Duos
2009 release **
"Two sets of pieces written for the duo Contour (Stephen Altoff-trumpet, Lee Forrest Ferguson-percussion), a potentially unwieldy combination. Frey's "22 sächelchen" (small things) is rather just that, 22 miniatures lasting 32 1/2 minutes that vary from quiet reductionism to outright fanfares. I guess some of the latter sort are a bit...shocking, at least in a Wandelweiser context. But there are also oblique references to jazz (the mute in #11), processional music (the tympani in…
Ivory
*2025 stock* Born in Athens, Greek composer Zinovia Arvanitidi is best known as one half of the duo Pill-Oh in Vanishing Mirror as well as her debut solo The Gift of Affliction. Zinovia returns with her first solo piano album titled Ivory, and like its precursors, further highlights her mastery in crafting piano ambiances of austere beauty and melancholia, led by mesmerizing melodies and evolving cinematic textures. Fully self-produced, the now France-based composer navigates through her own tim…
Nagual
The album Nagual by Matt Choboter is a sonic ritual that dissolves the boundaries between composition and improvisation, tradition and innovation. Drawing on just intonation, Balinese tuning systems, and South Indian rhythmic theory, Choboter and his ensemble craft a vivid, shape-shifting musical world—at once ancient and otherworldly. Nagual resists the comforts of familiar forms, embracing ambiguity, sensory multiplicity, and intuitive collective listening. This music does not follow a path—it…
Mercy is called down by mercy to the last
As a development of the work done by “I lost myself in finding you”, the trio of Rasha Ragab, Christoph Nicolaus and Lucio Capece is joined by cellist Judith Hamann. In this Quartet piece Capece created the structure, time line and the tones combinations, taking as a departure point the tuning of one specific Stone Harp, that takes the group into a carefully calibrated microtonal tuning. The piece is a slow conversation, alternating long tones and overtones, repeated sequences of multiphonics, …
Not here but somewhere
*75 copies limited edition* On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined.
8 Automated Works
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
Sky Chord / Haptic Space
The music of Ron Caines arranged for solo piano, string quartet and piano quintet by Laura Cole.
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Fuse Modulations
Thanatosis Records is proud to announce the release of Fuse Modulations, the latest work by Norwegian composer and guitarist Fredrik Rasten, performed by the innovative quartet Asterales.
In Place
American composer Kory Reeder’s 10th album In Place returns to the Grid Series heard on 2 of the 4 tracks from Reeder’s debut release on Edition Wandelweiser Records Love Songs/Duets. With raw recordings of three works from the mid-phase of this Series of 45 works, In Place is the first release exclusively containing pieces from the Grid Series and features Reeder on piano with long-time collaborators Kathleen Crabtree and Michael Moore on violas. Each track is a space to dwell, on the edge of s…
A Rainbow In Curved Air
• Limited edition of 750 numbered copies on yellow vinyl. 180 gram audiophile vinyl • In the pantheon of American experimental music, few works possess the historical gravitas and enduring influence of Terry Riley's A Rainbow in Curved Air, released in 1969 on CBS Records' short-lived "Music of Our Time" series. This album represents nothing less than a seismic shift in the trajectory of Western art music, establishing compositional and technological precedents that would reverberate through fi…
In C
* Limited edition of 750 individually numbered copies on gold vinyl. Includes insert * In the history of Western art music, few compositions have achieved the paradoxical feat of radical simplicity coupled with profound transformative power. Terry Riley's In C, composed in 1964, stands as the most deceptively modest yet revolutionary work of the twentieth century, a single page of musical notation that fundamentally altered the trajectory of American composition and established the foundation of…
Remarks On Process
Tip! Remarks on Process was recorded in May 2024 at Westbahnstudios Vienna. The project was a week-long performance workshop led by Mark Fell with members of the Austrian ensemble Studio Dan. Throughout the week, procedural systems were developed to explore group behaveiours and emergent musical aesthetics. This led to a performance on the evening of the final day which is excluded here. Each day was recorded in its entirety and this cassette contains edited excerpts from the sessions in chronol…
Veiled Erosion
Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Ve…
+The Sydney Symphony Orchestra
A meeting of worlds. A new kind of resonance. Godtet's upcoming release captures the alchemy of their landmark performance with the Sydney Symphony Orchestra at the Sydney Opera House. At once bold and nuanced, this album explores the friction between improvisation and orchestration. Where the orchestra is anchored in fully composed material, Godtet remains free – navigating the work's harmonic architecture with instinct and spontaneity. Structures are fixed, but expression is fluid.
Orchestrate…
Rispecchiato in Quarzo
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Bridge Between Spaces
A Bridge Between Spaces traces a decade of Andrew Greenwald’s singular compositional journey—across rigorously constructed sonic terrains and into freer, more intuitive musical dialogues. Drawing from two major violin cycles and culminating in the expansive title work, this album captures a shift from analytical exploration to expressive openness. With sound worlds that feel both extraterrestrial and deeply human, Greenwald’s music invites us into a landscape where metaphors fail and sound speak…
Three Circuitous Paths
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Retrospective Episodes
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
Abendland. Erstes Stundenbuch
1996 release (light storage wear) ** Gianfranco Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. The piano hints, rings out and whispers. The sound is crystal clear; essential and like a prism that divides sound into mysterious harmonics and distant resonances. "Abendland“ is a work of great musical poetry, a musical meditation by a composer warranting close attention.