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The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…
Black vinyl, 500 copies. With liner notes by renowned musicologist and sound researcher Petri Kuljuntausta. Love Records (of Sperm fame) owner Otto Donner saw the commissioned work by electro-acoustic musicians Åke Andersson and Antero Honkanen, who in their daily life were sound technicians at the Finnish Broadcasting Corporation, and immediately wanted to produce an album of the project. The 1977 album, which has ended up a very costly collector’s item, hasn’t been reissued in any format until…
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…
Erasure of the contradiction between real and imaginary. Temporal layers are juxtaposed with different speeds, creating polyphonies of sound spectrums. The time flux is not regular or linear, it's bent."The latest dispatch from Los Angeles experimental cassette imprint Dinzu Artefacts comes from the duo De Ponti / Moretti. Their tape, Before We Were Foam We Were Unbridled Waves, is out now on its own or as part of the label’s July Batch. The clip, a live studio excerpt, provides a glimpse of the…
The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …
Emboldened by the success of the recent reissue of It's Cosy Inside, Mark and Clive had a listen to hundreds of previously unreleased tracks recorded in the 70s and 80s to assemble their first new record in two decades, When The Past Arrives, out in March from Drag City / Yoga Records. With comparisons to Penguin Cafe Orchestra, Animal Collective, Cluster, and Brian Eno, Woo's profile in the world of atemporal music has been growing for years. For the lucky few who know, like Fela, or Neu!, Woo …
'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisatio…
** Handnumbered lim.ed. of 200 copies, clear vinyl LP in silk-screened sleeve and download** Born 1976, Nicolas Wiese studied design, illustration sound art, philosophy and sociology and has since been working on various fields: his (audio-)visual art has been presented in galleries and at exhibitions in Teheran, Gent, London, Vienna, St. Louis, Istanbul, Madrid a.o. As musician / composer, he released a number of solo and collaborative albums under the [-Hyph-] moniker and his civilian name. Wi…
Unsung West Coast maverick Carl Stone is subject of a necessary 2nd retrospective on Unseen Worlds following their Laurie Spiegel and Jacqueline Humbert & David Rosenboom releases. As revelatory as the first volume Electronic Music From the Seventies and Eighties, the temporal shift into the ’80s/‘90s in this 2nd collection opens four hallucinatory new planes of ambient enquiry yielding some of the most beautiful electronic music we’ve never heard before. Progressing farther along Stone’s timeli…
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
2025 stock ** "Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful four track collection -- to be played as one piece -- explores the sonics of the mighty organ in all its thundering glory. Warning!: Extremely low fr…
Edition of 500, initial copies on super limited red vinyl and cut at D&M. Art and design by Radek Drutis - the man behind those ace Madlib sleeves** In 2010 Brad Rose (Digitalis / Charlatan / The North Sea / Ossining) and his wife Eden Hemming Rose (Foxy Digitalis / Mass Ornament) indulged their pop instincts to beautiful effect on Mechanical Gardens. For anyone familiar with the duo's work it was a radical departure from their experimental devotions and duly picked up a healthy amount of accola…
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…
Holly Herndon’s Movement is the debut offering of material by the young musician, modernist, and machinist. Restless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer John Bischoff, Roscoe Mitchell, and …
The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…
Duerf's debut full length was born as a concept initially in the mid 00's but the actual recording process didn't start until 2008. It was finally completed in the first half of 2016. The idea was to try to utilize the machinations and aesthetics of noise as acquired tools rather as post-modernist statements in a humble attempt to produce a direct expression of the experience of life in urban landscapes, to reclaim a first-person narration from the overwhelming presence of these colossal constru…
2009 release ** The ultimate version of the ultimate Blackhouse album. Brian Ladd presents you WWFB as it was recorded and meant to be heard. Due to the time restrictions on vinyl, several tracks had to be taken off the album. Now, this classic record comes to you full-length, with the original intended running order and a booklet explaining more about the recording and some rarely seen band photographs. Tracks include "We will fight back", "Rock Rock", "Granite Grind" and "Totally Gone". An Ind…
Those of you who follow Yerevan Tapes releases wont be unaware of Marco Bernacchia’s mystic solo project. After his Unconscious Cognition is the Processing of Perception tape debut, the man behind Virtual Forest is back with a two new long jams this time deservedly pressed on wax. Recorded at home sampling sounds and chants from the world tribes, Ritual Machine Music begets 30 minutes worth of music intended to be patrimony of the world community. Mixed by Marco Bernacchia himself and fellow Mau…