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2022 release ** R. Pierre (Caleb Dravier) is a Los Angeles based artist and composer exploring minimal / “absolute” music through reductionism and the recontextualization of small-sound phenomena in processed field recordings and microelectronics.
2022 release ** Limited edition of 30 copies. R. Pierre (Caleb Dravier) is a Los Angeles based artist and composer exploring minimal / “absolute” music through reductionism and the recontextualization of small-sound phenomena in processed field recordings and microelectronics.
2022 release ** R. Pierre (Caleb Dravier) is a Los Angeles based artist and composer exploring minimal / “absolute” music through reductionism and the recontextualization of small-sound phenomena in processed field recordings and microelectronics.
2006 release ** Cardboard sleeve. The project Uton was started by Jani Hirvonen in Tampere, Finland in 2001. Uton is a spirit, which has no form, but which can take a form if it likes; usually in a sound - which can be found from the Uton releases. The sound and energy is produced and manifested with the help of human; collaborating with our earthly vibrations. From the beginning the sound has been strongly experimental and improvised, but the methods of doing has been changed between the album…
2010 release ** Limited edition of 100 copies in cardboard sleeve. Collaboration with mise_en_scene (Shay Nassi). Source material: field recordings - Berlin, Germany - recorded by Simon Whetham.
2015 release ** "The Search Ensembles is a collaborative work, not so much a working group as it is a concept where many people contribute recordings to. Initiated by an/OAR founder Dale Lloyd, the Search Ensembles is a collection of old field recordings and new studio recordings that are intended to be sonic voyages to unexplored places, past and present, mysterious and evocative. They are abstract field recordings, aural textures of alien fields and landscapes that have traces of familiar trib…
2010 release ** "Between bedroom and cyberspace, star fields and samples, the infinite measure of a minimalist journey through electronics with awareness and low-fi style, circling technology and absorbing its rhythmic essence. Like in old science fiction films, listening to "Unknown Language" is a journey through circuits and future realities, MIDI and laptops, video games and unexplored depths, where each track reproduces itself with multiple sounds and effects until reaching an hour of music,…
Songs for the Nervous System is the debut full-length album by Swedish producer Autorhythm, envisioned by Joakim Forsgren, a visual artist and former bassist of several punk and rock groups, who hereby shows his remarkable skills at crafting head nodding beats and complex rhythms with his analogue vintage gear. The sleeve – designed by Danial Ali – features a stunning artwork by Christine Ödlund.
"Scattered notes seem to stretch time, their repetition and countless combinations evoking (or invoking?) the infinite iridescence of light that accompanies dawn—a ritual as inevitable as it is unpredictable. With his Musique pour le lever du jour, composed over two years and completed in 2017, Melaine Dalibert once described his aim as creating "an infinite piece," without beginning or end. Subtle, intangible, both complex and minimal, the variations forming this hour-long composition—dedicated…
Few artists have captured the unsettling beauty of the fusion between flesh and machine as hauntingly as Hans Ruedi Giger. His biomechanical visions, cathedrals of bone and chrome, embryonic nightmares suspended in steel wombs, eroticism bound in cold circuitry, have etched themselves into the collective unconscious. Giger unveiled a world that feels eerily familiar, as if drawn from the depths of a shared ancestral dream or a post-human future already unfolding.
Born in Chur, Switzerland, in 1…
*100 copies limited edition* Aire EP features four improvisational, loop-driven pieces created with minimal instrumentation and hardware-based processing, including electric and bass guitars, tape machines, and pedals. Written, recorded, and produced by zakè and Tyresta. Mixed at KTS by zakè. Mastered at Ambient Mountain House by James Bernard.
LSD046 is a compilation released on the renowned Light Sounds Dark label, known for its mysterious and evocative approach to experimental music. This single-disc album delivers around 40 minutes of captivating soundscapes, focusing on gothic, archaic atmospheres and indescribable late-night moods—from the shadowy edges of electronic music to haunting drone, alien-like chatter, and unsettling anti-gravity textures. The album eschews traditional track listings, instead inviting the listener into a…
In English, the Shona word "Useza" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shi…
Illustrious Company presents... Mesmerine 111. This is a 3D soundscape based on / inspired by the frequency 111Hz, which has been historically and scientifically proven to induce a trance-like state. Findings of MRI scans suggest that at exactly 111hz, the brain switches off the prefrontal cortex, deactivating the language centre, and temporarily switches from left to right-sided dominance, which is responsible for intuition, creativity, holistic processing, inducing a state of meditation or a t…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…