Electronic / All styles

The acquatic and marine imagery drawn by the titles and the artwork for “The Gentle Whale”, Francesco Lurgo’s second LP, the first one for Silentes, are a metaphor for a sound that is liquid and like the sea is constantly shifting from the quietness of intimate ambient moments to waves of maximalist sonic pressure, always looking with admiration to the creative world of contemporary soundtracks. From this sonic fluid, arpeggios and themes played by melancholic post-rock guitars and plucky synths…

In 2007 an Italian film festival invites Mouse on Mars to score a film of their choice. The organizers claim to be able to clear the rights for any movie the band chooses. Werner Herzog’s fictional documentary Fata Morgana, which merges footage of several desert explorations by Herzog and his team into one continuous association, has long been a band’s favorite. The film comes with a soundtrack by Mozart, Leonard Cohen, Third Ear Band and field recordings. Andi Toma and Jan St. Werner are sent a…

*300 copies limited edition* recorded and mixed by seiji morimoto, berlin 2022mastered by kris limbach (emitter19 studio)cover work: takuya kurihara

Miki Yui is a musician, artist, and composer, originally from Tokyo, who has been based in Düsseldorf since 1994. Her whose work has long explored multiple forms of media, while documenting liminal zones of perception. On her latest album, As If, Yui creates a subtly connected suite of electronic music, drawn from improvisations and randomised processes that she has engaged with modular synthesis. Deeply poetic in its expression, even at its most minimal, the six pieces on As If have a curious t…

*2024 stock* UK-based artist Chris Herbert is a man of intermittent communications. Over the past decade he has published a select oeuvre of crushingly lush and elegant records. Fittingly then, Constants, his new edition for Room40 is a transmission from an overtly private realm. Working in a relative vacuum, beyond the reach of contemporary electronic music trends, Herbert has focussed his interest in intuitive composition. Drawing on a mixed musical palette and interweaving sounds sourced from…

When "In Blue" was released in 1995, many fans thought that this was the most typical Klaus Schulze record for a long time. They were probably right because Klaus did the songs a little bit with the fans in mind for whom the sounds of the previous album were too modern. In this respect "In Blue" is a more traditional Schulze record and, also, because it featured Manuel Goettsching on "Return Of The Tempel". However, he didn't plan this. Somehow it came to his mind to ask Manuel if he won"t feel …

A treasury of 20 unheard cues from Baron Mordant. Housed in a beautiful spot gloss sleeve and pressed up on heavyweight vinyl

*300 copies limited edition* In 2022, Enyo worked with the Edinburgh Sculpture Workshop on an epic two-hour composition made from tape loops inspired by selkies, mythical creatures in Celtic folklore. Contemplating memory, grief and time itself, Enyo devised a “sonorous myth” installation and performance that drowned her voice in the deep sea, using echo to help parallel the communication of humpback whales. It was powerful enough for her to net the award for Sonic Arts at the Scottish Awards fo…

A meticulously crafted set of songs, instrumentals and abstracts recorded over a couple of years by Orchestra Of The Upper Atmosphere’s principal composer / arranger / multi instrumentalists Archer and Todd.

*60 copies limited edition* Ohio-based tape manipulator Meadow Argus (Tynan Krakoff) returns with over 60 minutes of memory mulching sound stew. The main aural sources stem from a momentous summer 2009 trainhopping/hitchhiking trip around America's West Coast with Tynan's brother Max, a seminal coming of age experience. During the trip, Tynan carried a microcassette pocket recorder and captured hours of raw audio. These memories are collaged & juxtaposed with found tapes & other family recording…

Oval Angle is the moniker of Geran Knol, a Dutch multidisciplinary visual artist and musician based in Antwerp, Belgium. His instrumental electronic music blends mellow and playful tones, characterized by plucky, offbeat sound design and wavering, askew melodies. Geran’s composition process is akin to a sketch on paper, slowly evolving and mutating as elements are added, subtracted, and altered. His debut LP for Moon Glyph, “Figures of Speech”, utilizes circular, melodic repetition found in mini…

Nicolas Gaunin, the moniker of Italian experimental electronic musician Nicola Sanguin, returns with his latest full-length “Wormhole”. This record bridges the gap between naturalistic polyrhythms and more expansive, cosmic technologies. Contrasted to his previous rain-soaked “Hulahula Kāne” LP, “Wormhole” has even more emphasis on unusual rhythms; propulsive and abstracted yet immediate. The sonic palette is diversified as well, incorporating synthetic real-world timbres alongside crisp and mor…

