his quartet in 1961, his guiding ethos the erasure of fixed structures via improvisation. Released in 1960, Change Of The Century is one of the ground-breaking albums Coleman cut for Atlantic with bassist Charlie Haden, drummer Billy Higgins and trumpeter Don Cherry, which made a significant impact on the future direction of jazz. Relying …
** Double LP, black vinyl, with 12 page booklet, with 4 tracks and feature the Bozzini Quartet's string quartet version of Long Gradus ** A new longform commissioned work for any ensemble of four similar instruments. The definitive string quartet version of 'Long Gradus' is available as a 2LP and CD, and the collection of all four arrangements (strings, woodwinds, brass & organ, choir & electronics) is presented as the 'Long Gradus: Arrangements' 4CD set.
'Long Gradus' began in 2020 when Sarah D…
Temporary Super Offer! "For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same…
Temporary Super Offer! "One Step Beyond is rightly seen as a pivot point in Jackie McLean’s evolution, but its adventurousness was not without precedent. As A.B. Spellman noted in Four Lives in the Bebop Business, “Quadrangle” – the opening track for 1959’s Jackie’s Bag; it was first recorded as “Inding” for Lights Out!, a 1956 Prestige date – “involved an elaborate group construction that [McLean] was afraid was too far-out,” so he used “I Got Rhythm” changes to mainstream it, which he later re…
Recorded in Pontiac, Michigan, Wolf Eyes Dumpsters & Attitude was unleashed on October 7, 2022. This album showcases the continuing homemade idiosyncratic audio hell - visions of John Olson, who handles electronics, saxophone, and a range of unique mutant reed instruments along with Nate Young, contributing vocals and an array of utterly personalized electronic sordid instruments. While some might view this release as the sequel to "Dreams In Splattered Lines," Wolf Eyes took their usual rugged …