Insula
A multi-channel composition for electric organ, commissioned by L’ull Cec for The Game of Life Foundation’s spatialisation sound system (consisting of 192 speakers and 12 subwoofers, using the Wave Field Synthesis technique). Performed on 20 June 2012 at Fabra i Coats, Barcelona. This recording is the stereo version.
Daturas
Electroacoustic composition from Mexican composer Rogelio Sosa (1977). The electric guitar stays at the center of the work and provides all the noises that create this kind ofÊnightmarish and psychedelic journey. His previous album was published by Sub Rosa.
Etats-Limites ou les cris de Petra
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.
Untitled
MINDBLOWING! The tracks on this CD were recorded between 2005 and 2006, yet the music seems to have surfaced from another time - completely isolated from influences of the current era. Dimpflmeier also seems to be an "assistant" to the unique and arcane instruments that he helped manifest. As he has stated, his instruments seem to be "autonomous - their own masters"... However, that is not to say that it doesn't require a form of mastery to successfully "collaborate" with such strange ins…
II
The label doesn't want to do notes anymore about his new releases. So we have to write some with our very good English. With these two names you can imagine that for sure the music will be closer to silence than to wall of noise. First we must say that no credit is written on the CD, like it was not important to know who is playing what and first what is played. CD1 is an instrumental piece signed by Radu Malfatti. CD2 by Jürg Frey where instruments are mixed with field recordings. It was r…
Hootonics
MILESTONE! After being mooted for several years, the soundtrack to Arthur and Corinne Cantrill's 1970 feature-length film Harry Hooton is finally available. Features the groundbreaking music/sound created using a variety of musique concrete/tape techniques, collage, and treated recordings of early CSIRO mainframe computers. Hooton was a poet, futurist and thinker associated with the Sydney Push, and a formative influence on the Cantrill's artistic view, as detailed in Arthur's liner notes. T…
Incredulous Cuts - Reinterpretations of Doubtmusic catalogue
DJ Sniff was invited to rework with sound material from Doubt catalog. Turntable and computer for a nice piece of remix!ÂÂ
Zones of Influence
David Rosenboom (b.1947) is considered a pioneer in American experimental music. This release of his Zones of Influence (1984-85) documents for the first time the complete version of a major composition for percussion and computer electronics that introduced new virtuoso performance techniques along with significant developments in real-time algorithmic composition and advanced interactive linking of percussion instruments with software. Few solo percussion works exist with the scope of this com…
Characters at the water margin
These recordings were made at the edge of Washington state's Olympic Rainforest, where the Hoh River meets the Pacific Ocean. The point of entry to this landscape, named Oil City on the map, is no more than a place where the road widens before coming to an end at a trailhead. Just north of the road, through the trees, and on the homestead of the late Captain Hank who one day disappeared at sea, is the ghost of an oil rig and some comings and goings along a plank road. Early 20th century settlers…
Roananax 1999 / Obliq 2014
The Roananax / Obliq split chronicles two generations of Berlin’s radical improvisers in dialogue. On the first half, Annette Krebs (electro-acoustic guitar, mixing board), Axel Dörner (trumpet), Robin Hayward (tuba), and Andrea Neumann (inside piano, mixing board) realize five nearly motionless improvisations from 1999. Their sound world is scoured of excess: silence reigns, interrupted only by microscopic events - clicks, whispers, friction, muted resonance, and breath become the core vocabula…
Luv / Kopfuberwelle
Luv / Kopfüberwelle unfolds in two halves, each radiating the signature sensitivity of Sabine Vogel. “luv,” a nearly thirty-minute solo piece, sits at the intersection of field recording, flute improvisation, and subtle electronic manipulation. Vogel’s work with the Landscape Quartet shapes her approach, drawing not just on musical material but on a careful listening to site - birdsong, wind, water, and distant activity form a natural acoustic tapestry into which the flute dissolves and emerges.…
Crritic!
Two interlocking pieces dedicated to Hans Keller, Desmond Leslie and Lester Bangs. I Only Asked uses an interview recording — questions only — to modulate various sound parameters, and is a reworking of a piece first performed at Café OTO, London in March 2011. Hatchet Job is based on a computer speech recording of all the negative reviews Moliné has penned for The Wire magazine in the last ten years. These amount to around 50,000 words.
Operating on specific cues / Early Works 1982-86
Lelu/Lu's were an early to late 80's electronic/synth-based project based around Deni (in the early 80's known as Yo-Yo and nowadays known as Timekode). In 1985 they released a fantastic 12 song tape on Unlikely Records (URT91) called "Operating on Specific Cues" which forms the basis of this 25 track 2 LP compilation release. While the tape is still rather unknown to fans of synth music, the three 7"s released from 1985-87 (on Alain Neffe's Insane Music as well as Possum and R&D Records), with …
Evening Star
**200g super-heavyweight vinyl and presented in a re-print of the original sleeve** In 1975 with King Crimson on hiatus (as it would remain until 1980), Robert Fripp's appearances on album or on stage were rare. When he did appear, it was with Brian Eno. Circumstances following an accident in January 1975 led to Eno formulating the idea of ambient music as detailed in the notes to Discreet Music - released in December 1975. The title track of Discreet Music was initially conceived as a backing l…
No Pussyfooting
2023 Reissue. Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home studio. Using En…
An Anthology Of Noise & Electronic Music - Vol 1
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
Oera
Recorded in the small Norwegian town of Øra, from which the album takes its name, this meeting of two acoustic string instruments belies the simplicity of its instrumentation through the complexity and diversity of the music produced. Ranging from careful melodic a/tonal interplay to dense full spectrum harmonics, capturing the versatility and inventiveness of these musicians.
EP2
Bilharzia is 15 minutes of electronic nausea, adding layers of bleeping LFO nastiness to a relentlessly repetitive base. You should know you'll get what's coming to you with a song called Make a Joyful Sound, and I don't feel it disappoints. Pounding brutality you could bury your dad to, and a bad time guaranteed to be had by all. There is a kind of tune in there somewhere though, lurking dimly in the background...' Stefan Jaworzyn
Objets infernaux
Two great korean artists working with feedback, turntables, opened hard drives... What they call infernal objects. A stream of noise accidents. A molten, scalding stream of sound. Looking back, I see it's only been about seven years since, via the recordings issued on Manual, I first became aware of the improvising scene in Seoul; seems like longer, maybe I'm forgetting something. But the musicians involved were clearly up to something new and exciting, carving out a distinct area that often inv…