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“It’s hard not to figure Jack Sheen’s compositions primordially; they lurch and rock with an abortive conviction, as if heralding culture’s approach—still half-submerged, slouched and red, ages ago. His work is somehow determinedly before almost everything; it feels like a dialectical twin to Beckett’s afterwards. Press moves with grossly impoverished intent—almost as if composed—while trembling and stumbling on the cusp of accident. This projected bodily timidity corresponds with a situation ri…
In this sonic journey, the cello gets lost and finds itself again within the folds of electronics—like an ancient soul echoing through the chaos of the present. Inspired by the words of Rutilius Namatianus in De Reditu Suo, this work unfolds as a pilgrimage between past and present, between whispered voices and archaic melodies that dissolve and reassemble in the reverberation of primordial frequencies.
Distorted Gregorian chants, deep drones, and fragments of lost voices intertwine to form a so…
Big tip! Romanian composer, conductor, and musicologist Iancu Dumitrescu is often described as one of the leading figures of spectral music, yet he has produced a body of powerful works resonating with explosive sound and friction that places him very much in his own universe. Dumitrescu studied under his compatriot, the conductor Sergiu Celibidache, who rarely left behind concert recordings. From him Dumitrescu absorbed phenomenology and conducting techniques, incorporating them into his own co…
Nippon Cultural Broadcasting (= Bunka Hōsō) is known for airing Toshiro Mayuzumi’s composition for “Works for musique concrète X.Y.Z.” the very first Japanese work of musique concrète. Now, for the first time, the long-lost broadcast recordings produced by the director of that era are being released! These include a piece by Yori-aki Matsudaira's father, Yoritsune Matsudaira, created by repeatedly dubbing instrumental material, as well as an experimental work unique to Bunka Hōsō, produced throu…
2024 was for me the year to look inwards and address in my work a couple of personal, somewhat uncomfortable subjects, something I wanted to do for a long time. This double-album is the result of this process. My deep gratitude goes to Benedikt Müller, Hans Martin Müller, Thomas Baerens, Csaba Kézér, Hermann-Christoph Müller, Stefan Deistler, Pavel Borodin, Erhard Hirt, Alex Minkin, Maciej Karlowski, Semafor and all the musicians who made it possible.
The fate of my grandfather was shared by cou…
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
‘Monochromes II’ is a collection of thirteen solo piano pieces written and performed by Berlin-based composer/pianist Quentin Tolimieri between 2023 and 2025. This is Tolimieri’s second release on elsewhere music, following the 2022 triple album ‘Monochromes’ (elsewhere 022-3). In this new triple album, Tolimieri delves even deeper than in his earlier Monochrome pieces to explore the countless sonic possibilities and resonances that the piano can produce. Aiming to allow the inherently interesti…
Tying every symbol to an idea has made the world manageable, but also predictable. Suspending the pact, delaying to denominate, letting sound remain pre-conceptual for an instant leads to confusion; nameless, all things slip away, lose direction and blend in with the background noise. Here lies the danger of pure indifference where all things are indistinguishable and listening risks becoming pure perception. It is not a question of refuting meaning, but rather of embracing that latency where fo…
*200 copies limited edition* Sixty-one + minutes of deep and powerful drone compositions recorded live at Epsilon Spires Church performed on organ, accordion, contrabass and cello by Richter, Mike Bullock and Laura Cetilia. Rich and meditative, arcing past, present and future.Sedimental’s first release for 2026 is a monumental document from avant-garde composer Ben Richter. It has been a pleasure to get to know Richter personally over the past five years as we live in close proximity to one anot…
Rex is a solo cello record written and recorded while I’ve been living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and my own process. Rex is not a portrait, but an echo—of a person, a place, and a way of seeing the world. Thank you to Matthew, Munawar, Cynthia & the RBA for the place, support, and gene…
Bonecrusher creates an immersive sonic landscape that captivates listeners, drawing them into a world where chords crackle, howl, and vibrate eerily. Founded in 2020 by trombonist and composer Matthias Muche in Cologne, the ensemble showcases its latest work through four innovative compositions. Each musician explores the trombone’s capabilities with meticulous detail, crafting evolving sonic states that morph fluidly, resembling a tightly woven net.
The ensemble faces a unique challenge; those …
With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release…
This is the first widely distributed release for Isabel Pine after a series of self released EP’s and singles on Bandcamp. She studied classical music on viola from the age of 3 through into college, where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw…
*2026 much needed repress!* Akusmi is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album ‘Fleeting Future.’ With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. ‘Fleeting Future’ stands apart as an inventive and inspirational debut. The crea…
*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …
The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…
Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…
Containing what are easily among the important and celebrated works by Tōru Takemitsu, arguably Japan's most important and celebrated 20th Century avant-garde composer, 'Quatrain / A Flock Descends Into The Pentagonal Garden' was originally issued by Deutsche Grammophon in 1980. Had the Avant-Garde series not concluded nine years prior, it certainly would have been contained within its ranks. Illuminating a crucial juncture within the composer's career which not only found him fully embracing ac…
“These performances, by Heinz Holliger and Marie-Lise Schüpbach, are simply astonishing in their fluency,” wrote UK magazine Gramophone of Holliger’s album Zwiegespräche, and the description applies with equal pertinence to con slancio, with its inspired and inspiring play of energies. The title piece, which opens the programme here, was written by the Swiss composer and nonpareil oboist as a tribute to musical partner Schüpbach: “Since I began playing in duo with Marie-Lise, I’ve been fascinate…