Foreign Correspondents
In 2013, Noid and Matija Schellander travelled from Vienna to East Asia to meet up with Ryu Hankil and other musicians from Japan, Hong Kong, China, South Korea and Europe. Carrying compositions, sound art pieces and workshop preparations in their lu…
SQID
Formed in 2011 by Angélica Castelló, Mario de Vega, Attila Faravelli and Burkhard Stangl, the Austrian-Mexican-Italian quartet SQID focuses on live sound art and sound performances that push the bounds of the conventional formats of the concert and r…
Blage 3
Exploration of time, perception and place is the recurring theme of the work of Simon James Phillips. Blage 3 was an extended installation and performance piece curated by Phillips — a one-off five hour uninterrupted improvisation with an ensemble of…
Glück
The international quintet Glück combines percussionists of diverse stripes and their individual pronounced ways of playing. The five musicians are internationally renowned as soloists and with various musical outfits. An extremely sound orientated, f…
Nachtlieder
Walking through the night. I’m not even supposed to be here today, and so is Silent Bob.New news of dying migrants. No attention for the paperless, what can the sailors do when the captain feels mean? Meanwhile Guy Maddin tells us his tales of amnesi…
Live in Morden Tower
Rhodri Davies was commissioned by the London Musicians’ Collective to put together an ensemble and present a new work for each of the five nights of the 14th LMC Festival of Experimental Music in 2005. Since then the group has invited a number of mus…
I Hope It Doesn't Work
“…for it feels like being overwhelmed by an external force, entering an alien world, but full of glorioles, and this doesn’t happen anytime but dependent on specific preconditions, and it takes a special nature glowing from inside, that’s that. A str…
A Quartet For Guitars
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sost…
Why Is The Sea So Blue
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, …
Vtoroi
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remi…
Bloody Imagination
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Mu…
Stodgy
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed…
Banc d’Essai 2011-2019
INA grm is pleased to present its new record release, a two CD compilation of 18 electroacoustic works selected amongst the laureates of GRM Banc d’essai composition contest. The composers and their work are presented throughout a 24-page booklet.
A Floating World
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Nusch Werchowska has been involved in improvised music s…
Limmat
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvis…
Klingt.org: 10 Jahre Bessere Farben
The ever progressing sophistication of the Internet brings with it not only many positive aspects but also a more and more tangled convolution of data threads, a twisted web that can, like bundles of tangled fishing net, make trawling for and distrib…
Angel Tears in Sunlight
Angel Tears in Sunlight is Pauline Anna Strom’s first album in over thirty years; an assemblage of music that refracts the expansiveness, and minutiae, of imagined realms while embracing the kaleidoscopic echoes of our distant epochs.
The capacity to…
Planes
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Mösl…
Decay Music n. 2: In Girum Imus Nocte Et Consumimur Igni
**2021 small repress** Milan based Die Schachtel presents In Girum Imus Nocte Et Consumimur Igni (We turn round in the night and, behold, we are consumed by Fire) - a work for solo guitar by the Italian composer Stefano Pilia, the second release to a…