Synthonia
Synthònia is an electronic ambient album record only with analog synths -- Roland System 100, Roland TB 303, Roland JX 3P, Korg Polysix, Korg MS-10, Korg MS-20, Yamaha CS 15, Kawai 100F, Teisco 100F -- which refers to Tangerine Dream, Jean Michel Jarre, Klaus Shulze, The Berlin School, and John Carpenter. Dyno, from Pesaro, Italy, discovered the passion for electronic music and analog synthesizers at the early age of 15. His first single was released in 1995. For over two decades Dyno has …
Electronic Modular Orchestra
Electronic Modular Orchestra: from Neil Young to Stravinsky. Curiosity is the element that allowed the birth of this project. Gabriele Bombardini, Nicola Peruch, Matteo Scaioli, and Max Vicinelli are musicians who have decades of experience in all fields of music. The desire to combine seemingly distant sounds such as the use of old analog synthesizers, a pedal steel that recalls the American folk tradition, and the modular synthesis that leads back to the so-called concrete musical research…
Tint
Tint is the first new solo recording from Joe Talia in over a decade. Australian-born but now based in Tokyo, Talia is known to many listeners as a drummer (frequently collaborating both live and in the studio with artists such as Oren Ambarchi and Jim O'Rourke) and as a recording and mixing engineer responsible for dozens of releases across the fields of contemporary experimental music, wayward pop, and jazz. Alongside James Rushford, he is also responsible for one of the most legendary r…
Live In Metz '77
Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. In 1977 Heldon played three unreleased tracks during this tour -- these titles have never been recorded since. Bam Balam Records thought that these three tracks were lost forever, but luckily they were found recently. The sound is rough, but it's a rare document. Live In Metz '77 was produced by French guitarist a…
In Course of Time
**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …
Moebius 256 301
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Green Ray
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Synthesis: Electronic Music 1984-1988
LP version. Dennis Young is best known as the percussionist of the New York band Liquid Liquid, which is known for their piece "Cavern" from 1983, which in turn became very well-known because Grandmaster Flash sampled it and used it as the basis for their hit "White Lines". But Young was more than just a member of the band, he produced plenty of his own music, much of it reflecting his passion for analog electronics. He was fascinated by the pioneers of the genre. In 2016 Bureau B released Wa…
La Plainte
This piece by Francisco Meirino, a commission by the Mos Espa Festival, is mostly composed from the (MEG) Geneva Ethnography Museum’s sound archives. Composed in 2016, it has been re-edited by the artist for this present LP edition by Cave 12 records.In the MEG's archives, I first looked for acoustic events that I’ve edited, filtered, and extracted from their original context. I thus obtained a sufficiently abstract sonic-substance to be able to transform it into a hypnotic, psycho-active sound …
Surreal Air Fortress
For a while it was possible to describe the duo Coppice’s often indescribable music simply by identifying their many instruments, particularly the harmonium and accordion wielded by Joseph Kramer and Noé Cuéllar. But the notion of renewal is built right into their name: the word “coppice” refers to the practice of pruning a tree to promote new growth. The label press release says everything "Outside: light-filters-to-be-entered are Surreal Air Fortress. New songs from Coppice for physical model…
For This From That Will Be Filled
Metallic color artwork. Includes eight-page 12x12" booklet and download code; Edition of 500. For this from that will be filled is the debut album by Clarice Jensen, artistic director of the American Contemporary Music Ensemble (ACME). The album explores the variable differences between acoustic and electronic sound as well as depiction of the simulated and the unconscious. It was originally conceived as a collaboration between Jensen and the artist Jonathan Turner as an audio-visual work,…
(untitled) Kingdom
Black To Comm’s Marc Richter returns under his Jemh Circs guise for a 2nd album of sonic abstractions. In contrast to Black To Comm’s analogue tape and vinyl based sound, in Jemh Circs he works with digital sources by primarily sampling modern Pop Music (and various other oddities) on YouTube (et al.) and sending chunks of it through a variety of arcane transformations and mutations. Using similar esoteric methods as on his 2016 debut album but with very different results the record decon…
Percussions de Barcelona
**warehouse find, still sealed original copies** Percussions De Barcelona is the only spanish formation devoted to perform contemporany percussion pieces (think Les Percussions D'Strasboug or other similar ensembles). Here they play three amazing pieces: Concert Equinoccial for percussion soloist, four percussions and magnetic tape, Tocatina for anissette bottles ensemble and Tinell for five percussionists distributed in space and quadraphonic magnetic tape. All tapes recorded at the Laborator…
Interpreta Obras De Xenakis, Taïra Y Lewin-Richter
**warehouse find, still sealed original copies**More early 80's action from the Hemisferio label, this time centered on contemporany percussion pieces. Secuencia I for percussion and magnetic tape, was comissioned by Josef Anton Riedl for the Munich Olympic Games (1972) and was originally previewed on that event by Michael Ranta. Cover is a painting by E.Fontecilla.
Anna Ricci Interpreta Obras De Andrés Lewin-Richter
**warehouse find, still sealed original copies**Early 80’s issue on nice laminated cover from Lewin-Richter’s mid to late 70’s pieces, many of them written specially for sorprano Anna Ricci. From pure electronic sounds, to deeply treated vocal bits via tape collage and sound poetry. Covert artwork is a painting by Ernesto Fontecilla.Incorporating a wide range of source materials (aside from Ricci’s operatic & at times psychedelic splendor, we’re treated to the sounds of the baschet instruments…
Musica Electroacústica
**warehouse find, still sealed original copies**Early 80’s issue, also on nice laminated cover, focusing on two decades of Lewin-Richter’s electro-acustic compositions. From the Columbia-Princeton days of Estudio I & II to his own personal tribute to the Baschet brothers sound-sculptures (Baschetiada) via his 70's collaborations with painter Ernesto Fontecilla (Fontecilla Mix II). Cover by Ernesto Fontecilla.
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Born in 1937 in Miranda, Spain, Andrés Lewin-Richter studied engineering at Barcelon…
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**Edition of 300, last copies** When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard are can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and obscure from the shadows - musical objects now given the ability to travel and gain the attention they deserve. One of the more fascinating …
Buy
Another newly reissued album included infamous and influential NWW list. An angular & brilliant mix of free jazz & post-punk funk, this seminal 1979 album is the quintessential No Wave release & the spark for much of what has come out of the Downtown New York music scene. Although James Chances Contortions had already appeared on Brian Enos legendary No New York compilation in 1978, Buy was the groups first full-length LP. An angular and brilliant mix of free jazz and post-punk funk, this semina…
Bload Stations * Syntax Error
Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …
Hardscore
C.P. reproduction of this obscure early 80s affair between the GRM-aligned French Composer Michel Redolfi and venerable Free Sax proponent André Jaume. Featuring easily the worst cover imaginable (hence its appearance in the maligned 199.x serié) this two-part suite is actually a hidden gem of rogue Acoustic-Electronic interplay & tight, blocky Concrète moves, heavily featuring Redolfi's Synclavier interjections.
The A-Side's Jaume-led suite features a quartet w/ Jean-Marc Montera on gui…