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There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered pri…
With Hungry Vortex, Polypores pushes his kosmische synth language into a delirious hybrid of polyrhythmic trance, cosmic jazz-prog and gently lysergic minimalism, four side‑long excursions that feel at once meticulously engineered and wildly feral. A hypnotic, deeply emotional capstone to a ridiculously fertile phase.
Lo Five is as proud as he is anxious to present SUPERDANK, a CD album packed to the green gills with heavy dubs for sleepy schlubs. SUPERDANK is ostensibly presented as a collection of hardware stoner jams, structured in the form of an hour long edible-induced psycho-narrative, taking the listener on an aural voyage - kicking off at pleasant buzztown, calling past existential paranoiaville, then landing back in the relative safety of sofaborough in time for tea and crumpets. But what is SUPERDAN…
Tip! ** Edition of 70 ** On Cyan Music, Atte Elias Kantonen sets out to answer a deceptively simple question: what happens when shimmer and sheen – qualities usually belonging to light – are reimagined as pure sound. Across eight pieces he uses radiant, meticulously sculpted synthesis to build a world where timbre behaves like reflective surfaces, refracting and scattering in ways that feel almost tangible. Rather than leaning on obvious ambient tropes, he treats each track as a small laboratory…
»Ka ora te awa. Ka ora te iwi. The river is well, so the people are well«, says artist and writer Hana Pera Aoake. »In a Māori worldview, everything is connected and contains mauri, the life spark or essence inherent in all things, as they contain the residue of ancestors through whakapapa, or genealogy. Within Western environmental histories, there is a gap in knowledge around what we can learn through an act of listening.«
Hana Pera Aoake’s words resonated with Hinako Omori when they were invi…
*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam.
Italo disco was first mistreat…
*100 copies limiteed edition* Bone Flower is the vinyl debut by Belgian musician Ben Van Houdt (Sitka), releasing solo work since 2015. Born from a decade of sound experiments, the album unfolds as a focused and emotionally charged performance, fusing modern classical elements with drone and minimalist composition. Centered around bowed guitar that drifts between the timbral spaces of cello and violin, its harmonic textures are shaped by magnetic tape and decaying sound structures, creating mome…
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
On Waves of Time, Gazzi lets rhythm dissolve into a slow emotional tide, stretching piano figures, hushed electronics, and carefully placed silences into music that feels less like a set of tracks than a single, continuous act of contemplation.
2026 repress with new cover art, which is the original artwork designed by Takao firstly released on his private Bandcamp page in early 2018.
"Stealth" is the aptly-titled debut album from Tokyo-based composer/producer Takao. Gliding in under the radar with thirteen slyly sweet and subtle miniatures, these pieces are refreshing light-explosions of gentle harmony and modestly grand melodies. Fans of New Age and tonal minimalism wil enjoy this music, but its brevity reveals a pop-influenced aesthe…
*150 copies limited release* Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidde…
*150 copies limited release* Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacul…
"When you notice the cheerful mystery playing with the synths, the edges of this small world start to look slightly distorted. In any era, someone is always creating mysterious music on their own." - 7FO
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their …
*200 copies limited edition* "Jaime Fennelly, as Mind Over Mirrors, makes music that pushes the known to the lip of the unknown, where it rocks precariously and in exhilaration. He scrambles the familiar and tweaks the comfortable, not through aggression, but a throbbing estrangement. When placed at a distance, these require longer reaches to grasp. The reward for this effort is an enlarged field of perspective, experience, and also of feeling. This is deeply feeling music to feel deeply.
In al…
Benefit compilation with exclusive tracks from live performances & installations at eavesdrop festival 2024. All revenues go to charities providing medical aid and food sovereignty in Gaza.
For AI-41 Astral Industries presents a vinyl reissue of Robert Henke’s multifaceted concept album ‘Layering Buddha’. An erudite masterclass on sampling and composition, ‘Layering Buddha’ encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself.
Originally released in 2006, ‘Layering Buddha’ began with a curious encounter with the ‘Buddha Machine’ - a pocket-sized, battery powered playback device tha…
Multidisciplinary Brussels-based artist Sagat steps up with a new mini album on the Basic Moves side label, Gems Under The Horizon, featuring a remix by Slovenian ambient bird e/tape. A few years ago, Wiet Lengeler, aka Sagat was invited by Basic Moves to create a live visual show using an analogue video synth setup to accompany a 5-hour dj set by e/tape at Face B in Brussels. From that moment on, the synchronicity between the two artists was clear - and this EP is the result.
Besides his visua…
‘Déplier la cervelle secrète’: 12 pieces created from recordings of sequences, (almost) all from the same analogue synthesiser. Material from a single source put to the test of composition, in what could be described as a power struggle: faced with the fragmented inertia of the sound material, searching for resources, relationships and combinations.
In this compact and eruptive material, the pulsating sound patterns reveal new intentions. The result is this album, born of electroacoustic ‘so…
"The Dreamcast tracks were composed and recorded in a week, while learning to use a K.-O.2 sampler, which was later discredited. They somehow replay the state of virtual projection that a console or idea-image of a game console intensifies over time, only to be forgotten when other means begin to channel these projections. It's a capture of a fairly basic kind of consumerist regression, let's say. But it's also a way of reconnecting with the characteristics of image rendering, body forms and env…