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A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
This is a rather unusual recorded material from Yiorgis Sakellariou, a greek sound artist who has been concentrated for the past few years under the project and recording name Mecha/Orga over treating manipulated field recordings and electroacoustic sounds into minimal atmospheric and textural live compositions, both on stage and in various releases. “31:56” (2007 production) is rather different in context; no sample-based or acoustic material is used but strict electronically generated signals,…
An improvised duo piece of Nikos Kyriazopoulos and Korhan Erel. Recorded live at Knot gallery, Athens, on March 18, 2011 this documentation consists of both artists' performing explorations on electronics and combines the ‘warmness’ of handmade analog oscillators and spring reverbs (by Nikos Kyriazopoulos) to the ‘sharpness’ of digitally synthesized and computer-software performed sounds (by Korhan Erel who played with his Omnibus instrument). Both traditional and contemporary electronic equipm…
Free piece of tape is an Athens-based duo of Giorgos Axiotis and Efthimis Theodosis that has been performing and producing amplified and electroacoustic music for the past eight years. “Two fields and a snowflake” is a rather peculiar approach to their usual sounds, since it consists of three totally acoustic improvised tracks, played and recorded live between March 2008 and April 2009 in three different locations in Athens; at a toilet, a living room and a 2nd floor balcony. Use of smaller inst…
“::Vtol::” is the recording & performing project of the Russian electronic-music artist Dmitry Morozov, also a developer and designer at his brand that launches small-production handmade synthesizer modules. “Aerophobia” is a documentation of a December 2011 performance at the “Chocolate fabric Club” in Moscow. During the specific piece “::Vtol::” has utilized his unique modular synthesizer system as a generating source of electronic textures that are highly rich in material essence. Repetitive …
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Feathered Coyote is very proud to present this re-issue of Maurizio Bianchi's "Industrial Tape", originally self-released in 1980. Four tracks of explorations on analog synth, moving between eerie soundscapes that wouldn't sound out of place in a late 70s/early 80s horror movie, repetitive rhythmic structures and barrages of noise.
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
'Temple' is the final installment in Jan Jelinek's series of four vinyl compilations that bring together the wide variety of his music: commissioned works, live recordings, collaborations with other musicians as well as unreleased material from the last five years. Temple stems from a collaboration with French-Canadian choreographer Sylvain Émard. Temple is a re-worked excerpt of the music for the dance piece Fragments – Volume I and is a 10 minute drone work that builds from nothing more than a…
Compound Eye is Drew McDowall (formerly of Coil) and Tres Warren (Psychic Ills and Messages). Journey from Anywhere is their second album release following Origin of Silence, an art edition LP on The Spring Press label. This double LP features four sides of improvised electronics that lead the listener into the dark recesses of the duo's subterranean explorations. Each of these works move at a slow and considered pace, gradually unfolding into a transportative blur of dark psychedelic minim…
In 2001, Peter Rehberg (then of Mego) asked Parl Kristian Bjørn Vester aka Goodiepal if he would be interested in doing something for the label. Despite meeting on numerous occasions at various events and happenings around Europe, nothing was delivered. One hot August day in 2013, a large package arrived containing lacquers for a double vinyl LP. Here it was: the Goodiepal Mego album delivered as lacquers and not a WeTransfer link. The lacquers were sent to plant and made into test-p…
Restocked! First appearing incongruously on John Fahey's Takoma label in 1981, Nommos remains enshrouded in impenetrable mystery – from its understated artwork to the rich assemblage of analog synths contained inside. According to Head Heritage, Nommos is the "missing link between the proto-industrial rhythm and drone of Suicide and the whole minimalist drone / static / repetition method of Terry Riley and La Monte Young." Best known as a producer, CRAIG LEON worked on landmark debuts from SUICI…
Superior Viaduct is honored to present the first-time official release of Artemiev's original soundtrack for the film (not to be confused with the previously available re-recording of the music). It's only appropriate that Solaris, Russian filmmaker Andrei Tarkovsky's psychological sci-fi classic from 1972, contains an equally original and mind-bending score. Solarisexplores the inadequacies of time and memory on an enigmatic planet below a derelict space station. To reinforce the film's chillin…
Facsimile reissue of Franco Falsini's stellar debut album of proggy krautrock "Sensations' Fix guitarist, keyboardist and occasional vocalist Franco Falsini cut his teeth with Italian groups in the '60s before assimilating the heady guitar virtuosity of English rock. In 1969, he moved to Virginia and built a recording studio in his girlfriend's basement, employing little more than his guitar, the newly available Minimoog synthesizer and a 4-track machine. These raw tracks, intended to be simple …
Awesome, monolithic slab of metal machine music from 1977, France, Paris...Heldon! A prog/early electronic holy grail replete with breathtaking and far-out Heldon's most crystalline work, building to the epic crescendo of the title track. Many fans consider this to be their masterpiece, but more importantly, Interface is a record that will continue to unfold for centuries to come. Richard Pinhas is an artistic iconoclast. A French intellectual as likely to collaborate with MAGMA as the radica…
Doris Norton, founder member and keyboardist of the esoteric legends Jacula and Antonius Rex, was a pioneer in the early electronic/computer music. She began her musical carrer playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled "Under Ground" (Musik Research). Sponsored by Apple computer and the Roland Corporati…
Back together a few years ago, after a silence that lasted about 20 years, Central Unit were a unique case in the Italian scene of the ‘80s. Coming from Bologna and active during the years of the so-called 'post-new wave', the group did not take long to get noticed by the press and television, due to the release of the EP debut "Loving Machinery" and a self-titled LP. Since the beginning it was clear that Central Unit would not settle on the small Italian scene, given the internatio…
The first ever stdio album by the Melbourne based synth-punk band who first crawled out of the dark 35 years ago. Recorded with Neil Thomason (My Disco, the Slits) and mastered by David Walker (Lost Animal, Pikelet, Twerps etc), 'The World Is Fucked' pulls no punches across its nine one-word songs. The sound is a kind of shimmering ball of white noise and malice, a floating miasma filled with all the bile most people never let emerge from their subconscious. The album also includes their version…
First ever vinyl reissue of this legendary 1979 French masterpiece named after the high priest of Jupiter, classic Nurse With Wound list-style French ritual psych that ranks alongside Archaia, Spacecraft et al: brain-razzing repeat synth minimalism gives way to walls of solemn wordless chant that is as magisterial and otherworldly as Popol Vuh’s Aguirre soundtrack. Blats of epic mellotron phase into heady occult zones that would somehow marry Magical Power Mako’s amazing Super Record w/Hermann …