Leaving is the left-of-centre, electronics project of Rupert Thomas (Erasers), based in Perth, Western Australia. With a focus on hardware electronics, Thomas conjures immersive worlds of mood-driven synthesizer compositions that range from deep, slow moving ambience, to dense rhythms and hypnotic melodies. Forming over a decade ago as a home recording project on Whadjuk boodja (Perth, Western Australia), Thomas documented his early sound through a steady flow of CD-R’s and tapes before releasin…

Excited and inspired by the evocative sounds of late 1980s synthesizer scores and the movies they sound-tracked, Rupert Lally returns with new album ‘Profiler’. A scorching 80s synthesizer heavy imaginary soundtrack to the movie playing in his head, ‘Profiler’ by Rupert Lally is a loose sequel to his album ‘Hacker’, a 2022 release also on Spun Out Of Control. But instead of hunting down computer criminals, this time his FBI protagonist, known in the trade as a Profiler, is on the trail of a seri…

Tip! Gabriele Gasparotti’s second full length album, Tropismi, is a collection of mesmerizing compositions with masterful polyrhythmical textures and harmonies, strings, prepared piano, magnetic tape and field recordings. Gasparotti's unique style uses classical composition techniques such as counterpoint, canone inverso and serialism to create morphing expanding harmonies continuously. Tropismi features stunning cellotronics by Benedetta Dazzi, cellist and sound designer with which Gasparotti e…

Lovingly packaged Lebanese CD of skillful turntablism from Dj Sniff on Annihaya.

*2024 stock. 50 copies limited edition* Recorded to 1/4 inch tape on a 2-track reel to reel during 2021 by Ben Van Houdt using oscillators, tape recorders, tube preamp and effects.

What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…

After two demos and a trilogy of albums (on OEC, Tesco and Unrest) Böltorn decided to call it quits.The goals were achieved, there was nothing more to accomplish. In their wake they did however leave one recording behind; a "live in the studio" session recorded in January of 2022. These recordings are the most uncompromising ones the band ever did and fueled by anger, rage and alcohol in the company of good friends this is as hard and good as it gets.The live & final BØLTORN album. In one word: …

The summer of love is here...Claudio Frassine (MADEMOISELLE BISTOURI / NORTH CENTRAL) teams up with Henrik Nordvargr Björkk (FOLKSTORM / MZ. 412 / BØLTORN) to bring some seriously filthy noise to your dungeon.This is as extreme as it gets; blazing textures and walls of feedback collide with junk noise, roaring electronics and the commanding lyrics of Nordvargr.Harsh noise connoisseurs as well as power electronics fans take note - this is how it's done!A fantastic heavyweight debut.In a coupld of…

A limited CDr included with the A Castle Popping LP (R11, 2015). Tub of Deep Green Ink compliments the nature of the A Castle Popping, presenting ten tracks from 2011-2014. Ranging from layered string recordings, like the pastoral 2012 piece Inverness String Variations, to computerized-vocal experiments, as with ADR Aria & The Wind Sick (both from 2014). Human voice is dissected and stitched back together; examined under odd light. 2011’s Rooms of Night explores the interior of Sean’s old house …

Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …

Contemporary music for tuba and a revelation of an under-utilised musical voice. For stretched and traditional techniques. Includes works by Lutz Glandien (Tuba and Tape), Morton Feldman, Igor Stravinsky and Michael himself. Excellent collection; and unusual.

First released in Hungary in 1987, this is an extraordinary work combining ensemble playing, documentary recording, studio manipulation, electronics and some stunning compositional conception. Featuring Marta Sebastjen, the Amaninda group, WYXOMPHONIC group, Mandel Quartet and a star gallery of other instrumentalists of all kinds. A unique work we worked years to acquire - a masterwork in every sense.

File under early Russian industrial rock/art; Harry Partch, incorporating primitive analogue electronics. A legend in art and industrial music circles, ZGA was formed under the old regime in Riga, Lavia, in 1984, by Nick Sudnik and Valery Dudkhin. Unable to rehearse acoustically because of the neighbours, they invented their own instruments from scrap and springs and shaped metal fitted with contact microphones; these were not just noise instruments, but ways of accessing complex pitches, strang…

A sound drama for tuba and electronics that constructs its own rich, twilit, rather alien, world. Only the sound of the tuba (sometimes), a few waves and a little thunder sound familiar, everything else is a mysterious presence; the electronics are not at all conventional and though much of the sound is clearly derived somehow from the tuba, it offers no foothold in a familiar place. If landscape were ever an appropriate metaphor for the product of a congeries of sounds, it would be applicable h…

1992 release ** A complete new work plus 'Death In The Blue Lake'. Combines playing and through-composition with manipulated and environmental sound in dramatic, narrative, psychological constructions. Quite unique. 'Death' based on a novel; texts in new works by Chris Cutler.

