In the last hour
Janek Schaefer first surfaced 10 years ago with his sound-activated tape recorder installation 'Recorded Delivery'. He followed that with a range of award winning turntable and vinyl related projects including the random playing Skate LP, and the Tri-Phonic Turntable which he hand built to transform sound. In recent years, Schaefer's work has expanded into areas revolving around composition, installation, and the exploration of site specific instrument and location recordings. 'In The Last Hour'…
Fragments gourmands
1999 release ; two mid-90s concrète pieces from lejeune - both based on brillet-savarin’s “greedy fragments” (the english version of lejeune’s exceedingly detailed / gross libretto is printed below en toto) & performed by daniel kientzy ...delightfully wonky digital-era concrète, replete with bad “lounge” drum-machine beats & endless french-language insinuation(s) whose subtlety is lost on a part-time speaker such as myself ...ina-grm press release...“gourmet passages”after brillat-savarinanimal…
Pour Entrer Et Sortir d Un Conte - L'Eglise Oubliee
Two musique-concrete episodes from a larger work entitled Les Contes de la forêt profonde (Tales from the Deep Forest) sparse entries, with an emphasis on sliding shepard tones & digitally mutating concrète texturesPour entrer et sortir d'un conte (1990 - 21'05) the "entrance" is like passing through a maze. the elements are propelled by processes of repetition and recurrence and tend towards stagnation within a structure consisting of blocks set side by side and thick. compact, opaque masses. t…
Eloge de la betise ou les peripeties des Ubu
Funambulesqueries en 14 séquences adapted from Alfred Jarry's Ubu Roi, for voices, saxophones and tape. Jacques Lejeune studied music at the Schola Cantorum and the Paris Conservatory with Daniel-Lesur and Pierre Schaeffer before working with François Bayle at the Groupe de Recherches Musicales. He entered the GRM in 1968, taking charge of the “music cell for images”, where he completed various projects for stage and television. It was at his insistence that in 1978 the Ateliers de la Musique Él…
4 rooms
This is Jacob Kirkegaard's second release for the Touch label, after Eldfjall. Born in Denmark, now living and working in Germany, here he explores one of the worst man-made disasters in history. The Chernobyl nuclear power plant exploded on April 26, 1986; clouds of radioactive particles were released, and the severely damaged containment vessel started leaking radioactive matter. More than 100,000 people were evacuated from the city and other affected areas. Despite the fact that radiati…
In Opposition To Our Acceleration
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
I, Angelica
Sounding like an archaic echo, If, Bwana could be the title of a Bob Hope-Bing Crosby vehicle that never got made. A little investigation reveals it as the oddly worded cover for Al Margolis, who is perhaps better known as a tireless activist in the 1980s American cassette underground and, later, as the co-founder of experimental music label Pogus Productions. Derived from an acronym for It's Funny, But We Are Not Amused, the name sticks out like a cartoon-swollen sore thumb alongside such artis…
Electronic music
Iannis Xenakis is without a doubt one of the major figures in the development of music in the 20th century. In 1957, he joined Pierre Schaeffer and others at the GRM (Groupe de Recherches Musicales) in Paris, and it was there that Xenakis composed his early works for electronic tape. Xenakis' distinct sound is already apparent in 'Diamorphoses' (1957) which incorporates sounds of distant earthquakes, car crashes, jet engines, and other 'noise-like' sounds, and 'Concret PH' (1958), based on the s…
Kerflooey
Mindblowing pure droney nectar limited LP, very last copies around..."Beautiful artwork can be the gateway to a promised land of sensual delights and aural ecstasy. This is a perfect example of that collision. Recorded at home for the famed Resonance 103.3 FM and broken into two parts for the record, Kerflooey consists of two multilayered, well-crafted sonic drone actions of subtle, beautiful, and haunting densities. Ian Nagoski takes the listener on a reworked journey through his previ…
Tapestries
Hugh Davies was one of the masters of contemporary experimental music. His tireless search for musical invention and his historical accuracy led him to explore different fields in music. This one is a selection of his lesser known electronic pieces, that he choose to represent his own approach to the matter. Now that he’s not more with us this collection remains as an outstanding picture of his creativity in music. In the broader sense, as he was used to do. 16 pages booklet with liner notes b…
s/t
an awesome album by Vaggione whose music (instrumental and electroacoustic) is regularly played worldwide in major centers of contemporary music. awards includes the first newcomp computer music prize (usa, 1983), bourges prizes (1982, 1986, 1988), iscm-trinac prize (1985), daad berlin kunstlerprogram award (1987), international computer music association (icma) commission award (1992), euphonie d'or (bourges 1992).
