As Iron Sharpens Iron... (EP 1)
Digitalis trance-master Ricardo Donoso scales heady heights with the first of two EPs (plus a 3rd remix 12") further exploring the potential of electronic hypnotism. The mission first conceived with 'Progress Chance' has now evolved in line with like-minded projects such as Loreno Senni's 'Quantum Jelly', plotting new vectors for a trance music free of fromage and yet still true to the sound's original intentions. On these four tracks his vision is focussed with laser-guided precision, em…
Quarry
*Limited to 200 copies* "Quarry is the latest chapter in the ongoing collaboration between the London-based composer-performer of musique concrète Adam Asnan and the Italian sound artist and mastering engineer Giuseppe Ielasi. As the title may suggests, this encounter produced a dusty sculpture whose shape was only drafted immediately after the stone has been excavated from the ground, and where it is hard to distinguish the acousmatic touch of Asnan from the rhythmic textures of Ielasi. "It ven…
Radi d'or
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
Variable formations
Variable Formations documents a singular sextet in action: Johnny Chang (viola), Angharad Davies (violin), Jamie Drouin (analogue synth, radio), Phil Durrant (electronics), Lee Patterson (amplified objects/processes), and John Tilbury (piano). Presented at Café OTO in 2013, the performance opens with a series of two-note piano phrases by Tilbury, setting the stage for a slow, luminous convergence of acoustic and electronic gestures. Unlike free improvisation, the piece was designed so that each …
Derby 11.05.2002 / Liverpool 10.05.2002
A blast from the past! Or, rather, a whisper from those long ago days when reductionism (that hated term) held reign and only the merest sounds were often discerned during the course of a concert. A welcome return, in this case.Previously available in exceedingly minimal quantity (like 50), Confront has generously allowed these two sets to once again see the light of day. Davis was often heard on trumpet and Wastell on cello or percussion, but here it seems (no instrumentation is listed) that bo…
Live Electronics
An improvised duo piece of Nikos Kyriazopoulos and Korhan Erel. Recorded live at Knot gallery, Athens, on March 18, 2011 this documentation consists of both artists' performing explorations on electronics and combines the ‘warmness’ of handmade analog oscillators and spring reverbs (by Nikos Kyriazopoulos) to the ‘sharpness’ of digitally synthesized and computer-software performed sounds (by Korhan Erel who played with his Omnibus instrument). Both traditional and contemporary electronic equipm…
Two fields and a snowflake
Free piece of tape is an Athens-based duo of Giorgos Axiotis and Efthimis Theodosis that has been performing and producing amplified and electroacoustic music for the past eight years. “Two fields and a snowflake” is a rather peculiar approach to their usual sounds, since it consists of three totally acoustic improvised tracks, played and recorded live between March 2008 and April 2009 in three different locations in Athens; at a toilet, a living room and a 2nd floor balcony. Use of smaller inst…
Aerophobia
“::Vtol::” is the recording & performing project of the Russian electronic-music artist Dmitry Morozov, also a developer and designer at his brand that launches small-production handmade synthesizer modules. “Aerophobia” is a documentation of a December 2011 performance at the “Chocolate fabric Club” in Moscow. During the specific piece “::Vtol::” has utilized his unique modular synthesizer system as a generating source of electronic textures that are highly rich in material essence. Repetitive …
Live at WKCR
2010 release ** Cardboard sleeve. Improvised performance of Tomomi Adachi and Jennifer Walsche, recorded live at WKCR radio broadcast in New York, April 24, 2010. Tomomi Adachi is a performer/composer, sound poet, instrument builder and installation artist. Jennifer Walshe is a composer of contemporary music and a talented vocalist. Their duo, vivid and extrovert but unexpectedly atmospheric, consists of both artists’ live performing abilities into extended vocal techniques, blending with Adachi…
Ray of dark
Debut release from Linda Aubry Bullock, a long-time fixture on the Boston-area experimental music scene through her various groups (including, not mentioned below, the please, a trio with Hubby Mike Bullock & Brendan Murray) ...
This set’s a neat mix of throbbing industrial electronics & sound-art-lineage mood pieces (such as the vibrating-plate mechanics of the segment in the sound-sample) all played by a revolving quartet including Linda, Mike, Eric “Rambutan” Hardiman (proprietor of the exce…
Radiator
Beautiful new work from Kevin Doria (Growing). If Eliane Radigue and Kevin Drumm made a record together it might sound something like Total Life. Kevin Doria creates a sound world with deep inner dynamics shrouded by distortion. Whether you stay on the surface or listen deeply, the energy in this work is vivid. Recorded and mixed at home in the winter of 2012, RADIATOR represents the first proper full length release by Total Life for Important Records. RADIATOR is inspired by standing on the ga…
Pitreleh
Full length collaboration from Duane Pitre & ELEH. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using Pure Intonation which utilizes the prime numbers: 1-3-5-7.
My Machines
‘My machines’ is inverz’s (Savvas Metaxas), fourth release to date. The LP’s six tracks were recorded between autumn and winter of 2010. The album was mastered by Giuseppe Ielasi in Milan and cut by Rashad Becker at Dubplates and Mastering in Berlin. In ‘My machines’ inverz focuses on the collection, process and reproduction of old vinyl records wich are then combined with sound samples from musical and non-musical sources, resulting to a dark-ambient soundscape.
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
In emptiness there is truth (Call no man happy until he is dead)
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
Sleeper line
Sleeper line is a five-track EP constructed from the original components of a live set performed in December 2012. These components — manipulated found sounds — were recorded at various times and in various environments: Dungeness Power Station (2012), street recordings post-Notting Hill Carnival (2007), a prior live performance at the White Building in London (2012), and a cassette recording made in the cloakroom of the Metalheadz Sunday Sessions club night (1997). The cyclical process of merg…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
GAU
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
Martian Landscapes
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
The Background Noise
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…