Niaiw Ot Vile
The prickly, Autechrian productions of Chris Douglas aka Dalglish find a sympathetic home on PAN with 'Niaiw Ot Vile'. Under myriad guises - Scald Rougish, Seaes, Rook Vallade, among others - Chris has forged a twenty year career as a self-imposed arch-outsider on the fringes of electronic music, finding recognition and respect from intrepid explorers for his persistence and uncompromising approach, all the while remaining an elusive presence. Most notably he's worked with Mad Mike and Drexciya …
Janus
Recorded, composed, mixed between Paris & Oslo, the Janus LP is a collaboration started in 2008 and finished in 2013. Experimental mouth music duet, free interlaced vocal noises, sonic poetry and free electronics. A convergent formal meeting of two complementary paths between poetry and music. Mastered by Frédéric Alstadt. Master cutting and vinyl manufactoring : magnetic.fr. Cover : Janus bust of Silenus and a Satyr, A.D. 120-150 Roman Marbel, Chrysler collection. Artwork by Joachim Montessuis.
Closed categories in cartesian worlds
We are very happy to announce the release of GW 010, a 72-minute CD version of Closed Categories in Cartesian Worlds, for crotales and sine tones (composed by Michael Pisaro, performed by Greg Stuart, mastered by Michael Pisaro and Joe Panzner). Those interested in more info and sound examples can look below. The disc also comes with extensive notes and a reproduction of a page of the score. From the notes: 'This record consists of four crotales, each bowed for 16 minutes. Against each crotale I…
More Alien than Aliens
While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
Nekropolis 81 Vol.1-4
Peter Frohmader alias Nekropolis is a german artist known for his distinct and very dark athmospheric electronic compositions as well as his extreme visual art-projects leading to many exhibitions, films, multi.media-events and collaborations in the field of art and music (incl. H.R. Giger, Chris Karrer...). In 1981 at age of 23 Peter released his first Lp “Musik aus dem Schattenreich“. At same time he produced a series of 4 Tapes called Nekropolis 81 Vol.1-4 which can be found on his comprehens…
Ripatti 02
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
Retrieval
Blackest Ever Black welcome Barnett + Coloccia to their coven with the desolate scapes of 'Retrieval'. Whilst both artists have a background alloying metal and experimental modes - Faith Coloccia with Mammifer, Pyramids and Everlovely Lighteningheart, and Alex Barnett in Oakeater or more recently, solo for the likes of Catholic Tapes and Nihilist - their introspective 'Retrieval' collaboration is perhaps best defined in terms of their palette: tape-manipulated recordings of acoustic instr…
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
As Iron Sharpens Iron... (EP 1)
Digitalis trance-master Ricardo Donoso scales heady heights with the first of two EPs (plus a 3rd remix 12") further exploring the potential of electronic hypnotism. The mission first conceived with 'Progress Chance' has now evolved in line with like-minded projects such as Loreno Senni's 'Quantum Jelly', plotting new vectors for a trance music free of fromage and yet still true to the sound's original intentions. On these four tracks his vision is focussed with laser-guided precision, em…
Quarry
*Limited to 200 copies* "Quarry is the latest chapter in the ongoing collaboration between the London-based composer-performer of musique concrète Adam Asnan and the Italian sound artist and mastering engineer Giuseppe Ielasi. As the title may suggests, this encounter produced a dusty sculpture whose shape was only drafted immediately after the stone has been excavated from the ground, and where it is hard to distinguish the acousmatic touch of Asnan from the rhythmic textures of Ielasi. "It ven…
Radi d'or
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
L'anneau des sept lumieres
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
Electro-Anahata
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Variable formations
Johnny Chang (viola), Angharad Davies (violin), Jamie Drouin (electronics), Phil Durrant (electronics), Lee Patterson (amplified objects), John Tilbury (piano).In February 2013 the Berlin-based musician Johnny Chang, who is a member of the Wandelweiser collective, visited London as part of a short tour along with his some-time playing partner Jamie Drouin, the Canadian musician and artist who had recently moved to Berlin. The duo constructed an installation at the Soundfjord gallery in Tottenham…
Derby 11.05.2002 / Liverpool 10.05.2002
A blast from the past! Or, rather, a whisper from those long ago days when reductionism (that hated term) held reign and only the merest sounds were often discerned during the course of a concert. A welcome return, in this case.Previously available in exceedingly minimal quantity (like 50), Confront has generously allowed these two sets to once again see the light of day. Davis was often heard on trumpet and Wastell on cello or percussion, but here it seems (no instrumentation is listed) that bo…
Live Electronics
An improvised duo piece of Nikos Kyriazopoulos and Korhan Erel. Recorded live at Knot gallery, Athens, on March 18, 2011 this documentation consists of both artists' performing explorations on electronics and combines the ‘warmness’ of handmade analog oscillators and spring reverbs (by Nikos Kyriazopoulos) to the ‘sharpness’ of digitally synthesized and computer-software performed sounds (by Korhan Erel who played with his Omnibus instrument). Both traditional and contemporary electronic equipm…
Two fields and a snowflake
Free piece of tape is an Athens-based duo of Giorgos Axiotis and Efthimis Theodosis that has been performing and producing amplified and electroacoustic music for the past eight years. “Two fields and a snowflake” is a rather peculiar approach to their usual sounds, since it consists of three totally acoustic improvised tracks, played and recorded live between March 2008 and April 2009 in three different locations in Athens; at a toilet, a living room and a 2nd floor balcony. Use of smaller inst…
Aerophobia
“::Vtol::” is the recording & performing project of the Russian electronic-music artist Dmitry Morozov, also a developer and designer at his brand that launches small-production handmade synthesizer modules. “Aerophobia” is a documentation of a December 2011 performance at the “Chocolate fabric Club” in Moscow. During the specific piece “::Vtol::” has utilized his unique modular synthesizer system as a generating source of electronic textures that are highly rich in material essence. Repetitive …
Central Unit
Back together a few years ago, after a silence that lasted about 20 years, Central Unit were a unique case in the Italian scene of the ‘80s. Coming from Bologna and active during the years of the so-called 'post-new wave', the group did not take long to get noticed by the press and television, due to the release of the EP debut "Loving Machinery" and a self-titled LP. Since the beginning it was clear that Central Unit would not settle on the small Italian scene, given the internatio…