La maquina de cantar
Argentinian born electronic composer Horacio vaggione (known to some for his involvement with the Alea group) threw together this 2 track masterpiece of multilayered sci-fi epic glop in 1978 for the Cramps label's relished Nova Musicha series... Relying solely on an IBM computer, the title track from 1971 retains the massive energy and unrelenting use of texture and sonic layering that have occasionally given him comparisons to the work of Conrad Schnitzler. The closing piece, 'Ending', is a cla…
BJ NILSEN and STILLUPPSTEYPA, Second Childhood
This CD is the first collaborative release by prolific Icelandian sound artists Hildur Gudnadottir, BJ Nilsen and Stilluppsteypa. Hildur Ingveldardóttir Gudnadóttir : She has been around in the core of the neu-icelandic music scene for the past years, and is a prominent figure within the group. She has worked with various artists such as Múm, Skúli Sverrisson, Pan Sonic, Jóhann Jóhannsson, Schneider TM, Angel, Stilluppsteypa and is also a member of few bands, most noticeable Nix Noltes Bi…
Mouvements
With 'mouvements' the artist Hervé Boghossian presents his newest work. Regarding the technique of composition as well as the acoustic effect the album is an exception. Starting point are several guitar-compositions played live into computer. In a second step the composition is re-worked using plug-in-effects. The results are gliding sounds. A pleasant harmonic take in the glassy-metallic sound - a far reminiscence of the primary of the guitar-composition. Thus the complete album becomes a real …
New American Ethnic Music Volume 4 : Ascent to the sun
The final release in the New American Ethnic Music series (but not the last Henry Flynt on Recorded) is Ascent to the Sun, a brilliant, sparkling hillbilly raga in the family of You Are My Everlovin' but with a unique double violin approach and a mind-bending structure all its own. The piece covers incredible ground in terms of specificity of mood and sentiment, and is deeply listenable and experimental at once. It is a new creation by Flynt circa 2004, engineered by Tim Barnes
New American Ethnic Music Volume 3 : Hillbilly tape music
Third volume in the New Americam Ethnic Music series, following: You Are My Everlovin' & Spindizzy. Featuring recordings from 1971 through 1978, this focuses on shorter tracks that explore the third-ear mania of looped violin playing as well as could be imagined. Breathtaking stuff and essential for all followers of the Tony Conrad/post-minimalism timeline. "This is an amazing document of the nihilist father of concept art and inventor of electronic Hillbilly music. The record shows more t…
Purified by the fire
a drone masterpiece, The psychedelic sounds of musical pioneer Henry Flynt's drone works with collaborator C.C. Hennix are quietly becoming the stuff of legend. Over some 40 plus minutes, we are treated to a true tour de force that's part Hindustani inflected musical miasma and part warped hillbilly vibrational swing that sways in and out of auditory focus. This is vertiginous music for the third ear. Line Up: Henry Flynt (Violin); C.C. Hennix (Pandit Pran Nath Tamboura)
La danse des tonneaux roulants et brisés
Le pionnier légendaire de La poésie sonore Henri Chopin (1922 - 2008) livre ici sa dernière composition datant de novembre 2003, réalisée chez lui à Dereham en Angleterre avec son micro et son Revox stéréo. Cette pièce de 51 minutes en trois volets témoigne de La vitalité et de La créativité dont faisait preuve Henri Chopin qui travailLait encore à plus de 82 ans !, avec acharnement et passion.
Paysages Planétaires
In 2000, Henri Pousseur was asked by Philippe Samyn, a Brussels-based architect who liked to work in collaboration with other artforms, to lend his support to the plan for the construction of a business complex by one of the most important building enterprises in the country. There were four low buildings arranged like different parts of a medieval castle-village, grouped around a kind of large open central court. Leaning on the suggested image, Pousseur immediately suggested that the fir…
Land
B.J. Nilsen lives and works in Stockholm, Sweden. Born in 1975, he began working with experimental music and sound at an early stage. He was influenced by the early tape movements with the pioneers of sonic assault and released his first recordings at the age of 15. Benny founded hazard in 1996 after a couple of years as a guitarist/bass player in several local bands. He has since then focused on the sound of nature and its effect on humans, field recordings and the perception of time and space …