1992 release ** "The psychotic world of The Rosenberg family with violin music from the dentist, the shrink, the surgeon and other split personalities. A funny, typically nutty release by this internationally known troublemaker, instrument maker and violinist (not necessarily in that order). This is billed as `an opera perverse,' and includes Shelly Hirsch & Phil Minton."

With string orchestras, percussion, a motivating red guard and the severed embalmed arm of the great helmsman himself (maybe), Jon Pits the ethos of Mao's China - and in particular the mass production of the violin and it's use in life against the 'reductive cultural practice of our globalised world'. Well, that's what it says here and by golly I agree. Apart from that, this a large scale work that features fine and extensive writing for string orchestras, juxtaposed with (more or less) controll…

Sound artist Lauren Weinger documents and reworks one of her large scale installation events in giant grain silos in America. The massive sounds of gargantuan hoppers pouring grain, documentary moments of dialogue, local, archive and composed musics, mysterious traces of a country, a culture, an event where 2 Americas meet. Beautiful packing. Plus extra Video track (& software, if required, to play it). A unique document and powerful listening.

Beautiful tape from Mike Shiflet on NNA Tapes. Modular synthesizer abuse, 2019-2021. No tapes were harmed in the making of these recordings.

Derek Gedalecia’s latest creation brings us mutated electronic music from the extreme far out. A seemingly endless stream of synthetic gurgles, gulping, and goop in chaotic bursts of unpredictability. Includes a live audience/soundboard recording that delivers in the masterful live HB style.

Julian Gulyas (Cylindrical Habitat Modules label boss) delivers a refreshing suite of synth and tape explorations. Holding Hands references the early days of electronic music, while still maintaining a forward-thinking and modern abstract underground sound.

Mika Vainio was recoording a new Ø-album since 2014. He almost got it ready before his too early passing in 2017. Mika's girlfriend Rikke Lundgreen from Oslo has been going through his notes, numerous versions and takes of the album treacks. Now the collection of the tracks is completed. There were two tracks that Mika thought should not be included the album. They make this release. The shoter track Kulmamomentti is edited slightly longer by Jimi Tenor and Timo Kaukolampi.

Thomas Dolby is back! And as well as putting him on the cover of this month’s Electronic Sound, we are bundling the issue with an exclusive blue vinyl seven-inch featuring two tracks from Dolby’s dazzling ‘The Flat Earth’ album, one of them the awesome ‘Hyperactive!’. One of the biggest synthpop stars of the 1980s, Thomas Dolby is coming towards the end of a lengthy live tour to mark the 40th anniversary reissue of ‘The Flat Earth’. He’s spent the last few weeks criss-crossing North America and …

Baltimore, Maryland’s Ken Seeno displays a majestic array of crystal clear synthesizer arrangements. Soaring melodies float high above the shimmer of the blue-green waters, looking down upon the colorful shore and the oceans beyond. This is Landscape Electronics.

Harmonizer is the new duo of Burlington, Vermont residents Greg Davis (Kranky, Carpark, Autumn Records) and Toby Aronson (NNA Tapes, RATS COPS). Future world sample-driven electronic synthesis, heavy rhythms, and total harmonizer worship.

Catacombs of electronic espionage from former Raccoo-oo-oon member Daren Ho. A tape of many chambers, each containing clues to a greater unknown.

Ben Billington’s solo works as Quicksails put him in a place uncharted by many other contemporary acts, combining a wide assortment of live percussion and synthesized electronics. Following up recent cassettes on Digitalis and Deception Island, “A Fantasy In Seasons” recalls moments of Kosmische synth, Free Jazz, world music, and a vast collection of eclectic sounds from this world and elsewhere.

Aguirre is the duo of Elon Katz and Gryphon Myers creating extra-terrestrial club music by combining frenetic mutant electronics with shape-shifting beat avalanches. “New Sects” is equal parts swirling and chaotic synth debris, 90’s style IDM throwback, and hard-hitting electro pulse dance action. Twelve tracks of varying styles, tempos, and moods sprawl across this full-length cassette.