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Manbait is a survey of Regis's 2010-'15 productions and remixes for Blackest Ever Black. In addition to three originals (in several different versions) and his celebrated remixes of Raime, Vatican Shadow, Ike Yard, and Dalhous, it features three previously unreleased tracks: a Regis take on a lost song by his own teenage synth-punk group Family Sex, an alternate mix of Tropic of Cancer's "Plant Lilies at My Head," and an edit of his own "Blinding Horses." Regis -- real name Karl O'Connor -- requ…
Atsuhiro Ito, visual artist and sound performer, has held live show many times. This CD is consist of his two performances selected from them in Tokyo. Track 1 is at Hara Museum in 2009. Ito used his hand made 'fluorescent lamp' instrument OPTRON and some junk objects that they were exhibited as installation. Track 2 is at Harajuku Vacant in 2010. This performance was acted with a female actor and tech-noise unit Miclo Diet. Ito's junk noise by OPTRON and industrial rhythm of Miclo Diet were mix…
Montreal-based sound artist Anne-F Jacques utilizes the possibilities of degraded technology and incidental sound to create mechanical resonances out of tape assemblage, rotation devices, and DIY amplification systems. With an emphasis on technology versus nature, dans l'herbe centers on the mechanical rumble, field recordings and discarded sounds of the current industrial age.
A key figure among the burgeoning Worcester, Massachusetts noise scene, Seamus R. Williams crafts crude electro-acoustic sound collage made of murky tape loops and low-end electronics. Profuse... emits a cavernous sound of static debris, magnetic atmospherics and barren frequencies that all shift in unison.
An intricate collage of manipulated found and appropriated sounds taken from a series of concrète reel to reel tape experiments recorded throughout 2012 and 2013 in White's hometown of London.
Ultra-limited early Robert Turman archival release, Macro was originally going to be titled Roots, because it really goes back to what I was doing 40 years ago, just more modernized technique. I had always taken small snippets of tape and records, repeated them, slowed down, modified, and layered etc, Macro was all done on the computer. I'd been thinking about how in the old days, pop songs were always between two and three minutes long. Most of my music has always been longer extended pie…
A Handful of Dust is the duo of New Zealand noisemakers Bruce Russell (The Dead C) and Alastair Galbraith. Incorporating elements of drone, spoken word, minimalism, improvisation and utilizing everything from violin to toy telephone, The Dust crafts a genuinely unique style of free-form music. 'From A Soundtrack To The Anabase Of St-John Perse' a tape originally released via Russell's own Corpus Hermeticum imprint nearly two decades ago finds the duo under the influence of the 1924 poem of the s…
Game of Patience is one of the few groups in South East Asia region dedicated solely to the creation of free improvised music. Unconstrained by any given tradition, they draw influence and techniques from both the Asian and Western experimental music traditions. Performing with a focused intensity complimented by mercurial group interplay, they create sharp sweeping shards of improvised noise-jazz, creating textures combining extended techniques and electronics with elements of free jazz, electr…
The subjective portrait of a geographic entity. Latitude: 45 51\' 24.12 N 45.8567Longitude: 6 10\' 19.92 E 6.1722. Composed between 2004 and 2007 in Annecy (France). Co-produced by MIA. LAC is dedicated to Eric La Casa.
