Insides Vol.1
Insides suggests a need for now, not some heavy, heady accumulation of then. (though you can rest reassured this publication is assembled by heads, but not just for heads) In that accumulation, we lose track of our intimate effort and subtle progress. We’ve assembled several events (both past and present) from RVNG and surrounding enterprises to explore and experience beyond the catalogued accomplishment. A reexamination of RVNG with a myriad of mechanics under the hood. Inside the debut i…
Recordings 1980-84
German music producer and performer Mike Vamp has been an active part of the early 80´ies West-Berlin Punk, New Wave and experimental music scene. His solo performances at the Quartier Latin and at the legendary Loft, Metropol brought him respectful attention. His first release on his own label Takt Records was followed by an album-tape-release on Ralf Rexin's 007-Tapes and a 12" release on Tiara Records. West-Berlin's subculture has been determined by the painters from the "Geniale Dille…
Scores at Ftarri
It’s been five years since Ftarri, an online CD shop and record label specializing in improvised music, opened a physical store of the same name in Suidobashi, Tokyo. This is the fourth title in a four-CD series celebrating the store's fifth anniversary. "Scores 1200," the CD's 60-minute track, is a composed work by Hiroyuki Ura based on a sculpture by Kenichi Kanazawa. A live performance by the trio of Kanazawa (steel square tubes, hammer), Ura (VSS-30 sampling keyboard, drums) and pianis…
Brdo
Limited Edition of 100 copies.
It started again the CDR series, with a historical name of the ANTS catalog: Albert Mayr. This work dates back, like the previous "Suono Ambiente" of the same series, to 1978.A research project on a hypothesis of a "community rhythm" well described by Gillo Dorfles in his notes of the time:"The time-space musical analysis performed by Albert Mayr in February 1978 in the tiny village of Brdo, in Istria, is the result of long meditations and deep practical experiment…
The Swinging Reflective
Out of print for 17 years, Nurse With Wound's The Swinging Reflective was originally released in 1999. Features collaborations with Coil, Diana Rogerson, Jim O'Rourke, William Bennett, Legendary Pink Dots, Foetus, Current 93, David Tibet, Tony Wakeford, Inflatable Sideshow, Aranos, Chris Wallis/Peat Bog, and Tiny Tim. All tracks are remastered and it is the perfect partner for Swinging Reflective II (DPROM 134CD). Also features Steven Stapleton and Stereolab. This set is packaged with all new ar…
Hargawaan Por Shail
** Edition of 150 copies** With hard-to-define instruments, Varkenshond creates ritual and tribal madness in the vein of early Silvester Afang and Zero Kama. Varkenshond was founded in 2006 in Antwerp, Belgium while the to-be members were studying Maggergergorian spiritual philosophy with Wim Vanaeghe, Thomas "Gergeti" Kreuzfeld, and Koera Mönggüm Sorgan. They released a CD in 2007, the result of a series of therapeutic music sessions led by G. Karkaronga, and a cassette in 2013, a selection…
13 & 27
13 & 27, realized by The Insub Meta Orchestra and composed by Cyril Bondi & d’incise, unfolds as a double suite exploring the power and flexibility of the large electroacoustic ensemble. Recorded in Geneva with 32 musicians, each part is shaped by precise, minimalist instructions - players are limited to a handful of possible gestures, often just two sounds per person or long filaments of feedback. This framework, restrictive on the surface, opens a field of possibilities for dynamic interaction…
Real Folk - Lathe Cut Singles 1993-1997
A bone-fide underground legend, Witcyst has been creating completely unique noise music from the isolation of smalltown New Zealand since the late eighties. For three decades Witcyst has been an infamous prol yet mysterious force of the deep noise underground, sharing handmade cassettes, lathe cut singles, CDRs and art objects via the post, but never touring or appearing live. Witcyst’s mysterious career is marked by a complete absence of live performances and a massive prolificness in rec…
Music For Piano
This new recording is collaboration by Yasumune Morishige and Rezen. Yasumune Morishige is one of Japan's most unique voices of the cello, improvising musician. His sound is not only hard edge and deep but also sensitive, however, he has played with other artists almost than solo. Reizen has acted as ambient unit Nerae until several years ago. He plays guitar drone now, and the sound was released on PSF and Fylkingen. In this recording, they played inside (and prepared) piano only. Especiall…
Borderland
Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom.
"Cilantro presents a world full of enigmas, labyrinths, sometimes abrasive, sometimes ecstatic, a complex and delicate subjec…
Le Corps Défendant
Delphine Dora and Mocke present Le Corps Défendant on Okraïna. Ned Netherwood of Was Ist Das? on the release: "There is something special about when artists like these collaborate. Two independent talents, both completely self-sufficient choosing to come together and see what happens, to let the muses mingle and share the results with the rest of us. What we have here, however, is not some quick jam caught on tape but a long distance collaboration carefully put together over three years. Th…
L’homme approximatif
Jean-Marc Foussat, whose electronic universe owes a lot to Dada and Pataphysics, has decided to put Tristan Tzara's "L'Homme Approximatif" in music, with an astonishing LP, that features himself at Synthi AKS and voice, and Jamal Moss: flûtes, cordes, piano and Jean-François Pauvros vocals
Contrapt
John Wall and Mark Durgan return after a lengthy absence with Contrapt. On Contrapt, they've created a fractured sound world woven together from improvisations that took place in the Utterpsalm Studio in London between 2012-15. The seven tracks on Contrapt are an attempt at imposing order, structure, and "expression" without meaning or intention, onto a huge amount of heavily edited sonic material.
Asakusa Follies
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…
Borbetomagus: A Pollock of Sound
Filmmaker Jef Mertens brings a raw, urgent, and unpolished vision focusing on a band that has spent almost four decades defining and redefining not just their music, but the boundaries of music itself. Band members Don Dietrich, Donald Miller, and Jim Sauter tell their story with the help of artists, writers, photographers, and filmmakers that include noted critic Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, groundbreaking Japanese noise unit Hijokaidan, and Switzerland's master…
Israel Suite / Dominante En Bleu
Gatefold LP version. Includes download coupon. Sommor Records present a reissue of Rupture's Israel Suite / Dominante En Bleu, originally released in 1973. Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc.) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc.) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cher…
Music In Eight Octaves
A multi-octave delirium at the summit of sonic density. Recorded in 2005 in Melbourne, Chris Abrahams and Anthony Pateras multi-tracked 4 takes in each octave of the piano, superimposing them over each other to create a kaleidoscopic maelstrom pianistic energy in its purest form. Best known as the pianist from The Necks, this is a distinctly different outing for Abrahams, exploring a more maximalist energy and aesthetic than usual. As with all Immediata releases, Anthony Pateras interviews h…
The Slow Creep Of Convenience
The Slow Creep Of Convenience is a single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes. The follow up to their critically acclaimed Entertainment =Control, Slow Creep furthers the duo’s spectral investigations in a different instrumental context. Glacially moving through diverse harmonic fields, the organ and violin perceptually fall away to create a unique psychoacoustic sound-w…
Extracts
"The first word that came to mind on playing Extracts was understatement, with an almost oriental minimalism and profundity on display. At times I was forced to check whether sounds were coming from the speakers or from outside. However, this is a far cry from the Radu Malfatti school of implied music since it is very much about close group interplay. Simon H. Fell's sonorous bass is of particular note, underpinning, colouring and giving the proceedings a kind of still, stately authority. Likewi…