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Edition of 300. All signed and hand numbered by Angela Seo and Jamie Stewart. Body of the box is cut from sturdy foam created for Swarovski, outer casing is made from core colored Italian paper (680 gsm). Lyrics book is printed on Munken paper (90 an…
Edition of 350 copies. Pressed on 180g vinyl, including insert and sticker by Luca Salvatori. Aleatory. Rhizomatic. This is the beat broken free of metrics and binary quantization. The beat, with its bindings shattered, charging loose onto the dancef…
*70 copies limited edition* Rubies flicker in and out the redounding dark smoke of urban imagery, circles of deep space ignited with fiery psychedelic mists. Ride on shadowy golden manes in fleeting bands upon the winds of Yokujitsu.
*2024 stock. 200 copies limited edition* Kinematik spent the best part of 2020 under lockdown, trying to come to grips with Lebanon's and the world's new realities, battling societal, economical and sanitary hurdles and obstacles. In October 2020, up…
Sam's Enchanted Evening is a Residential version of a one man show in cabaret format. It stars Randy Rose as Sam, who shares stories and songs from his life that have the most meaning to him.
The first public performance was a shorter experimental pr…
Once you'll touch the sky you will never return to dust’ is the fifth studio album by Roberto Opalio, “the more sinister half of My Cat Is An Alien” according to Byron Coley.
This is the 3rd appearance of Odesa-based Hennadii Boichenko (ex-Indirect) on Muscut, after his contribution as a part of the Indirect band (Ab Pharmacy / Waltz - 2014, Ode To The Sea - 2016 with Nikolaienko). 7” single, “Sea Songs,” - is a record mi…
*2023 stock* CD in 4-panel, full-color gatefold digisleeve. Cover artwork and foreword by Roberto Opalio. Design by My Cat Is An Alien.
‘The Sky With Broken Arms’ is the brand new studio album by My Cat Is An Alien which officially opens the duo’s 20…
Following on from his widely praised work for piano, percussion and large ensemble ‘The Horror Of The Avant Garde(S)’ in 2023, NM is pleased to announce the release of Melbourne/Naarm bassist and composer Joseph Franklin’s debut solo album, ‘a thousa…
"The Piano’s been one of the instruments Limpe Fuchs received an academic education for when attending the Music Academy in Munich during the early 1960’s. In the early 1970’s Friedrich Gulda, the world-famous classical pianist, who was eager to leav…
*200 copies limited edition* Great compilation from French label Fern Recordings. Featuring: Vincent Jehanno, Alice Kemp, BRB>VOICECOIL, Leif Elggren, Jeph Jerman, Yeast Culture, Aliénor Golvet, Anne Gillis.
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the sec…
*2024 stock. 300 copies limited edition* The first volume in a series of live, improvisational & spontaneous scores to silent and obscure movies by the ever morphing RAIC (aka the Richmond Avant Improv Collective), who settled on an 8 piece ensemble …
*2024 stock. 250 copies limited edition* The music on this album sprang out of my work for the Magam project and consists of 3 suites –2 of which have, in earlier stages, been used for a butoh and a dance performance respectively– that cover the dist…
*2024 stock. 100 copies limited edition* "My name is Francesco Covarino (Perugia, 1979). I live in Granada, Spain and teach Italian. I play the drums in a duo called Covarino/Incorvaia, with which I've released two albums: "Perugia" (Preserved Sound,…
*200 copies limited edition* "Suspension pour une perte was created with a gap in time. A first recording of a broken piano was made by chance in 2012. This recording was forgotten for a long time, as its nature was that of a very limited sonic range…
Christina Carter, David Menestres and Andrew Weathers
Recorded at Tablelands Center for Bio-Regional Art, Shallowater, TX, March 30, 2022.Mixed & Mastered by Andrew Weathers at Wind Tide, Littlefield, TX
Remember hearing music while dreaming, fully confident that you’ll be able to reconstruct it once awake? Music that, as it turns out, you were the sole witness. In retrospect, why ruin the experience by something so vulgar as hearing it a second time…