Obscure early 80s Italian electronic LP /The latest release by the Parisian label is thanks to a fluke find by an Antinote family member, who by pure chance, unearthed an unreleased guitar and synth musical jewel from Italy circa 1984. An until now unknown collaboration between a guitar maestro, composer of contemporary dance scores with a gifted electronic music composer. Melodic complexity and rhythmic sonic beauty embrace to create a unique and timeless classic that has already achieved …
John, Betty and Stella is a collaboration between Krojc and Fischerle, two musicians who feel best wandering around stylistic eclecticism. The record is a radio drama based on vintage audio material for learning English. Krojc and Fischerle cut out textbook roleplaying activities from the source material on old vinyl and processed and adapted the clips. The result is a funny and surreal collage of dialogues, sound effects, and music resembling a series of skits. The recordings are saturat…
Luca Sigurtà has been composing electronic music since the early 2000s; Warm Glow is a great step forward in his compelling and very personal musical journey. On Warm Glow, Sigurtà's emotional electronic noise is mixed with slow-paced rhythms and delicate flows of analog synth. It's an original sort of trip-hop-noise-ambient, marked by remarkably melancholic melodies and beautiful digital and analog sounds. With a passion for silence and noise, Sigurtà has previously released on Fratto9 Und…
Leslie Winer is an artist and author living and working in France. Earlier releases include Witch (recorded in 1990, released in 1993), & That Dead Horse (recorded in 1994, released in 2010), Always Already (2011), and the retrospective compilation Leslie Winer &c. (WHO 003CD, 2012). She has collaborated with Jon Hassell, Bomb the Bass, Mekon, and her words and voice were heard on a track on CI by Diamond Version (Carsten Nicolai and Olaf Bender) (2014). As of 2015, she is co-editor and co-execu…
"Sorcerer of Sound" or "S.O.S." is a concept album by Justin Wright of Expo '70. A collection of analog improvised experiments that harken back to the early days of private press releases. LP to be released on Polytechnic Youth late Summer. Cassette version will be presented in hand dyed outer shells in an edition of 50. Long-term devotees to Wright’s recording career will no doubt dig that although aspects of the recording equipment and improvised approach here may alter slightly, the …
Limited to 300 copies."Presage is an LP less split than twinned, like stars, each side pulled into a mesmerising gravitational dance by the other's backspin. Black Dirt Oak and Jantar, siblings of sibilance and site, complete one another's sentences in a dark and uncanny psychic psalmistry. For their part, Black Dirt Oak stomps out a series of chthonic ur-grooves, filthy bare feet splintered by silicon shards and splashing in puddles of molten rare earths. They kick up a black angel dust of deca…
Edition of 200 copies. Screen printed heavy duty white Polarizer jacket. Each record includes a signed/#'d screen print and blank, white, Polarizer cassettes. By purchasing Polarizer the buyer agrees not to reproduce any part of Polarizer digitally but unlimited analog duplication is allowed and white Polarizer cassette tapes are included to encourage duplication.
Eleh's Polarizer is a two part series focused on the instant reality of the analog world.
Since the mid-'90s, Seattle-based guitarist Bill Horist has been making music within and without convention in a wide variety of settings and genres and has worked with many notables in rock, experimental, and new music. He has played on dozens of records and has performed throughout North and Central America, Europe, and Japan, collaborating with numerous leading lights in a beguiling range of genres. He delivers an idiosyncratic and richly emotive take on the world's most ubiquitous instrument…
A work of slowly evolving beauty that gradually unravels its meditative design. Recorded in 2013 in the mausoleum of Norwegian sculptor and painter Emanuel Vigeland (1875-1948) in Oslo, a recording space that is famous for its acoustics and its long and full-sounding reverb. These three tracks utilize both the delicacy and the power of acoustic instruments and human voice in relation to the unique recording space. Otherworldly and eerie but also with a great primal expressive force. Perfo…
Issa is the debut release from Bristol-based musician and composer Kit Wilmans Fegradoe. The magic in Issa comes from Fegradoe's powerful exploration of emotion and sensitivity, which leads to a deeply personal and revealing listen. The work evokes the scale of Michael Stearns's compositions for film, whilst eliciting a minimalist undercurrent throughout. The album is sculpted from guided improvisation sessions in the studio with fellow musicians, traversing around the narrative of Issa, a …
Double LP version. Edition of 1000. Another smoker from Acid Mothers Temple & The Melting Paraiso U.F.O., in typically fine form. Benzaiten is an In C-style homage to the classic Osamu Kitajima record Benzaiten (1973). Acid Mothers Temple covers the title-track and reprise using Kitajima's original composition as a departure point to explore the outer realms of AMT territory. Further instrumental explorations reveal textures of the original composition while launching out further into the cos…